From Chelsea to the canals, Londoners are taking to the water in search of a more peaceful way of life on a houseboat. Jo Rodgers clambers aboard.
Not far from World’s End, the Chelsea neighbourhood of 1970s council blocks and top-tier antique dealers, there’s a turn-off toward the Thames that you could pass 100 times without noticing. Next to the Embankment, a pair of planked wooden doors open to a quiet boatyard with a few handfuls of moorings, including the sunny houseboat of Alexandra Pringle, a publisher, and her husband, Rick Stroud, a writer and film-maker. A sturdy green gangway (‘the Waitrose delivery drivers are sometimes very nervous,’ says Alexandra) takes you over the riverbank to a red front door, flanked by hale plants, in terracotta pots and dolly bins, and a brass ship bell.
Refined and energy-efficient, J&J Residence is a modern house crafted by Hogg & Lamb. Using rammed earth as its hero material, the architectural design practice creates an aesthetically pleasing home that works harder for the environment than it may first appear.
Timeline: 00:00 – Introduction to the Modern Home 00:31 – Entering the Home 01:20 – The Rammed Earth Wall 02:24 – Building a Sustainable Home 02:47 – Sustainable Design Features 03:18 – The Unexpected Quality of Rammed Earth 03:44 – Materials Used 04:23 – What the Architect is Most Proud Of
J&J Residence is located in the Brisbane suburb of Chandler – an evolving suburb with a growing number of large-scale residences. Externally, Hogg & Lamb breaks up the visual solidity of the modern house with sections of glazing across the home’s two floors – the resulting façade evokes the image of stone fingers rising from the eroded hillside. Entering the modern house, residents find that the low front doorway precedes an impressive double-height entry space.
By purposefully juxtaposing the scale of the doorway and entry space, Hogg & Lamb creates a sense of experiential release so that the internal architecture of the home can be appreciated with a sense of relaxation. The architecture and interior design of J&J Residence is largely influenced by the use of rammed earth walls.
Alongside travertine, spotted gum and Viridian EnergyTech grey glass, the textural material of rammed earth establishes a raw, natural and calming material palette. The material is also integral to the energy efficiency of the modern house, featuring high thermal mass that keeps the house warm in winter and cool in summer. J&J Residence represents a triumphant first project for Hogg & Lamb. A modern house of style and sustainability, the residence demonstrates the versatility of its material palette.
Stemming from an inside-out design approach, Fairweather House sees a 1940s Federation-era home reimagined with a modern kitchen. While extending the home, Pohio Adams Architects designs in careful consideration of its heritage and current use.
Video timeline: 00:00 – Introduction to the Home 00:56 – The Client Brief 01:18 – Reinvigorating the Original Home 02:28 – Outside-Inside Planning Approach 03:56 – The Glass Pavilion 04:29 – Landscape Architecture 05:04 – The Heart of the Home 05:35 – Materiality 06:13 – What the Architect is Most Proud Of
Set amongst the equally grand residences of Sydney’s Bellevue Hill, Fairweather House brings together the old and the new through a considered lens. Pohio Adams Architects elevates the interior design and architecture of the Federation-style home with refined, contemporary insertions such as a modern kitchen, creating a sense of stylistic coherence.
Architecturally, Pohio Adams Architects respects the heritage of the building whilst steering the design towards functionality and grandeur. The original front façade is retained, as well as three formal rooms towards the entrance of the property. Throughout the house, alterations are well-considered and benefit the home. The inserted modern kitchen accommodates the homeowners’ love of entertaining, whilst an added glass and steel pavilion offers an externally focused alternative to the original dark structure.
Pohio Adams Architects designs the modern kitchen to be the hero piece of the interior design. Over four metres long, the kitchen feeds into a sense of openness permeating Fairweather House, allowing residents and guests to circulate with ease around the marble island bench. Located in the rear pavilion, the modern kitchen proposes the ideal space for guests to gather, with seating provided for six people.
Focusing on the relationship between inside and out, Pohio Adams Architects crafts a compelling interiority that actively refers to the external landscape. Fairweather House exemplifies the inside-out methodology, with the boundary between the rear spaces and the garden successfully blurred.
Hunton Court is an ancient house hiding behind a breathtaking Georgian facade, and all set in a truly beautiful corner of Kent.
Take a quick look at Hunton Court — near Maidstone, in Kent — and you’d immediately mark it down as an 18th century country house. Yet its true origins lie many centuries earlier: it’s a building that hides its timbered origins behind a Georgian look.
The house, once known as Court Lodge, had a turbulent history: first built in the 13th century and part of an estate that had belonged to the Canterbury’s Christ Church Priory, it was handed to Sir Thomas Wyatt, Henry VIII’s High Sheriff for Kent, after the Dissolution of Monasteries.
Blending into the black of the bush, Mahuika is a private island house that embraces the external environment. Faced with a challenging site, Daniel Marshall Architects (DMA) uses the unique building context to infuse Mahuika with a sense of legend and soul, crafting a secluded home with a fiery past.
Video Timeline: 00:00 – An Introduction to the Private Island House 00:32 – Mahuika – Fire and Renewal 01:09 – Utilising Natural Light 01:35 – Remote and Private 01:55 – The Pool 02:24 – The Kitchen Appliances 03:12 – Bathrooms and Bedrooms 03:55 – Challenges of the Build 04:18 – The Materials 04:43 – What the Architect is Most Proud Of
A private island house, Mahuika is located on Waiheke Island in the Hauraki Gulf of New Zealand. After a shocking incident that saw the project burnt just weeks before it was initially due to be completed, DMA named the home after the Māori Goddess of Fire. The timber-framed structure is designed so that the living room occupies the architectural cantilever, shading the pool below whilst bedrooms spread across different levels of the home.
In both surrounding context and brief, Mahuika presented DMA with obstacles to overcome. The changeable nature of the Auckland climate meant that the interior design and architecture of the private island house had to complement flitting natural light and striking external scenes. In addition, the design of the house had to be conducive to minimal visits to the shops during the week.
DMA convincingly responds to the difficulties proposed by the project, finding beauty within innovative solutions. The practice embraces the environment as part of the reality of living in a private island house, applying floor-to-ceiling glazing to the architecture of Mahuika in promotion of an authentic lifestyle.
In the kitchen, a generous whole foods storage system meets the requirements of the home whilst the sleek surface of Fisher & Paykel appliances reflects the view of the bush and sea. In Mahuika, the Auckland climate has the ideal subject. DMA designs the private island house to gracefully accept the ever-changing natural elements and vistas, welcoming them as defining features and reflecting them back out as parts of itself.
A solid concrete dwelling, The Hopetoun is a luxury super house, complete with a tennis court and sleek garage. Meticulously designed by FGR Architects, the new build combines architecture, lighting and textural detail to reveal internal spaces of surprising delicacy.
Video Timeline: 00:27 – Entering the Super House 01:21 – Minimalist Architecture 01:57 – Connection Between Spaces 02:19 – Positioning the House 02:59 – Lighting in the House 03:40 – Concrete Architecture 04:37 – Utilising Stone and Timber 04:54 – Breaking Tradition
Located in the leafy Melbourne suburb of Toorak, The Hopetoun is a super house designed to accommodate a large family. Situated on the corner of a road, the house is crafted to dramatically embrace the breadth of its site, presenting a broad and expansive façade to the street. A house tour of the property sheds light on the layout of the super house, carefully planned by the architect.
FGR Architects configures the home to maximise solar penetration via the northern aspect, fitting the sunlit side of the house with ample glazing and arranging the internal spaces to reflect the need for natural light. Whilst the southern orientation houses utilities and services, the northern counterpart is occupied by the most frequently habited rooms. A sculptural set of stairs forms the highlight of the interior design. FGR Architects uses lighting to express the structural prowess of the concrete super house, including the implemented overhangs within the architecture.
The delicate interaction between the undulating texture of the concrete walls and the warm wash of artificial light presents lighting almost as a material in itself, equal amongst the concrete, glass, stone and timber. Utilising the refined nature of concrete in relation to light, FGR Architects is able to create a sophisticated super house that possesses the robust material character to age elegantly through time. 00:00 – Introduction to the Super House
A modern-day dream home, Otsu House is a refreshing and timeless exploration of texture, material and light. The site’s proximity to the beach called for a pared back and neutral colour palette, filling the internal spaces with warmth and reflective character.
Video Timeline: 00:00 – Introduction to the House 00:29 – Design Influenced by the Environment 01:04 – Designing for Light and Airflow 01:25 – Concrete and Clay Finishes 02:57 – The Courtyard 03:15 – Neutral Colour Palette 03:40 – Landscaping and Pool Design 04:10 – Helical Staircase 04:53 – Ensuite Bathroom Features 05:18 – Concrete Kitchen Bench 05:36 – Successful Partnership
With easy access to the beach, it was important that the materials used within the structure were able to be self-maintained and endure the harsh Australian climate and beachside environment.
The dream home embraces open spaces, reminiscent of the nearby ocean. A continued theme of open space is felt throughout the house and is extended out towards the garden. The entryway is greeted with a void and an enticing sculptural staircase. Feeling as though it evolved out of the ground, the staircase draws the eye inward and up to the second level. The curve of the stairs reflects the textured clay render, Rockcote Japanese Otsumigaki, used throughout the interior and evokes a visual connection to ocean waves.
The Otsumigaki is both subtle and reflective, interacting with natural light and giving forth a lustre that is completely distinctive to the interior space. The raw nature of the Japanese clay and concrete used throughout the dream home acts as a significant connection to the beachfront. The textured material brings with it a warmth whilst also an endurance to the elements, specifically the salt from the ocean and the strength of the Australian sun.
Concrete is also used in the home’s ceiling, allowing for both thermal and noise barriers within the interior spaces. The material is also used in the kitchen bench and is in keeping with the natural, neutral colour palette present within the dream home. Otsu House also features a courtyard space, acting as both a lightwell and a visual connection for the downstairs rooms. The doors are able to be opened to allow a breeze to flow throughout the dream home, creating patterns with light and shadows. The linen curtains soften the raw concrete throughout and provide a delicate balance within the natural material palette.
Malvern House sees Lande Architects convert a one-hundred-year-old house into a modern home with a minimal addition. Traditionally, when architects convert a one-hundred-year-old house into a refreshed dwelling, they take care to preserve the heritage features of the property – Malvern House was no different.
Video Timeline: 00:00 – Blueland 00:09 – Introduction to the 100 Year Old House 00:45 – Modernising a Weatherboard Victorian Cottage 01:23 – The Client Brief 02:08 – Green Motif Throughout the House 03:30 – Utilising Natural Light 04:10 – Outdoor Areas 04:25 – Working Together with the Clients 04:58 – Blueland Home Cleaning Products 06:24 – Final Look at the Converted House
Lande Architects retains the original, decorative front of the Victorian weatherboard cottage, maintaining a connection to the defining architecture of the location. Lande Architects reconfigures the extension of Malvern House – located to the rear of the structure and comprising of the kitchen, living and dining spaces – to propose a larger footprint. Seven internal courtyards are added in adherence to the brief, which stipulated that the pockets of green space should feature within the interior design.
Softly defined by functional glazing, the courtyards form an important part of the overall scheme as Lande Architects convert a one-hundred-year-old house into a modern home. The design of Malvern House champions efficiency. Lande Architects insulates the home with double brick walls and a large concrete slab positioned to the north orientation, with the slab absorbing heat during the day and radiating the heat back into the house overnight.
Cross-flow ventilation is provided via the seven courtyards. Such mastery over the internal environment of Malvern House sees Lande Architects convert a one-hundred-year-old house into a home that can meet 21st century standards of liveability. Whilst the heritage front of Malvern House remains purposefully untouched, the rear extension is changed for the better. Lande Architects converts a one-hundred-year-old-house into a residence with a rich and evolving narrative.
Country Life’s architecture editor John Goodall looks at the architecture of the Tudor home.
In April 1521, Edward Stafford, 3rd Duke of Buckingham, was urgently summoned from his seat at Thornbury, Gloucestershire, to appear before Henry VIII. The Duke could reasonably claim by birth to be the outstanding nobleman of his generation, boasting descent from Edward III and—arguably—possessed of a better claim to the throne than the Tudors.
He played the role of a great nobleman with proud perfection, both at home and in such public events as Henry VIII’s meeting with Francis I of France on the Field of Cloth of Gold, where he jousted and appeared in costume of fabulous expense. His birth and magnificence, however, also made him vulnerable to Court intrigue.
Crafted by James Stockwell Architect, Bunkeren could be the best modern house in the world. Considered more landscape than building, the concrete dwelling is a robust insertion within the surrounding natural context. Embedded into a rocky forest edge just south of Newcastle,
Video Timeline: 00:00 – Introduction to the Best Modern House in the World 00:40 – The Concept 01:30 – Designing for Family and the Landscape 02:09 – House Inspired by Danish Design 02:25 – Intimate Spaces 02:44 – Bunker within the Landscape 03:20 – Benefits of a Concrete Bunker House 04:20 – Bringing Natural Light into the House 04:55 – The Cellar 05:30 – Materiality 06:12 – Indoor-Outdoor Living 07:05 – Highlights of the House 07:28 – The Architect’s Favourite Part of the House
Bunkeren sits on the land of the Awabakal people. Externally, the building is reminiscent of the inspiring botanical garden that once occupied the location in the late 1800s; sprouting greenery covers the top of floating concrete platforms where, beneath, the internal spaces are held. A sense of architectural freedom is permitted by minimising necessary supporting columns and removing the need for load-bearing walls, lending structural significance and an impressive silhouette to what is considered the best modern house in the world.
A house tour of Bunkeren – named according to the Danish translation of ‘bunker’ – reveals the negotiated peaks and pitfalls of the bunker configuration. In materiality and position, the home expresses a reassuring invulnerability; partly shielded by the rocky landscape and comprised of concrete, Bunkeren can retain its structural integrity in the event of a bushfire or storm. Crafted by the architect to be low maintenance, the home does not require painting and cannot be eroded by mould or termites. The enveloping botanical element of the design supports the forest ecosystem and microclimates by interacting with natural species. James Stockwell Architect designs the interior to combat the limited natural light and ventilation associated with the architecture of a traditional bunker. Skylights and an internal garden draw light into the underground aspects of the home in an aesthetically engaging manner, whilst the elevated nature of the concrete platforms allows space for fresh air to travel through the dwelling. The interior design of Bunkeren contributes to its potential as the best modern house in the world. Whilst utilising the work of local artists, James Stockwell Architect also takes care to reflect the influence of Danish design culture in consideration of the homeowners’ lifestyle. In application of the Danish principle of proportion, all decoration is scaled to human level, emphasising the togetherness of the family unit. The design also champions the Danish furniture inherited by the homeowners. A restrained approach to styling sees each space defined by a sense of intimacy, with the absence of elaborate ornamentation establishing an unimposing, experientially gentle atmosphere. The most unique aspect of the home – through which James Stockwell Architects proposes Bunkeren as the best modern house in the world – is the cellar, situated at the lowest level. Inside the space, the rock into which the residence is settled within is left exposed, providing visual drama, natural tactility and a reflection of the external environment, blurring the line between the home and landscape. Warmed by the additional materials of wood, concrete and brass, the cellar exudes individuality. In 20 years, the foliage surrounding Bunkeren will have grown, until the building cannot be clearly distinguished from its natural context. It is this foresight that allows Bunkeren to be considered the best modern house in the world.
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