From a Dwell.com online article:
Situated on a sweeping two-acre lot, this 452-square-foot abode is just right for two.
In order to create a small yet comfortable vacation home for a young couple, the multidisciplinary workshop TACO, or Taller de Arquitectura Contextual, sited it in the corner of a two-acre lot, then employed built-in elements for an “intuitive” interior layout.
Rough stucco mixed with artisanal paint conveys warmth and texture, while precisely placed apertures connect the interior to the remote setting. “The objective was to achieve a reflective and contemplative place that links the occupant with the surrounding wild landscape,” said the firm.
To rad more: https://www.dwell.com/article/monte-house-taller-de-arquitectura-contextual-264baeaa
…the Yō no Ie re-imagines a life in suburban-rural areas, rather than urban-suburban. This reflects quiet yet significant social changes – or rather, shifts in life priorities of people and how they define happiness. In the 20th century, when society was excited about economic growth, everyone dreamed of living in cities, working at big companies by navigating a world of fierce competition, either spending an eye-popping amount of money on a small urban condo that quickly became a norm, or traveling hours to commute from a more affordable home in rapidly sprawling suburbs.
Our idea was not to make this house feel like a building, but to free it from form. We wanted it to be just a borderless box that emerges out of nowhere in the sky, as if the thickness of the wall and roof were non-existent, but still able to make holes in the ceiling to install curtains, air conditioners, and embed lights. Our intention was to give an illusion to onlookers that the entire ceiling was in the same straight line even though we featured a drop ceiling and a slope that was intentionally used to make the wall and ceiling look thin.
“The jury was unanimous in celebrating this inventive solution to reconfiguring a dilapidated Japanese colonial house.
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
This model is going to be completely off-grid in its seaside location. On the roof are 6 x Trina 270w Honey Poly Module panels. A storage box over the tow bar stores the inverter and 4 x C&D 12V 192Ah c20 FT Lead Carbon Cyclic Batteries that will power the home. A new feature in this home (requested by the client) was a folding shelf in the bathroom above the toilet. 
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
The Home Upgrade looks beyond big budget projects and explores homes where the seemingly impossible has been achieved. For architects striking out on their own, such projects offer the opportunity to flex their muscles and lead a project for the first time. A home in Brooklyn, featured in the book, was refurbished after Hurricane Sandy ravaged the Eastern Seaboard in 2012. The living space was raised above the high-water line, an answer to the grim fact that once-in-a-generation occurrences are a new reality.
Boomers Daily 