From a National Geographic online release:
Travelers are dreamers who act on their inspirations. The new National Geographic book Epic Journeys: 245 Life-Changing Adventures is for the people who go beyond their comfort zones to experience the wild beauty of the natural world. The book features adrenaline-fueled forays to all seven continents. (See the most breathtaking national parks around the world.)
While the spirit of exploration spans the globe, being an intrepid traveler doesn’t have to mean summiting Mount Everest or surveying icebergs in Antarctica. Some of the planet’s wildest places—launchpads for all sorts of discoveries about the world and yourself—are in North America’s national parks. We’ve selected 15 mind-blowing adventures to inspire your inner explorer.
To read more: https://www.nationalgeographic.com/travel/national-parks/15-epic-national-park-excursions/
One way to understand American cuisine is through its regions — and the regional traditions that underlie the history of American cuisine. New England, the South, and New Orleans Creole are the regional cuisines of America. Examples of New England cuisine are “Yankee Pot Roast,” the lobster roll, and clam chowder. Southern favorites include grits, collard greens, okra, fried tomatoes, and sweet potato pie. Louisiana’s signature creole dishes are jambalaya, gumbo, and étouffée.
The first book on magazine sensation Holiday, which between 1946 and 1977 was one of the most exciting publications in the world. Renowned for its bold layouts, literary credibility, and ambitious choice of photographers and artists, Holiday portrayed the romance of travel like no other periodical.
Brian Kalt, an expert on US constitutional law and the presidency, talks to Jonathan Kay about the 25th Amendment and whether it can be used to remove a president. Professor Kalt recently published a book called 
I became engrossed in Mitchell’s drawings while browsing the book—they’re vivid, intimate—but her handwritten lyrics and poems are just as revelatory. It’s hard not to think about art-making of any kind as an alchemical process, in which feelings and experiences go in and something else comes out. Whatever happens in between is mysterious, if not sublime: suddenly, an ordinary sensation is made beautiful. Our most profound writers do this work with ease, or at least appear to. Mitchell’s lyrics are never overworked or self-conscious, and she manages to be precise in her descriptions while remaining ambiguous about what’s right and what’s wrong; in her songs, the cures and the diseases are sometimes indistinguishable. 
Joni Mitchell, in the foreword to “
Not until July 16 did Edison feel that he had a device worth patenting. The application he signed that day specified multiple timpani that “reproduced” vocal inflections and a sibilant-sensitive diaphragm. But a laboratory visitor (spying for Bell) found the instrument more powerful than clear, with the word schism sounding more like kim.
A Booklover’s Guide to New York, by Cleo Le-Tan, with drawings by Pierre Le-Tan (Rizzoli)
“Agent Running in the Field” is narrated by Nat, a 47-year-old spy for British intelligence—known not as “the Circus” of yore but, more prosaically, as “the Office”.
Whereas most Wright biographies build from one structure to the next, this one caroms from one digression to the next. Mr. Hendrickson spins miniature biographies of the people who commissioned Wright to build their homes and office buildings. An array of midcentury figures appears: e.g., Glenway Wescott, the novelist and poet who rubbed shoulders with Gertrude Stein in Paris and whose sister commissioned one of Wright’s homes; and Clarence Darrow, the renowned lawyer, who waded into the murk of Wright’s personal life when a disgruntled housekeeper attempted to use the Mann Act to have Wright arrested. We also meet the little-known residents of various structures. Seth Peterson, for instance, dreamed of living in a Wright home so powerfully that he camped out in the one he commissioned as it was being built. 
I describe myself as an urban-based painter who is interested in green spaces. Painting and drawing have been seen as profoundly unfashionable for most of my working life, and I have felt sometimes that it was quite eccentric to be a figurative painter with conventional subject matter. Looking back, my insistence on maintaining my practice as a figurative painter now seems more radical than conventional.
I was very blessed to have the opportunity to catch up with Hogan ahead of her Mayfair exhibition. I find myself entranced by her vibrant paintings that are dense with detail, filling the canvas from edge to edge with layers upon layers of paint. She has also established portraiture practice, her commissions including HRH The Prince of Wales. In a unique style, Hogan paints her sitters whilst they are deep in conversation, capturing unguarded gestures and expressions to create intricate portraits of both honesty and intimacy.
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