

Titian (active 1506–1576) produced a masterful group of paintings for Philip II of Spain, celebrating the loves of gods, goddesses, and mortals. Depicting scenes from Ovid’s narrative poem Metamorphoses, Titian named them “poesie” and considered the works as visual equivalents of poetry.
This volume presents a detailed study of the complete series—Danaë, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, and The Rape of Europa, as well as The Death of Actaeon—lavishly illustrated with details of these emotionally charged paintings. The book explores Titian’s creative process and technique, in addition to his use of literary and visual sources and his correspondence with Philip II.
The artistic legacy of the series for later European painting is also examined in the works of artists such as Rubens, Velázquez, and Rembrandt. Offering the most comprehensive overview of these remarkable works, Titian: Love, Desire, Death is an indispensable resource for scholars and admirers of Renaissance painting.
Leonor Fini (1907–96) is one of the most important artists and personalities of the twentieth century. Her work came to prominence as part of the 1936 exhibition Fantastic Art, Dada and Surrealism at New York’s Museum of Modern Art, where her paintings were widely celebrated for their uniquely female approach to surrealism—although Fini never joined the surrealist movement.
Self-made and self-taught, she preferred to work on her own and was known for her fierce independence and provocative panache. A prolific painter, Fini also wrote, worked extensively in book illustration and printmaking, and designed for plays, ballets, operas, and film.
Presenting the definitive catalogue raisonné of Leonor Fini’s more than 1,100 oil paintings, this book brings together more than one thousand color illustrations and essays on her work by Fini experts Richard Overstreet and Neil Zukerman and a concise, up-to-date biography by British art historian Peter Webb.
Richard Overstreet is an American artist and photographer. In 1998, he founded the Leonor Fini Archives in Paris.
Neil Zukerman is the owner of the CFM Gallery in New York. He is an expert of Leonor Fini’s work and author of several books about her.
Peter Webb is an art historian and has published extensively on art and artists of the 20th century. He formerly taught at the Coventry College of Art, the Hornsey College of Art and the Middlesex University in London.
Leonor Fini (1907- 1996) was an Argentinian surrealist painter, designer, illustrator, and author, known for her depictions of powerful women.
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, examines the life and work of French painter François Boucher, with a focus on “A Lady on Her Daybed.” Discover why Boucher was said to epitomize the taste of the eighteenth century.
This week’s complementary cocktail has a kick: the potent French 75, named after the powerful French 75mm field gun.
Joan Mitchell, City Landscape, 1955, oil on linen, 203.2 × 203.2 cm (Art Institute of Chicago 1958.193, ©The Estate of Joan Mitchell), a Seeing America video
Speakers: Sarah Alvarez, Director of School Programs, Art Institute of Chicago, Beth Harris, and Steven Zucker
Alex Hillkurtz was born in England and grew up in California where he is a renowned storyboard artist for feature films, television, and commercials. His film credits include “Argo”, “Almost Famous”, “It’s Complicated”, and many others.
Alex currently lives in Paris with his film editor wife, Tiffany, and enjoys discovering the hidden corners of the city that sketching and plein air painting allow. He uses the language of cinema to inform his images, moving beyond what one sees, and depicting what he wants others to see. He believes that in our too-crowded lives, sketching and plein air painting invite us to move at a more deliberate pace… a true sense of place, and sometimes unexpected stories are revealed.
From Christie’s article (April 22, 2020):

From Switzerland to South America, from the South of England to the coast of Maine, they have been moved by mountains, oceans, deserts, plains, lakes and forests — we hope you will find their art every bit as stirring as we do
Siverskaya, located 70km south of St Petersburg, was a popular summer retreat for Russian city-dwellers in the 19th century. It was in Siverskaya and its neighbouring woods that Ivan Shishkin — one of Russia’s most famous landscape painters, dubbed ‘the patriarch of forests’ — created some of his best-known works.

Mount Emei in Sichuan, southwest China, is the highest of China’s four sacred Buddhist mountains, reaching to 3,099 metres. The mountain is a place of pilgrimage, where dozens of temples and monasteries have been erected, and has been an inspiration for artists for centuries.
Wednesday 22 April, 2020 marks 50 years since the declaration of the first Earth Day in 1970 — an occasion on which to reflect on our natural world, and perhaps take action to help sustain it. In celebration of this anniversary, we look back on a selection of artists for whom nature — and our planet — has been an inspiration and guide.

On this episode of Art Institute Essentials Tour, take a closer look at Nighthawks, painted by Edward Hopper in 1942. Inspired by “a restaurant on New York’s Greenwich Avenue where two streets meet,” Hopper’s painting, one of the best-known images of 20th-century art, has a timeless, universal quality that transcends locale.
Peggy Cyphers has a persistent vision of nature that she translates into richly colored and textured quasi-abstract paintings. She pours and lightly brushes countless layers of paint and sand onto the canvas until she achieves luminous and sumptuous surface. Approaching each canvas as a kind of garden where organic and geometric elements intermingle with intense light, she nurtures elaborate hybrid forms. David Ebony, ArtNet Magazine
Peggy Cyphers (born 1954) is an American painter, printmaker, professor and art writer, who has shown her work in the U.S. and internationally since 1984. Since Cyphers’ move to New York City over 30 years ago, her inventive and combinatory approaches to the materials of paint, silkscreen and sand have developed into canvases that explore the “Politics of Progress” as it impacts culture and the natural world.
Lucy Chiswell, the Curatorial Fellow for Paintings 1600-1800, explores a day in the countryside through paintings by Rubens, Constable and Corot.
Paintings mentioned
0:50 Peter Paul Rubens ‘An Autumn Landscape with a View of Het Steen in the Early Morning’ 🎨 https://www.nationalgallery.org.uk/pa…
4:19 John Constable, ‘The Hay Wain’ 🎨 https://www.nationalgallery.org.uk/pa…
8:03 Jean-Baptiste-Camille Corot ‘The Four Times of Day: Night’ 🎨 https://www.nationalgallery.org.uk/pa…