From the anatomical features of Da Vinci to the fractured features of modernist portraiture, the human head has reigned supreme in Art History. Enter Jean Michel Basquiat – the consummate draftsman for a new age. Discover how Basquiat revolutionized the genre and captured the manic core of the human condition through his masterwork Untitled (Head), 1982, to be offered as a highlight of Sotheby’s Contemporary Art Evening Auction in New York. Encapsulating the incredible dexterity that defines the very best of the artist’s works, and extraordinary for its use of India ink under the oilstick to lend depth and contrast to the composition, Untitled (Head) is a heroic depiction that reflects the explosive talent and brilliance of its author.
Jean-Michel Basquiat (December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992.
…what perhaps absorbed him most was a suite of 10 paintings of one of the weeping willows he had planted on the shores of his pond in 1893, when he had purchased the property to construct his aquatic paradise. The tree had grown in girth and grandeur over the intervening years, its leafy arms now extending out over the dappled waters like an impassioned conductor energizing an orchestra.
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.
In this stunning but sinister visual universe, beasts and birds are not mere aesthetic objects but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreaks havoc on a formal dinner table; an American buffalo is surrounded by bloodied white wolves. In dazzling watercolor, the images impress as much for their impeccable realism as they do for their complex narratives.
Boomers Daily 