Tag Archives: Art

Preview: Art In America Magazine November 2022

Magazine cover shows an abstract print evoking a sunset in the American Southwest. Top says Art in America "The Southwest: Aerial Photography + Native Feminisms + Rose B. Simpson

Art in America – The history of the Southwest is long and vexed. Many think of America as developing from east to west, from the original 13 colonies to settlements made in the name of Manifest Destiny. But the West in all its richness was there, of course, long before it was “discovered” by venturers from elsewhere. The region has been home to a palimpsest of cultures, but the gruesome theft of land from Indigenous people remains a defining trauma. The southernmost parts of the Southwest at one time belonged to Mexico; today that area is embroiled in battles over immigration, and scarred by a former president’s xenophobic desire to build a wall. Plagued by drought, the entire Southwest tolls the ominous bell of climate change.

GOD’S-EYE VIEWS
by Jackson Arn

Aerial photography captures the Southwest’s natural splendor, explosive urban development, and military secrets.

Arts Preview: Artforum Magazine – November 2022

Tala Madani, Golden Pour (detail), 2015, oil on linen, 16 1⁄4 × 14".

Inside Artforum Magazine – NOVEMBER 2022:

NEW YORK

LOS ANGELES

LONDON

Preview: The Burlington Magazine – Nov 2022

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The Parthenon sculptures

It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’. 

The Painters of Pompeii

As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.

Art History: ‘Still Life With Apples’ By Paul Cézanne

The Fitzwilliam Museum – This painting was executed sometime between 1877, when Cézanne exhibited for the second and last time with the Impressionist painters, and 1878, when he returned to live in Provence. Cézanne himself claimed that he planned to conquer Paris with an apple, and his paintings of this single fruit have in fact proved to be among his most admired works.

Bought by Degas for 100 francs in January 1896, it was acquired in Paris by John Maynard Keynes at the sale of the contents of Degas’s studio in March 1918. It is one of the most celebrated of all his still-lifes, and, through Keynes’s friendship with the painter and writer Roger Fry, and the circle of Bloomsbury writers, came to be crucial in the dissemination of knowledge of Cézanne’s work in England.

Art: The ‘Dazzling’ Artist Studios Of Damian Elwes

Matisse’s Studio in Collioure

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Gauguin’s Studio in Marquesas Islands

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Monet’s Studio in Giverny

DAMIAN ELWES is a British/American artist with studios in Santa Monica and Colombia.

Elwes chooses a moment in time when an artist is at their most inventive and then examines what was going on in their studios.

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Arts Preview: The Getty Magazine – Fall 2022

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The Getty Magazine – Fall 2022: Featuring Conserving Black Modernism, our recently launched effort to conserve Modern Movement architecture by Black architects and designers, plus more behind-the-scenes info on all things Getty.

The Art of Exhibition Design

How to put on a really 16 great show

Egyptomania!

An international passion for Egypt fueled the discovery of King Tut’s 22 tomb

International Art: Apollo Magazine – November 2022

Apollo Magazine – Inside the November 2022 Issue:

  • The enduring genius of the Peanuts comics
  • The tussle over Tutankhamun’s tomb
  • A Chinese dragon-handled cup in Baltimore
  • Around the world in early colour photographs
  • Plus: art and illness, plastic sushi, auction-house machinations and reviews of William Kentridge, Renaissance lace and the Empress Eugénie in England

Reviews: ‘The Week In Art’

This week: we talk to Emma Brown of Just Stop Oil about why the group targeted Vincent Van Gogh’s Sunflowers in the National Gallery, London, for its climate emergency protest.

Stacy Boldrick, assistant professor of museum studies at the University of Leicester, discusses the climate protests in the context of the long history of iconoclasm and attacks on works of art. The first version of Paris+, Art Basel’s fair in the French capital, opened this week, and we ask Melanie Gerlis, a columnist for the Financial Times and The Art Newspaper, how it compares to Paris’s previous fair, Fiac, and to the Frieze fairs in London last week.

And this episode’s Work of the Week is Frank Bowling’s Suncrush (1976), which features in an exhibition of the Guyana-born artist’s work at the Museum of Fine Arts in Boston. Reto Thüring, the curator of the show, tells us about the painting and Bowling’s 10-year stay in America in the 1960s and 1970s.

Links:juststopoil.orgStacy Boldrick, Iconoclasm and the Museum, Routledge, 212pp, £27.99, $35.96 (pb)Paris+, until 23 October.Melanie Gerlis, The Art Fair Story: a Rollercoaster Ride, Lund Humphries, 104pp, £19.99, $34.99 (hb)Frank Bowling’s Americas, Museum of Fine Arts, Boston, 22 October-9 April 2023; San Francisco Museum of Modern Art, 13 May-10 September next year. Related shows: Equals 6: A Sum Effect of Frank Bowling’s 5+1, University Hall Gallery, UMass Boston, 14 November-18 February 2023; Revisiting 5+1, Paul W. Zuccaire Gallery, Staller Center for the Arts, Stony Brook University, 10 November-23 February 2023.

Top New Exhibitions: ‘The Tudors – Art And Majesty In Renaissance England’

England, under the volatile Tudor dynasty, was a thriving home for the arts. An international community of artists and merchants, many of them religious refugees, navigated the high-stakes demands of royal patrons, including England’s first two reigning queens. Against the backdrop of shifting political relationships with mainland Europe, Tudor artistic patronage legitimized, promoted, and stabilized a series of tumultuous reigns, from Henry VII’s seizure of the throne in 1485 to the death of his granddaughter Elizabeth I in 1603.

The Tudor courts were truly cosmopolitan, boasting the work of Florentine sculptors, German painters, Flemish weavers, and Europe’s best armorers, goldsmiths, and printers, while also contributing to the emergence of a distinctly English style. Join Elizabeth Cleland, Curator in the Department of European Sculpture and Decorative Arts, and Adam Eaker, Associate Curator in the Department of European Paintings, to explore The Tudors: Art and Majesty in Renaissance England, which traces the transformation of the arts in Tudor England through more than 100 objects—including iconic portraits, spectacular tapestries, manuscripts, sculpture, and armor—from both The Met collection and international lenders.

Learn more here: https://www.metmuseum.org/exhibitions…