Tag Archives: Art

Previews: The New Yorker Magazine – Sept 18, 2023

R. Kikuo Johnsons “Bodega Cat”

The New Yorker – September 18, 2023 issue: The new issue features R. Kikuo Johnson’s “Bodega Cat”, where the the artist discusses pivotal moments and his relationship to pets.

Ross Douthat’s Theories of Persuasion

Ross Douthat photographed by Adam Pape.

At a time of distrust and polarization, the conservative Times columnist seeks to bridge the worlds of the Christian right and the secular left.

By Isaac Chotiner

This summer, Ross Douthat, liberal America’s favorite conservative commentator, wrote a piece about liberal America’s least favorite Democrat, Robert F. Kennedy, Jr. Douthat argued in his New York Times column that an unwillingness to debate Kennedy—who has claimed that childhood vaccines cause autism, that 5G networks are part of a mass-surveillance system, and that covid was designed to spare Jewish and Chinese people—was an insufficient response to voters who are increasingly distrustful of the establishment. 

What Kate DiCamillo Understands About Children

Painting of Kate DiCamillo.

Her books for young readers have sold more than forty-four million copies. They are full of yearning, loneliness, ambivalence, and worry.

By Casey Cep

Three winters in a row, Kate DiCamillo went into the hospital, never sure if she would come home and always a little scared to do so. One of those winters, when she was four years old and the air outside was even colder than the metal frames of the oxygen tents she’d grown accustomed to having above her bed, her father came to see her. He was wearing a long black overcoat, which made him look like a magician. “I brought you a gift,” he said, pulling something from his pocket as if from a top hat.

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 7, 2023): It’s our 250th podcast, and in this special episode we focus on the future. We ask leading figures across the art world to tell us about their hopes and concerns for the visual arts. Among them are Max Hollein, the director of the Metropolitan Museum of Art in New York,

Bénédicte Savoy, the co-author of the Saar-Savoy report into the restitution of cultural heritage, Shanay Jhaveri, the head of visual arts at the Barbican, the Berlin-based curator Bonaventure Soh Bejeng Ndikung, Kymberly Pinder, the dean of Yale School of Art, and the artist Tomás Saraceno. Host Ben Luke is then joined by three core members of The Art Newspaper’s team and regular guests in the first 249 episodes of this podcast: editors-at-large Cristina Ruiz and Georgina Adam and our contemporary art correspondent Louisa Buck discuss the present and future of museums and heritage, art and artists and the art market.

British Artist Views: David Hockney’s “Perspectives”

Phillips (September 5, 2023) – From Phillips’ London photo studio, Head of Sale Rebecca Tooby-Desmond uncovers the masterful manipulation of perspective that characterizes David Hockney’s work.

  • DAVID HOCKNEY Hotel Acatlán: Second Day, from Moving Focus, 1984-85
DAVID HOCKNEY Hotel Acatlán: Second Day, from Moving Focus, 1984-85
  • DAVID HOCKNEY Pembroke Studio Interior, from Moving Focus, 1984
DAVID HOCKNEY Pembroke Studio Interior, from Moving Focus, 1984

New Museum Exhibitions: ‘Manet/Degas’ At The Met

Photo collage of two paintings, with the words Manet/Degas overlaid on top; Left of boy wearing pink shirt and hat sitting on a red couch with a dessert; Right: Two people wearing tan and black sitting at a table against a tan wall.

The Metropolitan Museum of Art (September 4, 2023) – This exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France.

Manet/Degas

Manet/Degas - Yale University Press London

September 24, 2023–January 7, 2024

Through more than 150 paintings and works on paper,  Manet/Degas  takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting.

Manet/Degas is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay et de l’Orangerie, Paris.

Previews: The New Yorker Magazine – Sept 11, 2023

Office space and mall.

The New Yorker – September 11, 2023 issue: The new issue features Dana Goodyear on editing humans with crispr, Elizabeth Kolbert on decoding whale communication, James Wood on George Eliot, and more.

The Transformative, Alarming Power of Gene Editing

Hands cutting DNA with a pair of scissors. Growth of a human baby is displayed in the background.

A rogue scientist showed that crispr gives humans the ability to transform ourselves. But should we?

By Dana Goodyear

Crispr, which may be the single most transformative biological technology of the twenty-first century, is a natural phenomenon, evolved over billions of years. It was first observed in the nineteen-eighties, when researchers noticed unexplained sequences of viral DNA in E. coli. Eventually, they realized that these sequences played a role in the bacteria’s immune system: they could find and destroy other pieces of viral DNA. 

The Holy Heresies of George Eliot

Two people lying with their faces close to each other with their long hair flowing over an open book

Her greatest rebellion against Victorian moralism was to reclaim the sacred for herself.

By James Wood

Literature bores me, especially great literature,” the narrator of one of John Berryman’s “Dream Songs” says. George Eliot sometimes bores me, especially the George Eliot draped in greatness. Think of the extremities of nineteenth-century fiction: labile Lermontov; crazy, visionary Melville; nasty, world-hating Flaubert; mystic moor-bound Brontës; fanatical, trembling Dostoyevsky; explosive Hamsun. There’s enough wildness to destroy the myth of that stable Victorian portal “classic realism.” It was not classic—certainly not then—and not always particularly “real.”

Art Profiles: California Painter Jodi Bonassi’s “Spectacular” Bird Series

ERIC MINH SWENSON ART FILM (September 3, 2023) – Jodi Bonassi is a Los Angeles native and a professional artist who for over 3 decades has explored nature and the environment. The works often include animals so the transition to the bird series was a smooth one. 

The Museum of Modern Art and HIstory in the MOAH Cedar Annex gave her a solo exhibit “Bird By Bird”  in February 2022. The birds have led to many other exhibition opportunities. 

“I think of myself as a drawing informed painter.  This means that I mainly draw my images  beforehand and during the painting process.  My desire to contribute to society on a deeper level  drives me in the nature series to create narrative stories around my birds.  I wish to connect humans to nature and to each other.  Even in nature I desire to record history and people and how we all connect to nature.  It is important to preserve our wildlife  and question the environment that humans create.”

Jodi Bonassi: ‘Bird Series 2019 – 2023’ 

Profiles: Japanese Painter Setsuko – “Into Nature” Exhibition In Switzerland

Gagosian Gallery Films (September 1, 2023) Into Nature is an exhibition of new and recent ceramic and bronze sculptures, paintings, and works on paper by Setsuko at the gallery in Gstaad.

Setsuko: Into Nature at Gagosian

SETSUKO – Into Nature

July 1–September 10, 2023
Gstaad

Setsuko: Into Nature, Gstaad, July 1–September 10, 2023 | Gagosian

Since 1977, Setsuko has resided in the Grand Chalet of Rossinière, close to Gstaad, making this an opportunity for her to exhibit within reach of her Swiss home. Into Nature furthers the bodies of work presented in Into the Trees, Setsuko’s debut exhibition at Gagosian Paris in 2019, and Into the Trees II, a solo presentation at Gagosian Rome in 2022.

On view in Gstaad are new ceramic sculptures, produced at Astier de Villatte’s Paris workshop and made of terra-cotta glazed in white enamel. Setsuko’s renderings of trees, with their delicately modeled representations of acorns, blooms, foliage, and fruit, emphasize the rooted solidity of their trunks to convey lasting strength and emergent growth. Reminiscent of Japanese ceramics dating back to the age of Jōmon earthenware (c. 10,500–300 BCE), these works also refer to the animistic Japanese religion Shintō, to which trees are of central symbolic importance.

Art Books: ‘Latin American Artists: From 1785 to Now’

Forthcoming: Latin American Artists – Ellen Mara De Wachter

The essential survey showcasing the work of more than 300 modern and contemporary artists born or based in Latin America

BOOK: Latin American Artists:From 1785 to Now, Phaidon Publications –  dreamideamachine ART VIEW

Latin American artists have gained increasing international prominence as the art world awakens to the area’s extraordinary art scenes and histories. In an accessible A-Z format, this volume introduces key artworks by 308 artists who together demonstrate the variety and vitality of artwork being made.

BOOK: Latin American Artists:From 1785 to Now, Phaidon Publications –  dreamideamachine ART VIEW

Artists featured include: Allora and Calzadilla, Manuel Alvarez Bravo, Francis Alÿs, Olga de Amaral, Fernando Botero, Leonora Carrington, Lygia Clark, Carlos Cruz-Diez, Leonor Fini, Gego, Felix Gonzalez-Torres, Carmen Herrera, Graciela Iturbide, Alfredo Jaar, Frida Kahlo, Guillermo Kuitca, Wifredo Lam, Teresa Margolles, Marisol, Cildo Meireles, Ana Mendieta, Beatriz Milhazes, Ernesto Neto, Hélio Oiticica, Gabriel Orozco, José Clemente Orozco, Diego Rivera, Zilia Sánchez, David Alfaro Siqueiros, Cecilia Vicuña, Adrián Villar Rojas and Faith Wilding.

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Reviews: ‘The Week In Art’

The Week In Art Podcast (August 31, 2023): In the first episode of this new season of The Week in Art, we talk to Martin Bailey, The Art Newspaper’s London correspondent, about the thefts scandal at the British Museum and its implications for the museum in the future.

The artist Grada Kilomba is one of four curators of this year’s Sāo Paulo biennial, called Choreographies of the Impossible, and she joins our host Ben Luke to discuss the show. And this episode’s Work of the Week is Village Square at Céret, a painting made in 1920 by Chaïm Soutine. It features in the exhibition Against the Current, which opens this week at K20 in Düsseldorf, Germany. The exhibition’s co-curator, Susanne Meyer-Büser, tells us about the picture.

The Sāo Paulo biennial: Choreographies of the Impossible, Ciccillo Matarazzo Pavilion, Sāo Paulo, Brazil, 6 September-10 December.

Chaïm Soutine: Against the Current, K20 Düsseldorf, 2 September until 14 January next year; Louisiana Museum of Modern Art, Humlebæk, Denmark, 9 February-14 July 14 2024; Kunstmuseum Bern, Switzerland, 16 August-1 December 2024.