Tag Archives: Art

Previews: The New Yorker Magazine – April 8, 2024

A person's silhouette walks up stairs toward a busy city street.

The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.

So You Think You’ve Been Gaslit

An anthropomorphic lantern being lit by a man.

What happens when a niche clinical concept becomes a ubiquitous cultural diagnosis.

By Leslie Jamison

When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”

Black Holes Are Even Weirder Than You Imagined

An artistic rendering of two supermassive black holes.

It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.

By Rivka Galchen

Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”

Collections: A Tour Of Dynastic Chinese Art

Sotheby’s (March 28, 2024): Reverence for the past is a foundational thread. More than an homage, our instinct to look into the past is a dynamic creative force that shapes our present.

Behold the Leshantang collection, a testament to the eye of Tsai I-Ming, spanning the sweep of history from earliest dynasties to the modern era, this principle has guided the evolution of artistic expression.

International Art: Apollo Magazine – April 2024

Archives: Issues | Apollo Magazine

Apollo Magazine (March 26, 2024): The new April 2024 issue features ‘Why Everyone Loves Keith Haring’; Who’s afraid of immersive art?; Counting the cost of the Venice Biennale…

April 2024 | Apollo Magazine
April 2024 | Apollo Magazine

Previews: The New Yorker Magazine – April 1, 2024

A dog looks out a window.

The New Yorker (March 25, 2024): The new issue‘s cover features Mark Ulriksen’s “Standing Guard” – The artist depicts the tail-wagging occasion of the first signs of spring.

Bryan Stevenson Reclaims the Monument, in the Heart of the Deep South

“The Caring Hand” by Eva Oertli and Beat Huber.
“The Caring Hand,” by Eva Oertli and Beat Huber, is one of more than fifty sculptures at the new Freedom Monument Sculpture Park.Photographs by Kris Graves for The New Yorker

The civil-rights attorney has created a museum, a memorial, and, now, a sculpture park, indicting the city of Montgomery—a former capital of the domestic slave trade and the cradle of the Confederacy.

By Doreen St. Félix

The National Monument to Freedom, in Montgomery, Alabama, is a giant book, standing forty-three feet high and a hundred and fifty feet wide. The book is propped wide open, and engraved on its surface are the names of more than a hundred and twenty thousand Black people, documented in the 1870 census, who were emancipated after the Civil War. On the spine of the book is a credo written for the dead:

A Dutch Architect’s Vision of Cities That Float on Water

The Thâtre LÎle Ô in Lyon seen across the water.

Your children love you.
The country you built must honor you.
We acknowledge the tragedy of your enslavement.
We commit to advancing freedom in your name.

What if building on the water could be safer and sturdier than building on flood-prone land?

By Kyle Chayka

In a corner of the Rijksmuseum hangs a seventeenth-century cityscape by the Dutch Golden Age painter Gerrit Berckheyde, “View of the Golden Bend in the Herengracht,” which depicts the construction of Baroque mansions along one of Amsterdam’s main canals. Handsome double-wide brick buildings line the Herengracht’s banks, their corniced façades reflected on the water’s surface. Interspersed among the new homes are spaces, like gaps in a young child’s smile, where vacant lots have yet to be developed.

Previews: The New Yorker Magazine – March 25, 2024

A woman wears a dress with a pattern that resembles a crossword puzzle. A man writes a letter on her back.

The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.

The Place to Buy Kurt Cobain’s Sweater and Truman Capote’s Ashes

A mannequin wears a dress next to displays of other items.

As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.

By Rachel Monroe

The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.

Mike Johnson, the First Proudly Trumpian Speaker

A black and white photo of men in suits walking inside a building.

Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President.

By David D. Kirkpatrick

The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.

Previews: The New Yorker Magazine – March 18, 2024

A skier skis from snow onto grass.

The New Yorker (March 11, 2024): The new issue‘s cover features Peter de Sève’s “Downhill” – The artist depicts carving up the slopes, straight into spring.

Among the A.I. Doomsayers

A large robotic foot hovers above a figure.

Some people think machine intelligence will transform humanity for the better. Others fear it may destroy us. Who will decide our fate?

By Andrew Marant

Katja Grace’s apartment, in West Berkeley, is in an old machinist’s factory, with pitched roofs and windows at odd angles. It has terra-cotta floors and no central heating, which can create the impression that you’ve stepped out of the California sunshine and into a duskier place, somewhere long ago or far away. Yet there are also some quietly futuristic touches. High-capacity air purifiers thrumming in the corners. Nonperishables stacked in the pantry. A sleek white machine that does lab-quality RNA tests. The sorts of objects that could portend a future of tech-enabled ease, or one of constant vigilance.

Have the Liberal Arts Gone Conservative?

A column with a pencil tip.

The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover.

Reviews: ‘The Week In Art’

The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.

Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.

We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.

Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.

Art Museum Exhibitions: The Harlem Renaissance & Transatlantic Modernism

The Met (March 8, 2024): Join Dr. Denise M. Murrell, Merryl H. and James S. Tisch Curator at Large in The Met’s Director’s Office, for a virtual tour of the groundbreaking exhibition The Harlem Renaissance and Transatlantic Modernism.

Through some 160 works of painting, sculpture, photography, film, and ephemera, it will explore the comprehensive and far-reaching ways in which Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s–40s in New York City’s Harlem and nationwide in the early decades of the Great Migration when millions of African Americans began to move away from the segregated rural South.

The first art museum survey of the subject in New York City since 1987, the exhibition will establish the Harlem Renaissance and its radically new development of the modern Black subject as central to the development of international modern art.

On view February 25 – July 28, 2024.

#TheMet#Art#TheMetropolitanMuseumofArt

Previews: The New Yorker Magazine – March 11, 2024

Barbie slaps Oppenheimer at the Academy Awards.
Art by Barry Blitt

The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.

Joe Biden’s Last Campaign

Joe Biden photographed at his desk in the Oval Office by Thea Traff.

Trailing Trump in polls and facing doubts about his age, the President voices defiant confidence in his prospects for reëlection.

By Evan Osnos

Forty-Three Mexican Students Went Missing. What Really Happened to Them?

A man looks at photos of the missing students.

One night in 2014, a group of young men from a rural teachers’ college vanished. Since then, their families have fought for justice.

By Alma Guillermoprieto

Art Exhibitions: American Abstract Expressionist Mark Rothko’s Paintings

CBS Sunday Morning (March 3, 2024): His abstract expressionist canvases are among the most recognizable of all 20th century artists’ works. But Mark Rothko (1903-1970) also produced nearly 3,000 pieces on paper – smaller in scale but just as innovative.

CBS News chief election & campaign correspondent Robert Costa visits an exhibition at the National Gallery of Art in Washington, D.C., that explores the trail of paper works the artist left behind, and talks with curator Adam Greenhalgh, and with the artist’s children, Kate Rothko Prizel and Christopher Rothko, about Rothko’s remarkable vision.