Gagosian Gallery Films (September 1, 2023) – Into Nature is an exhibition of new and recent ceramic and bronze sculptures, paintings, and works on paper by Setsuko at the gallery in Gstaad.
Since 1977, Setsuko has resided in the Grand Chalet of Rossinière, close to Gstaad, making this an opportunity for her to exhibit within reach of her Swiss home. Into Nature furthers the bodies of work presented in Into the Trees, Setsuko’s debut exhibition at Gagosian Paris in 2019, and Into the Trees II, a solo presentation at Gagosian Rome in 2022.
On view in Gstaad are new ceramic sculptures, produced at Astier de Villatte’s Paris workshop and made of terra-cotta glazed in white enamel. Setsuko’s renderings of trees, with their delicately modeled representations of acorns, blooms, foliage, and fruit, emphasize the rooted solidity of their trunks to convey lasting strength and emergent growth. Reminiscent of Japanese ceramics dating back to the age of Jōmon earthenware (c. 10,500–300 BCE), these works also refer to the animistic Japanese religion Shintō, to which trees are of central symbolic importance.
The Week In Art Podcast (August 31, 2023): In the first episode of this new season of The Week in Art, we talk to Martin Bailey, The Art Newspaper’s London correspondent, about the thefts scandal at the British Museum and its implications for the museum in the future.
The artist Grada Kilomba is one of four curators of this year’s Sāo Paulo biennial, called Choreographies of the Impossible, and she joins our host Ben Luke to discuss the show. And this episode’s Work of the Week is Village Square at Céret, a painting made in 1920 by Chaïm Soutine. It features in the exhibition Against the Current, which opens this week at K20 in Düsseldorf, Germany. The exhibition’s co-curator, Susanne Meyer-Büser, tells us about the picture.
The Sāo Paulo biennial: Choreographies of the Impossible, Ciccillo Matarazzo Pavilion, Sāo Paulo, Brazil, 6 September-10 December.
Chaïm Soutine: Against the Current, K20 Düsseldorf, 2 September until 14 January next year; Louisiana Museum of Modern Art, Humlebæk, Denmark, 9 February-14 July 14 2024; Kunstmuseum Bern, Switzerland, 16 August-1 December 2024.
Apollo Magazine– September 2023 issue: Wrestling with Michelangelo at the Albertina; The Musée des Arts Décoratifs gets modern; An interview with Sarah Lucas and The Norman conquest of the European imagination.
ABC News In-depth (August 17, 2023) – She’s one of the most famous artists of the 20th century, known for her colourful self-portraits. But what else do you know about Frida Kahlo? We visit an exhibition to find out more about her artwork and learn about her interesting life.
Mexican artist Frida Kahlo is remembered for her self-portraits, pain and passion, and bold, vibrant colors. She is celebrated in Mexico for her attention to Mexican and indigenous culture and by feminists for her depiction of the female experience and form.
The Metropolitan Museum of Art (August 3, 2023) – A virtual tour of Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE. Featuring more than 140 objects dating from 200 BCE to 400 CE, the exhibition presents a series of evocative and interlocking themes to reveal both the pre-Buddhist origins of figurative sculpture in India and the early narrative traditions that were central to this formative moment in early Indian art.
With major loans from a dozen lenders across India, as well as from the United Kingdom, Europe, and the United States, it transports visitors into the world of early Buddhist imagery that gave expression to this new religion as it grew from a core set of ethical teachings into one of the world’s great religions. Objects associated with Indo-Roman exchange reveal India’s place in early global trade.
The exhibition showcases objects in various media, including limestone sculptures, gold, silver, bronze, rock crystal, and ivory. Highlights include spectacular sculptures from southern India—newly discovered and never before publicly exhibited masterpieces—that add to the world canon of early Buddhist art. On view: July 21st–November 13th, 2023
Audain Art Museum, Whistler, British Columbia, Canada (July 22, 2023) – Manabu Ikeda: Flowers from the Wreckage features Ikeda’s meticulously detailed pen-and-ink drawings that are filled with astonishing images.
This Japanese artist seeks inspiration from his surroundings to bring attention and awe to viewers, as a way of sending warnings about the painful reality of environmental disasters. Central to his practice are metaphors of grief and the undeniable aspects of life that are often beyond society’s control, including the fundamental forces of Mother Nature. Ikeda’s drawings also reveal human resilience and the ability to rise above devastating situations when it appears impossible.
Curated by Kiriko Watanabe, the Audain Art Museum’s Gail & Stephen A. Jarislowsky Curator, this is Ikeda’s first solo retrospective in North America showcasing over sixty works from national and international collections. Flowers from the Wreckage includes Foretoken (2008), Meltdown (2013) and Rebirth (2013-16), a selection of Ikeda’s large-scale drawings that relate to the 2011 Great East Japan Earthquake; the most devastating earthquake, tsunami and nuclear power disaster in the country’s recorded history.
Manabu Ikeda: Flowers from the Wreckage will be on display in the AAM’s Tom and Teresa Gautreau Galleries from June 24 to October 9, 2023. A full colour exhibition catalogue featuring essays by Kiriko Watanabe and comments by Manabu Ikeda will be available for purchase in the Museum Shop.
Manabu Ikeda, “Territory,” 2004
pen and acrylic ink on paper, mounted on board, 17″ x 23″ (Takahashi Ryutaro Collection, courtesy the Audain Art Museum, Whistler, B.C.)
Manabu Ikeda Studio Gallery
A studio has been set up in the Museum’s architecturally stunning Upper Galleries, where visitors have the opportunity to observe the process of Ikeda drawing his latest work and interact with him during open studio hours.
Manabu will be in studio on Thursdays, Fridays, and Saturdays, from 3:00pm to 4:30pm until August 30. Museum guests are encouraged to come and witness the Artist’s incredible talent and learn more about his techniques. The studio will be open for viewing Thursday through Monday until September 4.
Apollo Magazine– July/August 2023 issue: At the new National Portrait Gallery, The unswerving art of Ellsworth Kelly, A Futurist family home in Rome, and more…
The Art Newspaper (June 29, 2023): In the final episode of this season, James Goodwin, a specialist on the art market and its history, tells us about what high inflation and interest rates mean for the art market and what lies ahead.
As Spain heads to the polls in July, we talk to Emilio Silva, president of the Association for the Recovery of Historical Memory in Madrid. What could the election mean for the controversial Spanish laws of Historical Memory and Democratic Memory relating to the Civil War of 1936 to 1939 and the period of Francisco Franco’s fascist dictatorship?
And this episode’s Work of the Week is a project by the Swedish duo Goldin + Senneby. The work, called Quantitative Melencolia, involves recreating the lost plate for Albrecht Dürer’s famous engraving Melencolia I. It is part of the exhibition Economics: The Blockbuster, which opens this week at the Whitworth Art Gallery in Manchester, UK.
Economics the Blockbuster: It’s not Business as Usual, Whitworth Art Gallery, until 22 October. The Manchester International Festival, until 16 July.
The Art Newspaper (June 22, 2023): The Art Newspaper’s editor, Alison Cole, and London correspondent, Martin Bailey, join our host Ben Luke to review the National Portrait Gallery after its £41m revamp.
We talk to Nancy Ireson at the Barnes Foundation in Philadelphia about the exhibition William Edmondson: A Monumental Vision. Edmondson was the first African American artist to have a solo show at the Museum of Modern Art in New York in the 1930s, but has rarely been shown in museums on the US East Coast since.
And this episode’s Work of the Week marks the 75th anniversary of the arrival in the UK of the Empire Windrush, a boat carrying passengers from the Caribbean. Zinzi Minott, the choreographer and artist, has made a film called Fi Dem about the Windrush on this anniversary every year since 2017. She tells us about the latest iteration, which is at the heart of a new exhibition at Queercircle in London.
The National Portrait Gallery is open now. Yevonde: Life and Colour, until 15 October.
William Edmondson: A Monumental Vision, Barnes Foundation, Philadelphia, 25 June-10 September.
Zinzi Minott’s Fi Dem VI is part of her exhibition Many Mikl Mek Ah Mukl, Queercircle, London, until 27 August.
The Art Newspaper (June 16, 2023): As her new series for the BBC, Africa Rising, takes Afua Hirsch to Morocco, Nigeria and South Africa, we talk to her about the artists and art scenes she encountered and what she took away from her experiences.
The Liverpool Biennial’s latest edition opened last weekend and has a South African curator, Khanyisile Mbongwa, and an IsiZulu title, uMoya: The Sacred Return of Lost Things. The Art Newspaper’s contemporary art correspondent, Louisa Buck, visited the biennial and reviews it for us. And it is Art Basel this week, in its original Swiss location, so this episode’s Work of the Week is one of the most notable works for sale at the fair.
Valentine was painted by Jean-Michel Basquiat in 1984 and given to his then girlfriend, Paige Powell, on Valentine’s Day. Jeffrey Deitch, who is selling the work at Art Basel, tells us its story.
Africa Rising: Morocco is on the BBC iPlayer now. The Nigeria episode is on BBC Two on 20 June at 9pm for UK viewers and on BBC iPlayer, and South Africa is broadcast on BBC Two at 27 June at 9pm. For listeners outside the UK, check your local listings.
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