From a Dwell.com online article:
Situated on a sweeping two-acre lot, this 452-square-foot abode is just right for two.
In order to create a small yet comfortable vacation home for a young couple, the multidisciplinary workshop TACO, or Taller de Arquitectura Contextual, sited it in the corner of a two-acre lot, then employed built-in elements for an “intuitive” interior layout.
Rough stucco mixed with artisanal paint conveys warmth and texture, while precisely placed apertures connect the interior to the remote setting. “The objective was to achieve a reflective and contemplative place that links the occupant with the surrounding wild landscape,” said the firm.
To rad more: https://www.dwell.com/article/monte-house-taller-de-arquitectura-contextual-264baeaa
A stunning 6,200 sq ft space, this remarkable and sprawling house rises up through its surrounding landscaped gardens. Described by the Architects’ Journal as having a “beguilingly cave-like relationship to the outside world”, it is a bold vision of contemporary architecture in which the natural world has been thoroughly entwined with the design.
Recline by the pool, listen to the artificial stream winding its way through the gardens, meander across the footbridge: this home was conceived for those long, dreamy summer days.
British architect Norman Foster reflects on his first high-tech building and how it shaped offices to come, in this exclusive video produced by Dezeen. Named after the electronics manufacturer that commissioned the building,
“The Academy Museum gives us the opportunity to honor the past while creating a building for the future—in fact, for the possibility of many futures. The historic Saban Building is a wonderful example of Streamline Moderne style, which preserves the way people envisioned the future in 1939. The new structure, the Sphere Building, is a form that seems to lift off the ground into the perpetual, imaginary voyage through space and time that is moviegoing. By connecting these two experiences we create something that is itself like a movie. You go from sequence to sequence, from the exhibition galleries to the film theater and the terrace, with everything blending into one experience.”
Situated on the famed “Miracle Mile,” the museum will preserve and breathe new life into the former 1939 May Company department store, now re-named the Saban Building. Celebrating its history and imagining new possibilities, the additions to the building that date from 1946 have been removed and replaced with a spherical building that features the 1,000-seat David Geffen Theater and the Dolby Family Terrace with views towards Hollywood. The revitalized campus will feature more than 50,000 square feet of gallery space, two theaters, cutting-edge project spaces, an outdoor piazza, the rooftop terrace, an active education studio, a restaurant, and store.
Our idea was not to make this house feel like a building, but to free it from form. We wanted it to be just a borderless box that emerges out of nowhere in the sky, as if the thickness of the wall and roof were non-existent, but still able to make holes in the ceiling to install curtains, air conditioners, and embed lights. Our intention was to give an illusion to onlookers that the entire ceiling was in the same straight line even though we featured a drop ceiling and a slope that was intentionally used to make the wall and ceiling look thin.
“The jury was unanimous in celebrating this inventive solution to reconfiguring a dilapidated Japanese colonial house.
Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. Like evil itself, the abodes of movie villains are frequently compelling and seductive. From a design standpoint, they tend to be stunning, sophisticated, envy-inducing expressions of the warped drives and desires of their occupants.
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
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