Just 16 percent say they don’t feel sleepy at all in a typical week (this excludes sleepiness at bedtime and when waking up). About half, by contrast, feel sleepy anywhere from three to seven days a week. That includes a big gender gap: Women report feeling sleepy 3.4 days a week, on average; men, 2.7 days.
Among the approximately three in 10 Americans who have feelings of sleepiness on five to seven days a week, 52 percent report often or sometimes experiencing irritability when sleepy; 40 percent, headaches; and 34 percent, feeling unwell apart from headaches. Each is far higher than among those with fewer experiences of sleepiness.
From AtlasObscura.com (March 26, 2020):
…a team of designers recently looked at the now-ruined castles of Middle Ages Europe, lifting the fortifications up from their dilapidated states and digitally reimagining the structures as they were in their heyday.
Seven European castles were virtually rebuilt, restoring them from their keeps to their baileys. Architects pored over old paintings, blueprints, and other research documents that describe the strongholds, then offered their opinions to the NeoMam Studios design team, which digitally revived the structures from the ground up.
|INSIDE THE ISSUE|
|FEATURES | Michael Prodger visits the newly resplendent Gemäldegalerie Alte Meister in Dresden; Yinka Shonibare talks to Samuel Reilly; Seamus Perry considers the visual qualities of Wordsworth’s poems; Tim Smith-Laing on the modern monsters of Léopold Chauveau; Emilie Bickerton looks at how museums tackle the subject of cinema; Christopher Turner talks to Grażyna Kulczyk, founder of the Muzeum Susch|
|REVIEWS | Matthew Sperling on Picasso’s works on paper at the Royal Academy; Nicholas Hatfull on Edward Hopper at the Fondation Beyeler; Scott Nethersole on Renaissance art in the regions of Italy; Alan Powers on the life of Humphrey Stone; Max Norman on a new study of Poussin; Peter Parker on John Minton’s illustrations for Elizabeth David’s cookery books|
|MARKET | Tim Maxwell and Tamara Bell on cybersecurity; and the latest art market columns from Susan Moore and Emma Crichton-Miller|
|PLUS | Matt Stromberg and J. Patrice Marandel consider if LACMA has lost its way; Kitty Hauser takes a personal view of the bushfires in Australia; Rachel Cohen on the resurgence of interest in the painter Beauford Delaney; Fatema Ahmed on a display of chivalry in Abu Dhabi; Douglas Murphy visits an art nouveau masterpiece in Nancy; Robert O’Byrne on a talented Dutch curator; and Thomas Marks on museums and the art world in a time of crisis|
A selection of essential articles read aloud from the latest issue of The Economist. This week, the role of big government in the time of covid-19, (10:20) assessing the havoc the pandemic is causing in emerging countries, (17:45).
In just a few weeks a virus a ten-thousandth of a millimetre in diameter has transformed Western democracies. States have shut down businesses and sealed people indoors. They have promised trillions of dollars to keep the economy on life support. If South Korea and Singapore are a guide, medical and electronic privacy are about to be cast aside. It is the most dramatic extension of state power since the second world war.
Our Lisbon travel guide! What a treat this city is. Lisbon, and indeed much of Portugal, is a traveler’s dream come true. Easy to navigate, effortlessly enjoyable, endlessly delicious. Lisbon is a city that I could definitely live in…and I don’t say that often.
What a lot of people forget about Lisbon, and even Portugal, is their prodigious exploration over hundreds of years that created a huge global influence. And of course that legacy is experienced in Lisbon’s incredible food. Which we, of course, dive head into.
The first three chapters of Ernest Hemingway’s classic novel.
For Whom the Bell Tolls is a novel by Ernest Hemingway published in 1940. It tells the story of Robert Jordan, a young American volunteer attached to a Republican guerrilla unit during the Spanish Civil War. As a dynamiter, he is assigned to blow up a bridge during an attack on the city of Segovia.
It was published just after the end of the Spanish Civil War (1936–1939), whose general lines were well known at the time. It assumes the reader knows that the war was between a democratically elected, pro-working-class and anti-Catholic government, supported by the Soviet Union, which many foreigners like Robert went to Spain to help, and a successful, dictatorial, Catholic, pro-landowner revolt, supported by Nazi Germany and Fascist Italy. It was commonly viewed as the dress rehearsal for the Second World War. In 1940, the year the book was published, the United States had not yet entered the war, which had begun on Sept. 1, 1939, with Nazi Germany’s invasion of Poland.
The novel is regarded as one of Hemingway’s best works, along with The Sun Also Rises, A Farewell to Arms, and The Old Man and the Sea.
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he won the Nobel Prize in Literature in 1954. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature.