From a Telegraph.co.uk online article by Thom Gibbs:
The first question is often ‘why haven’t we been back?’ Fifty years since humans stepped onto the surface of a foreign planetary body there has not been another event to rival it. Not in space, nor back here on Earth.
There have been enormous leaps forward. The Large Hadron Collider, the internet, the fidget spinner, but there is no match for the romance of our first moonshot. It is quite possibly the only achievement of our time which will be remembered centuries from now.
The audacity and aesthetics of Neil Armstrong, Buzz Aldrin and Mike Collins’s journey still resonate. Their mission was so perilous that Richard Nixon had a speech drafted in the event the astronauts did not come home. “Fate has ordained that the men who went to the Moon to explore in peace will stay on the Moon to rest in peace,” it read. “These brave men… know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.”
Designed with the soul of a sleeping bag, the Layover is a blanket explicitly built for traveling with. Its construction beats those flimsy, tiny, smelly blankets they hand out on flights, and gives you a full-body comforter that wraps you in its cocoon-esque design. Crafted with a breathable nylon exterior and an insulated interior, the Layover is cozy and can keep you warm in those often-chilly flights. Unlike traditional flat, rectangular blankets, Layover’s design comes with pockets and pouches for your hands, legs, and even a few key belongings (like your passport or boarding pass), giving you an experience comparable to being a baby kangaroo in its pouch. The Layover fits your body like a glove, keeping you absolutely snug and ensuring that the blanket doesn’t come off when you move or turn in your sleep. Pair it with a good eye mask and neck pillow and you’ve got yourself the holy trinity of effective transit-napping.
The Denver Art Museum will be home to the most comprehensive U.S. exhibition of Monet paintings in more than two decades. The exhibition will feature more than 120 paintings spanning Monet’s entire career and will focus on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked.
Monet traveled more extensively than any other impressionist artist in search of new motifs. His journeys to varied places including the rugged Normandy coast, the sunny Mediterranean, London, the Netherlands, and Norway inspired artworks that will be featured in the presentation. The exhibition will uncover Monet’s continuous dialogue with nature and its places through a thematic and chronological arrangement, from the first examples of artworks still indebted to the landscape tradition to the revolutionary compositions and series of his late years.
Directed: Jonathan Napolitano
Produced: Brian Bolster, Jonathan Napolitano, Kayleigh Napolitano
Executive Producer: Matthew A. Stewart
Associate Producers: Elizabeth J. Davis, Chris Harder, Vinnoth Krishnan, Mo Scarpelli
Edited: Jonathan Napolitano
Title Animation: Maggie Noble
Music: Cemeteries
On July 20, 1969, an estimated 530 million people from around the world watched the Apollo 11 moon landing on television.
Director: Andrew Schneider
Director of Photography: Mike Koziel
Photography: Jack Schroeder
Production: PorchHouse Pictures
This is the story of the first car to bear the Porsche name – The Type 64.
Developed 1939, the car survived war torn Germany to go on to be the baseline for one of the greatest modern auto manufacturers. To think it all started here, with this shape, and this engine layout, is remarkable.
We sat down with legendary filmmaker and founder of Radical Media, Jeff Zwart and Porsche Factory driver Patrick Long to find out more about the machine.
From MOMA.org magazine (Illustrations by Jennifer Tobias) article:
Paul Galloway is the collection specialist in Architecture and Design. He seems to know something about almost everything you could imagine in his field, whether posters, buildings, or chairs. And he’s always hungry. After years of careful lunch hour research, he’s put together what he calls his “peckish peregrinations”—easy and delicious spots around Midtown Manhattan to grab a good bite and eat outdoors. For a complete experience, we recommend pairing these spots with our Staff Picks for art around midtown.
“The Vitruvian man”, the bicycle, Mona Lisa, the perspective, the “Last Supper” …
How could the same man create in one life, 500 years ago, so many things and lay the foundations of modern times?
In 2019 the 500th anniversary of the death of the Renaissance genius, Leonardo da Vinci (1452-1519), will be marked all over the world.
Eve Ramboz and Nathalie Plicot, the directors of the film “Hieronymus Bosch, the Devil with angel’s wings”, selected and acclaimed at the FIFA (International Festival of Films on Art), have decided to pay homage to this 15th century genius, shed light on his life and revisit his genius though a wholly original visual adventure, using animations of codex. Special effects will be used to bring Leonardo’s sketches, designs and notes to life. The film will navigate between documentary sections – with filming in Italy between Florence, Roma and Milan -, interviews with art historians who will shed light on the immensity of his genius and animations.
“Ephron and Reiner’s love language pushed the envelope in 1989 in a way that seems rather tame now: As I grew up and began to dabble in romantic partnerships myself, When Harry Met Sally… felt like the rare option I wanted to emulate and embody, and I studied it like a textbook. In many ways, it’s a manual for romantic partnership—a funny, entertaining film that’s closely attentive to the nuts and bolts of falling in love.”
My first memory of When Harry Met Sally… is that I wasn’t allowed to watch it. When I think about the film now, I see it as a romance—an inverted one, where love does not come until 12 years after first sight, but a love story nonetheless. But When Harry Met Sally…’s unwholesome raciness—the faked orgasm, the f-bombs, the woman who meows in the throes of passion—featured prominently in the film’s marketing campaign. So did the film’s central, provocative, deeply heteronormative question: Can men and women ever “just” be friends? And it needed an R rating to answer that question, too! The film glowed with forbidden allure.
“Slate Homes can take advantage of small projects in remote locations that other builders wouldn’t be able to. For instance, taking on a 12 home pocket community in a small resort town in North Carolina will help Geehan ramp up scale. Some builders take the work to the market, but Slate takes the home to the market.”
“Brandless makes grocery shopping…fun. Yes, you read that right. The site offers thousands of items—granola, dried mango, pearled farro, peanut butter—nearly all priced at $3…
…The food quality is fine; the dried mango, a favorite snack in our family, matched what we get at Trader Joe’s but was less flavorful than the Hawaiian version sold on Thrive.”