“The books I try not to pick up, and don’t want to read, are ones I wrote myself and published in the past,” says the Japanese writer, whose new book is “Novelist as a Vocation.” “Though it does make me want to do better with my next work.”
“CBS Saturday Morning” co-host Jeff Glor takes a trip to Texas to try recipes featured within “The Big Texas Cookbook.”
The editors of Texas Monthly celebrate the ever-evolving culinary landscape of the Lone Star State in this stunning cookbook, featuring more than 100 recipes, gorgeous color photos, and insightful essays.
When it comes to food, Texas may be best known for its beloved barbecue and tacos. But at more than 29 million people, the state is one of the most culturally diverse in America—and so is its culinary scene. From the kolaches introduced by Czechs settlers to the Hill Country in the 1800s to the Viet-Cajun crawfish that Vietnamese immigrants blessed Houston with in the early 2000s, the tastes on offer here are as vast and varied as the 268,596 square miles of earth they spring from.
In The Big Texas Cookbook, the editors of the award-winning magazine Texas Monthly have gathered an expansive collection of recipes that reflects the state’s food traditions, eclectically grouped by how Texans like to start and end the day (Rise and Shine, There Stands the Glass), how they revere their native-born ingredients (Made in Texas), and how they love the people, places, and rituals that surround their favorite meals (On Holiday, Home Plates). Getting their very own chapters—no surprise—are the behemoths mentioned above, barbecue and Tex-Mex (Smoke Signals, Con Todo). With recipes for über-regional specialties like venison parisa, home cooking favorites like King Ranch casserole, and contemporary riffs like a remarkable Lao beef chili, The Big Texas Cookbook pays homage to the cooks who long ago shaped the state’s food culture and the ones who are building on those traditions in surprising and delightful ways.
Packed with atmospheric photos, illustrations, and essays, The Big Texas Cookbook is a vivid culinary portrait of the land, its people, and its past, present, and future.
The overall winner, by William Davies: ‘Brecon in Winter’, Brecon Beacons National Park, Wales. Dawn sunlight warms up a winter’s morning in the Brecon Beacons.
‘Rough and Tumble’ Photo by Lloyd Lane Photography (www.lloydlane.uk), runner-up in the 2022 Landscape Photographer of the Year.
Tryfan by Aled Lewis. A photo of the iconic Tryfan in Snowdonia National Park.
‘Sycamore Gap Sun and Moon’, by Brian Eyler. Sycamore Gap Sun and Moon. Northumberland, England.
The Economist – Qatar is about to host the most expensive World Cup ever, costing as much as $300bn. Why has this small, gas-rich kingdom chosen to host football’s most prestigious event, and how does it fit into its broader plans for economic transformation?
Video timeline: 00:00 – Why is Qatar hosting the World Cup? 00:57 – World Cups are expensive competitions 01:56 – Qatar’s human rights violations 02:36 – Qatar’s place in the Gulf 04:43 – Qatar distinguishes itself from its neighbours 05:50 – Qatar bids to host the World Cup 07:18 – Qatar’s neighbours issue a blockade 10:12 – What might happen after the World Cup?
0:15 Global Population Reaches 8 Billion – That’s 8 times more humans than existed in 1800. Even so, the world’s population is growing at its slowest rate since 1950 due to a declining global fertility rate. Today there are an average of 2.3 births per woman. In 1950 it was 5. The world’s population is projected to peak at 10.4 billion by 2080.
1:49 The Economic Case for Climate Adaption – Climate adaptation means preparing our ecological, social and economic systems so they can cope with the future impacts of climate change. Heatwaves, storms, wildfires: the costs of climate change are already mounting but so far only 20% of climate finance has gone towards adaptation.
3:44 French Start Up Blends Wind and Solar Energy – Unéole’s energy system combines a photovoltaic rooftop panel with 2 compact wind turbines, generating 40% more energy than an ordinary rooftop panel. Solar panels work best in strong sunlight but Unéole’s units generate power when it’s overcast or during winter and can turn through the night to ensure a steady flow of power. The turbines are silent, so they don’t disturb building occupants and they’re built from mostly recycled aluminium and steel.
4:54 Lab Grown Blood Used in World First – UK scientists have transfused lab-grown blood into humans for the first time. It could revolutionize treatment for people with rare blood types, especially those who need regular transfusions. Two people were injected with 1-2 teaspoons of the synthetic blood to see how how their bodies respond. So far, so good – the trial participants are fit and healthy with no reported side effects.
Ben Luke talks to Hannah McGivern, a correspondent for The Art Newspaper who has just been to Qatar, about the vast number of public art projects that will accompany the FIFA Men’s World Cup that begins there on Sunday 20 November.
She also discusses the museums that Qatar plans to open by 2030. How does this explosion of cultural initiatives sit with Qatar’s record on human rights and treatment of low-paid migrant workers in the building of its cultural venues and World Cup stadia? It has been a heady fortnight of auctions in New York.
Ben speaks to Georgina Adam, an editor-at-large at The Art Newspaper, about the highs and lows, and whether we can expect even more sales of blockbuster collections in the coming years.
And this episode’s Work of the Week is an untitled painting by Luis Meque, an artist born in Mozambique who came to fame in the 1980s and early-1990s in Zimbabwe. Tandazani Dhlakama, the curator of the exhibition When We See Us: A Century of Black Figuration in Painting at Zeitz Museum of Contemporary Art Africa in Cape Town, tells us about Meque’s painting and his brief and brilliant life.When We See Us: A Century of Black Figuration in Painting, Zeitz Museum of Contemporary Art Africa, Cape Town, South Africa, 20 November-3 September 2023 Hosted on Acast. See acast.com/privacy for more information.
Like most hauntings, Fleur Jaeggy’s books are often quite baroque, but they cast a strange spell that causes everyone to remember them as nothing but austere.
Sweet Days of Discipline by Fleur Jaeggy, translated from the Italian by Tim Parks
The Water Statues by Fleur Jaeggy, translated from the Italian by Gini Alhadeff
I Am the Brother of XX by Fleur Jaeggy, translated from the Italian by Gini Alhadeff