Category Archives: Museums

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 21, 2023): This week: the latest controversies prompted by the Unesco World Heritage Committee. As we mentioned last week, the 45th session of the committee is taking place in the Saudi Arabian capital, Riyadh, and continues until 25 September.

The founder of The Art Newspaper, Anna Somers Cocks, joins host Ben Luke to look at the latest sites granted World Heritage status and at the Committee’s decision not to add Venice to the organisation’s endangered list. We ask: is Unesco so mired in politics that it cannot adequately perform its role? The Colombian artist Fernando Botero died last week, aged 91, and we talk to the gallerist Stéphane Custot, of Waddington Custot galleries in London, about this painter and sculptor who drew ire from many critics but achieved widespread public acclaim.

And this episode’s Work of the Week is October’s Gone . . . Goodnight (1973) by Barkley L. Hendricks. As a group of paintings by Hendricks goes on display among the masters at Frick Madison in New York, Aimee Ng, co-curator of the exhibition, tells us about the painting.

Barkley L. Hendricks: Portraits at the Frick, Frick Madison, New York, until 7 January 2024.

Miami Views: A Tour Of The Vizcaya Museum & Gardens

Christopher Putvinski Films (September 16, 2023) – A short tour of the beautiful grounds of Vizcaya Museum and Gardens,  the former villa and estate of businessman James Deering, of the Deering McCormick-International Harvester fortune, on Biscayne Bay in the present-day Coconut Grove neighborhood of Miami, Florida. 

Filmed in September 2023.

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 15, 2023): A Unesco conference and archeological summit in Saudi Arabia are the latest examples of the country’s increasing focus on culture as part of the so-called Vision 2030 programme.

We look at Saudi Arabia’s unprecedented and lavishly funded focus on contemporary and ancient culture and how that relates to ongoing concerns about artistic freedom and human rights abuses in the kingdom. Alia Al-Senussi, a cultural strategist, and senior advisor at Art Basel and to the Saudi Ministry of Culture, joins host Ben Luke to discuss the contemporary art scene, and Melissa Gronlund, a reporter on the Middle East for The Art Newspaper, tells us about the push to reveal hitherto underexplored Saudi heritage.

The Sierra Leone-born, London-based artist and poet Julianknxx this week unveiled a new project at London’s Barbican Centre, Chorus in Rememory of Flight. The multi-screen installation features performers and choirs from the African diaspora who Julianknxx met on a 4,000-mile trip around European cities with colonial histories, from Lisbon via Marseille, Rotterdam and Berlin to London. We talk to him about this epic endeavour. And this episode’s Work of the Week is among the greatest works on paper ever made: Michelangelo’s studies in red chalk for the Libyan Sibyl, one of the most distinctive figures on his Sistine Chapel ceiling. The drawing features in Michelangelo and Beyond at the Albertina in Vienna and one of its curators, Constanze Malissa, tells us more about it.

Art in Saudi Arabia: A New Creative Economy? by Rebecca Anne Proctor, with Alia Al-Senussi, published 30 November, Lund Humphries, £19.99.

Julianknxx: Chorus in Rememory of Flight, The Curve, Barbican Centre, London, and online on WePresent, until 11 February 2024; Julianknxx is in A World in Common: Contemporary African Photography, Tate Modern, until 14 January 2024.

Michelangelo and Beyond, Albertina, Vienna, 15 September-14 January 2024.

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 7, 2023): It’s our 250th podcast, and in this special episode we focus on the future. We ask leading figures across the art world to tell us about their hopes and concerns for the visual arts. Among them are Max Hollein, the director of the Metropolitan Museum of Art in New York,

Bénédicte Savoy, the co-author of the Saar-Savoy report into the restitution of cultural heritage, Shanay Jhaveri, the head of visual arts at the Barbican, the Berlin-based curator Bonaventure Soh Bejeng Ndikung, Kymberly Pinder, the dean of Yale School of Art, and the artist Tomás Saraceno. Host Ben Luke is then joined by three core members of The Art Newspaper’s team and regular guests in the first 249 episodes of this podcast: editors-at-large Cristina Ruiz and Georgina Adam and our contemporary art correspondent Louisa Buck discuss the present and future of museums and heritage, art and artists and the art market.

New Museum Exhibitions: ‘Manet/Degas’ At The Met

Photo collage of two paintings, with the words Manet/Degas overlaid on top; Left of boy wearing pink shirt and hat sitting on a red couch with a dessert; Right: Two people wearing tan and black sitting at a table against a tan wall.

The Metropolitan Museum of Art (September 4, 2023) – This exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France.

Manet/Degas

Manet/Degas - Yale University Press London

September 24, 2023–January 7, 2024

Through more than 150 paintings and works on paper,  Manet/Degas  takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting.

Manet/Degas is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay et de l’Orangerie, Paris.

Reviews: ‘The Week In Art’

The Week In Art Podcast (August 31, 2023): In the first episode of this new season of The Week in Art, we talk to Martin Bailey, The Art Newspaper’s London correspondent, about the thefts scandal at the British Museum and its implications for the museum in the future.

The artist Grada Kilomba is one of four curators of this year’s Sāo Paulo biennial, called Choreographies of the Impossible, and she joins our host Ben Luke to discuss the show. And this episode’s Work of the Week is Village Square at Céret, a painting made in 1920 by Chaïm Soutine. It features in the exhibition Against the Current, which opens this week at K20 in Düsseldorf, Germany. The exhibition’s co-curator, Susanne Meyer-Büser, tells us about the picture.

The Sāo Paulo biennial: Choreographies of the Impossible, Ciccillo Matarazzo Pavilion, Sāo Paulo, Brazil, 6 September-10 December.

Chaïm Soutine: Against the Current, K20 Düsseldorf, 2 September until 14 January next year; Louisiana Museum of Modern Art, Humlebæk, Denmark, 9 February-14 July 14 2024; Kunstmuseum Bern, Switzerland, 16 August-1 December 2024.

International Art: Apollo Magazine – September 2023

Image

Apollo Magazine – September 2023 issue: Wrestling with Michelangelo at the Albertina; The Musée des Arts Décoratifs gets modern; An interview with Sarah Lucas and The Norman conquest of the European imagination.

Inside this issue

Exhibits: Printed In 1085 – A Thousand Years Of Books At The Huntington Library

The Huntington (August 25, 2023) – The history of printing has many missing pages. Li Wei Yang, Curator of Pacific Rim Collections, searched the library for the first documented connections between the great printing cultures of China and Europe.

Printed in 1085: The Chinese Buddhist Canon from the Song Dynasty

April 29–Dec. 4, 2023

The oldest printed book in The Huntington’s collection, the Scripture of the Great Flower Ornament of the Buddha, is on display in “Printed in 1085: The Chinese Buddhist Canon from the Song Dynasty” in the Library West Hall.

The exhibition delves into the circumstances of the book’s creation and its religious significance while broadening visitors’ understanding of Chinese textual tradition. Additional materials related to the text are on display to provide historical context.

The book is in a specially designed display case that allows Huntington visitors to have a unique experience when viewing the sacred text. Though the book was meant to be read by flipping from one page to the next, in the exhibition it is expanded in a custom case designed for maximum visibility, offering a rare opportunity to view the miraculously preserved relic and observe its unique bibliographic characteristics and exquisiteness.

More than 900 years old, the book is part of the 5,850-volume Great Canon of the Eternal Longevity of the Chongning Reign Period. Produced during the Song dynasty (960–1279) between 1080 and 1112, the accordion-style book fully unfolds to a length of 31 feet. It is one of the longest sutras, or collections of aphorisms, in the Buddhist canon and is a compendium of doctrines and ritual practices widely followed throughout East Asia.

The text presents a vision of the entire universe as consisting of elements that all interpenetrate (like mirrors reflecting in mirrors) within the body of the Cosmic Buddha. According to Li Wei Yang, curator of Pacific Rim Collections at The Huntington, it reflects the notion that “I am you, you are me; we all are Buddha.” It is not known whether the Buddha himself actually spoke the words found in the Scripture of the Great Flower Ornament.

Rather, it is likely that his followers, over centuries of adaptation and interpretation, incorporated the essence of his teachings into this and many other Buddhist works that have survived.

Morgan Library Exhibits: Swiss Painter Ferdinand Hodler “Drawings” Tour

The Morgan Library & Museum (August 23, 2023) – Isabelle Dervaux, curator of “Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey”, discusses the artist’s legacy and his impact on modernism.

Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey

June 16 through October 1, 2023

A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings. This exhibition of approximately sixty works, primarily on paper, will focus on the role of drawing in his practice, from quick compositional sketches to elaborate oil studies.

Most of the drawings Hodler produced were preparatory studies for his large-scale figure compositions; these offer a fascinating account of his working process, which involved technical experiments with imprints, tracing, and collages. A few of his portrait drawings will also be featured, including a poignant series in which he recorded the illness and death of his lover Valentine Godé-Darel.

These rarely seen drawings offer a compelling survey of Hodler’s singular contribution to early modernism.

Ancient Art: How Experts Are Uncovering Forgeries

DW Documentary (August 21, 2023) – When a long-lost bronze of Alexander the Great suddenly turns up in Greece, experts are suspicious. This documentary follows archaeologist Stephan Lehmann as he follows the trail of the art forgers.

Stephan Lehmann has uncovered around 50 suspected forged artworks to date – in the marketplace, in private collections and even in museums. Now, a large bronze of Alexander the Great has resurfaced in Greece. It was owned by a British art dealer and was handed back to Greece as previously looted art. But Lehmann and other experts say it’s a fake. Due to his work, archaeologist Stephan Lehmann is not always a popular figure: in the art trade and the museum world, many people prefer to sweep the problem of forgeries under the rug.

But one anonymous Swiss collector decided to confront the issue. He sent Lehmann an allegedly ancient but highly dubious bronze depicting Emperor Augustus, which he had purchased for several hundred thousand dollars in New York. Lehmann examined it and had it X-rayed at Germany’s Fraunhofer Institute, using one of the most powerful CT scanners in the world.

Testing the material an artwork is made of can not only uncover forgeries; it can also shed light on how forgers go about their work. This documentary sets out on the trail of art forgers, uncovering a dark and concealed side of the antiquities trade. It reveals just how good forgeries can be. Fakes have even sometimes turned up among supposedly looted works being returned to states as part of the restitution process.

#documentary #dwdocumentary #fake #forgery #crime