Zaha Hadid was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid’s daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing.
By her untimely death in 2016, Hadid was firmly established among architecture’s finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects.
Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid’s complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid’s own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.
With a narrative punctuated by personal stories of time’s effects on truck drivers, Olympic racers, prisoners, and clockmakers, Mazur’s journey is filled with fascinating insights into how our technologies, our bodies, and our attitudes can change our perceptions. Ultimately, time reveals itself as something that rides on the rhythms of our minds. The Clock Mirage presents an innovative perspective that will force us to rethink our relationship with time, and how best to use it.
Slavoj Žižek is a Slovenian philosopher and writer whose vast catalogue of work has earned him celebrity status across the globe. A radical leftist, his work encompasses everything from psychoanalysis and political theory to art and film criticism. 
Tui De Roy was a year old in 1955 when her family left Europe, boarding a banana boat bound for the Pacific to lead a different sort of life in Galápagos, one of self-sufficiency and living close to nature. She grew up on the islands and returned to them often over the next five decades. Discovering photography at a young age, she has dedicated her life to recording the islands’ natural history in infinite detail. A Lifetime in Galápagos is De Roy’s intimate portrait of one of the most spectacular places on Earth, presenting the wildlife and natural wonders of Galápagos as you have never seen them before.
“Provence has a treasure; it’s a Colombe d’Or. It has the precious scent of thyme and nostalgia and the golden colour of olive oil and happy days. The Colombe is a part of my life. For me, it’s a place that’s as full of promise as of magnificent memories. The Colombe is indefinable, inimitable. I’m happy that today a book brings back the atmosphere of this place which is like no other in the world.”
This week, Medaya speaks with acclaimed filmmaker Hirokazu Kore-eda about his new film, The Truth (La Vérité), starring French film screen legends Catherine Deneuve and Juliette Binoche. Kore-eda discusses complicated family dynamics, the relationship between art and truth-telling and what brought him to France. 
Daniel Mendelsohn discusses Mitchell’s career and new novel, “Utopia Avenue,” and Maria Konnikova talks about “The Biggest Bluff.”
Boomers Daily 