Category Archives: Arts & Literature

Profiles: 82-Year Old American Abstract Painter Larry Poons

From a Wall Street Journal online profile (March 3, 2020):

I had a handful of school friends, including Francis Ford Coppola, who was in the grade behind me. He was known then as Frank. He directed school plays, such as “Finian’s Rainbow.” That’s where I fell in love with the girl. She was a dancer in the cast.

Painting, music and poetry all spoke to me, especially music. I applied to the New England Conservatory of Music in Boston.

Larry Poons, 82, is an abstract painter best known for his “dot” and “throw” paintings. “Larry Poons” (Abbeville), a book-length monograph of his work from the 1950s to the present, will be published in September. He spoke with Marc Myers.

The first time I painted on canvas board, I was lovesick. I had a crush on a girl in high school and had just finished reading Irving Stone’s Van Gogh biographical novel, “Lust for Life.”

I took my easel to a nearby park and painted trees. As I worked the paint with a small brush, it helped get my feelings out.

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Art: “Before Pennsylvania Station” By American Realist Painter George Bellows (1882-1925)

George Bellows, Pennsylvania Station Excavation, c. 1907–08, oil on canvas, 79.2 x 97.1 cm (Brooklyn Museum), a Seeing America video.

Smarthistory LogoSpeakers: Dr. Margarita Karasoulas, Assistant Curator, American Art, Brooklyn Museum and Dr. Steven Zucker

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George Wesley Bellows (August 12 or August 19, 1882 – January 8, 1925) was an American realist painter, known for his bold depictions of urban life in New York City. He became, according to the Columbus Museum of Art, “the most acclaimed American artist of his generation”.

Bellows first achieved widespread notice in 1908, when he and other pupils of Henri organized an exhibition of mostly urban studies. While many critics considered these to be crudely painted, others found them welcomely audacious, a step beyond the work of his teacher. Bellows taught at the Art Students League of New York in 1909, although he was more interested in pursuing a career as a painter. His fame grew as he contributed to other nationally recognized juried shows.

Bellows’ urban New York scenes depicted the crudity and chaos of working-class people and neighborhoods, and satirized the upper classes. From 1907 through 1915, he executed a series of paintings depicting New York City under snowfall. In these paintings Bellows developed his strong sense of light and visual texture,[14] exhibiting a stark contrast between the blue and white expanses of snow and the rough and grimy surfaces of city structures, and creating an aesthetically ironic image of the equally rough and grimy men struggling to clear away the nuisance of the pure snow. However, Bellows’ series of paintings portraying amateur boxing matches were arguably his signature contribution to art history.[11] They are characterized by dark atmospheres, through which the bright, roughly lain brushstrokes of the human figures vividly strike with a strong sense of motion and direction.

Pennsylvania Station New York City
Pennsylvania Station New York City

Pennsylvania Station, also known as New York Penn Station or Penn Station, is the main intercity railroad station in New York City and the busiest in the Western Hemisphere, serving more than 600,000 passengers per weekday as of 2019.mPenn Station is in Midtown Manhattan, close to Herald Square, the Empire State Building, Koreatown, and Macy’s Herald Square. Entirely underground, the station is located in Midtown South beneath Madison Square Garden, between Seventh and Eighth Avenues, and between 31st and 33rd Streets, with additional exits to nearby streets.

Penn Station has 21 tracks fed by seven tunnels (the two North River Tunnels, the four East River Tunnels, and the single Empire Connection tunnel). It is at the center of the Northeast Corridor, a passenger rail line that connects New York City with Boston, Philadelphia, Washington, D.C., and intermediate points. Intercity trains are operated by Amtrak, which owns the station, while commuter rail services are operated by the Long Island Rail Road (LIRR) and NJ Transit (NJT). Connections are available within the complex to the New York City Subway, and buses. An underground passageway formerly provided an indoor connection with the 34th Street–Herald Square subway station and 33rd Street PATH station.[7]

Penn Station is named for the Pennsylvania Railroad (PRR), its builder and original tenant, and shares its name with several stations in other cities. The current facility is the remodeled underground remnant of the original Pennsylvania Station, a more ornate station building designed by McKim, Mead, and White and considered a masterpiece of the Beaux-Arts style. Completed in 1910, it enabled direct rail access to New York City from the south for the first time. Its head house was torn down in 1963, galvanizing the modern historic preservation movement.[8] The rest of the station was rebuilt in the following six years, while retaining most of the rail infrastructure from the original station.

From Wikipedia

New Exhibitions: “Cézanne – The Rock and Quarry Paintings” (Princeton)

Cézanne The Rock and Quarry Paintings book edited by John Elderfield April 2020Cézanne: The Rock and Quarry Paintings is the first major exhibition to examine an essential but understudied aspect of the revolutionary French painter’s work: his profound interest in rock and geological formations.

Throughout his career, Cézanne made canvases that take rock formations as their principal subjects. Although they are among the artist’s most extraordinary landscapes, such paintings of geological forms have never before been the focus of significant scholarship.

Cézanne: The Rock and Quarry Paintings will feature approximately 15 of the most important of these paintings, as well as selected watercolors and related documentary material. Together, they reveal the artist’s fascination with geology, which helped shape the radical innovations of his artistic practice

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Video Interviews: 58-Year Old Nobel Prize Author Olga Tokarczuk (2020)

In this interview from the Nobel Banquet on 10 December 2019, Literature Laureate Olga Tokarczuk talks about her childhood dream of being a scientist, curiosity as motivation and the importance of translators.

Olga Tokarczuk, (born January 29, 1962, Sulechów, Poland), Polish writer who was known for her wry and complex novels that leap between centuries, places, perspectives, and mythologies. She received the 2018 Nobel Prize for Literature (awarded belatedly in 2019), lauded for her “narrative imagination that with encyclopedic passion represents the crossing of boundaries as a form of life.” A best-selling author in Poland for decades, Tokarczuk was not well known outside her homeland until she became the country’s first author to win the Man Booker International Prize in 2018 for Flights (2017)—the English translation of her sixth novel, Bieguni (2007).

From Encyclopedia Britannica

Art History Podcasts: “Understanding the Medieval World through Books” (Getty Museum)

Getty Museum PodcastsWhat was the world like from 500 to 1500 CE? This period, often called medieval or the Middle Ages in European history, saw the rise and fall of empires and the expansion of cross-cultural exchange.

Getty curator Bryan C. Keene argues that illuminated manuscripts and decorated texts from Africa, Asia, Australasia, the Americas, and Europe are windows through which we can view the interconnected history of humanity. In this episode, he discusses his recent book Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts, highlighting the challenges and opportunities of the emerging discipline known as the Global Middle Ages.

Art Lectures: “Science In The 17th Century Dutch Golden Age” (MFA Boston)

Peer through the lens of flourishing 17th-century Dutch technological innovation to witness wondrous advancements in science, including astronomy and medicine.

Harold J. Cook, John F. Nickoll Professor of History, Brown University

“2020 Sony World Photography Awards” National And Regional Winners Announced

From a New Atlas online article (March 1, 2020):

Adam Stevenson Australia National Award Winner 2020 Sony World Photography Awards
Adam Stevenson Australia National Award Winner 2020 Sony World Photography Awards

One of the largest and most prestigious photo contests in the world has revealed its first wave of 2020 winners. The Sony World Photography Awards National winners focus on the best regional talent across more than 60 countries around the globe.

The 2020 Sony World Photography Awards received a record breaking 350,000 submissions, with 190,000 entries into its Open category. The Open category spans a number of thematic sections, all seeking the best single photograph from either amateur or professional photographers.

See winning photos

Sony World Photography Awards 2020Adam Stevenson won the best Australian photograph with an incredible shot of a Kookaburra watching over the devastation of the bushfires that tore through the country over the past few months. The shot is titled “That’s Nothing to Laugh About” and was snapped with a Iphone X near Stevenson’s home at Wallabi Point in New South Wales.

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Profiles: The “Stylish” Legacy Of British Author Hugo Charteris (1922-1970)

From a New Criterion online article:

Hugo Charteris The LifelineAlan Ross, for forty years The London Magazine’s editor, found Charteris “one of the most original, quirky and shrewd explorers of the behaviour of the landed gentry . . . and at a time when prose was plain, his was idiosyncratically stylish.”

When Hugo Charteris’s first novel, the haunting A Share of the World, was published in 1953 to the praise of Rosamond Lehmann (who helped to get it published), Peter Quennell, Evelyn Waugh, and Francis Wyndham (Charteris’s relation and consistent supporter), the author, just turned thirty-one, seemed set for lasting fame. It hasn’t worked that way in the The New Criterion March 2020almost five decades since his death of cancer in 1970, aged only forty-seven.

Nowadays, few people seem to know his name. This is true among not only the ever-growing majority who pay little attention to novels and novelists, but also the enlightened minority who do.

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Interviews: 84-Year Old British Photographer Don McCullin (Apollo)

From an Apollo Magazine online interview (Feb 22, 2020):

McCullin is reluctant to place himself in the company of artists, partly because he never wants to feel that he’s ‘arrived’ – ‘The moment that happens, I know I’m finished’ – but also because of the nature of his material. ‘There’s a shadow that Irreconcilable Truths by Don McCullincomes over my life when I think […] that I’ve earned my reputation out of other people’s downfall. I’ve photographed dead people and I’ve photographed dying people, and people looking at me who are about to be murdered in alleyways. So I carry the guilt of survival, the shame of not being able to help dying people.’ 

Don McCullin Vietnam and Berlin Photos from websiteOn top of a hill a few miles from Don McCullin’s house in Somerset is a dew pond, a perfectly circular artificial pond for watering livestock. Nobody knows how long it has been there; some dew ponds date back to prehistoric times, and it’s tempting to think that this one served the Bronze Age hill-fort that overlooks the site. McCullin is obsessed with the pond. For more than 30 years, whenever he has had the time, he has walked up the hill and stood there with his camera waiting for the right moment to take a photograph. Often, the moment never comes: he can spend hours there, just looking. ‘It’s as if it has a hold over me,’ he tells me when I visit him at home in early January. ‘I can’t leave it alone, I photograph it all the time. And yet I think I’ve done my best picture the first time I ever did it. I can’t tell you how.’

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Artists: Spanish Painter Joan Miró’s “Endlessly Creative” Printmaking

Excerpts from a Christie’s online article (Feb 28, 2020):

Joan Miró Christie's
Joan Miró

Like Pablo Picasso, his compatriot and peer, Miró had an unwavering commitment to printmaking. Also like Picasso, he created more than 2,000 works in the medium. It’s often said that Miró’s fondness for calligraphic lines — such a distinctive feature of his paintings — lent itself naturally to graphic work.

‘In terms of both the quality and quantity of his output, Joan Miró was one of the most important printmakers of the 20th century,’ says Murray Macaulay, Head of Prints at Christie’s in London.

Joan Miró Prints Christie'sThe son of a watchmaker, Joan Miró was born in Barcelona in 1893. He moved to Paris in the early 1920s and soon joined the Surrealist movement. He also befriended a host of avant-garde writers, such as Max Jacob, Tristan Tzara, Antonin Artaud, André Breton and Paul Eluard.

The first prints Miró ever made were illustrations for Tzara’s 1930 book of poems, L’arbre des Voyageurs. Literary sources would prove to be a constant inspiration for him, with notable examples including Alfred Jarry’s play, Ubu Roi; Stephen Spender’s poem, Fraternity; and the mystic, medieval text, Canticle of the Sun, by St Francis of Assisi.

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