From Open Magazine (May 29, 2020):

And with The Mysterious Affair at Styles (published a 100 years ago, in 1920) Christie would introduce readers to Monsieur Hercule Poirot, an old Belgian detective who resembled Holmes superficially (‘eccentric detective, stooge assistant’, as the author would admit in her autobiography later) but whose psychological insights and near-mystical idiosyncrasies would make him arguably the most successful and beloved literary sleuth of all time.
IN 1916, THE 26-year-old Agatha Christie finished writing her first detective novel at Dartmoor, a quiet upland in Devon, UK, known for its beautiful granite hilltops. Sir Arthur Conan Doyle had published The Hound of the Baskervilles, in 1902, which would become one of the most widely read Sherlock Holmes adventures—and the story was set in this same corner of the world, Dartmoor.
Books like Murder on the Orient Express (1934), The Murder of Roger Ackroyd (1926) and Death on the Nile (1937) remain some of the bestselling murder mysteries in the world today, over eight decades after their original publication (Christie’s net sales for all of her books combined are over two billion now).
In the 1960s, while America was being wowed by Pop art, Europe had its own answer to bringing life and art closer together. In this episode of Expert Voices, learn about Nouveau Réalism – a groundbreaking movement in which artists created radical and rebellious sculptures and paintings in protest against the rise of consumerism.
“Buildings and constructions once created by people but now fallen into oblivion have an inspirational value for me,” Mill tells My Modern Met. “They are silent witnesses of history. These giants towering over densely populated cities preserve the memories from the moment of their creation until the last stone drops off their walls.”
Russian graphic designer and watercolor painter
“Imagine all the people” is a project by Turin-based artist and illustrator Pierpaolo Rovero that fantasizes about the way people around the word spend their time in quarantine. Depicting a diverse range of metropolitan panoramas, from New York and Paris, to Jerusalem, to Tokyo, Rovero imagines the citizens of each city indulging in the same activity while stuck at home, allowing viewers to catch glimpses through windows, balconies and skylights. 