Meet Pascale Lepeu, Curator of the Cartier Collection, and see the incredible trove of historic Cartier jewellery that is held within. From elegant diamond tiaras of the Belle Époque to remarkable Art Deco tutti frutti bracelets and more, discover the enormous influence that Cartier has had on the world of high jewellery. An extract from the Christie’s Education online course, History of Jewellery Design: 1880–Now.
In this week’s episode of “Travels with a Curator,” travel with Xavier F. Salomon, Peter Jay Sharp Chief Curator, to Valenciennes, the birthplace of the Rococo painter Jean-Antoine Watteau. Delve into the historical events surrounding Watteau’s “Portal at Valenciennes” (ca. 1710–11), a scene of soldiers at rest near the ramparts of the town. Known for his depictions of garden frolics, Watteau seldom portrayed military life—“The Portal” is one of only three such paintings that survive today.
Valenciennes is a commune in the Nord department in northern France. It lies on the Scheldt river. Although the city and region experienced a steady population decline between 1975 and 1990, it has since rebounded.
The year 2020 marks the one-hundredth anniversary of the ratification of the 19th Amendment, which granted millions of women in the U.S. the right to vote. The Frick is celebrating with a series of videos honoring the stories of women who made, appeared in, collected, and took care of art in this collection.
Frick Curator Aimee Ng continues the series with a look at the model, actress, dancer, writer, and artist known as “Miss Manhattan”—Audrey Munson.
Audrey Marie Munson was an American artist’s model and film actress, today considered “America’s First Supermodel.” In her time, she was variously known as “Miss Manhattan”, the “Panama–Pacific Girl”, the “Exposition Girl” and “American Venus.”
Award-winning artist, writer, and naturalist James Prosek (b. 1975) has gained a worldwide following for his deep connection with the natural world, which serves as the basis for his art and numerous popular books. In this cross-disciplinary catalogue, Prosek poses the question, What is art and what is artifact—and to what extent do these distinctions matter?
Drawing on the collections of the Yale University Art Gallery and the Yale Peabody Museum of Natural History, Prosek places man- and nature-made objects on equal footing aesthetically, suggesting that the distinction between them is not as vast as we may believe. In more than 150 full-color plates, objects such as a bird’s nest, dinosaur head, and cuneiform tablet are juxtaposed with Asian handscrolls, an African headdress, modern masterpieces, and more. Artists featured include Albrecht Dürer, Helen Frankenthaler, Vincent van Gogh, Barbara Hepworth, Pablo Picasso, and Jackson Pollack, as well as Prosek himself, whose works depict fish, birds, and endangered wildlife. Also included are an incisive essay by Edith Devaney and texts by Prosek that explore the magnificent productions of our wondrous interconnected world.
Vice Chairman Lucian Simmons sits down to describe one of his favorite works – Fernand Léger’s Nature Morte. After surviving World War I, Léger joined an influx of artists searching for “purity” or a so-called “return to order.” Executed in 1925, Léger’s still life is an outstanding example of the artist’s classical period, where the artist found a new stride. Nature Morte will be offered as a highlight of the Sotheby’s Impressionist and Modern Evening auction in New York.
By any name, Yusuf Islam is a legend. The man who came to fame as Cat Stevens will soon release a new album, a collection of songs he made famous half a century ago and has now re-recorded with the perspective that 50 years of living can bring. Correspondent Tracy Smith talks with Yusuf about recording “Tea for the Tillerman 2,” including his duet with his younger self for the song “Father and Son.”
From the Wall Street Journal (June 19, 2020):
…what perhaps absorbed him most was a suite of 10 paintings of one of the weeping willows he had planted on the shores of his pond in 1893, when he had purchased the property to construct his aquatic paradise. The tree had grown in girth and grandeur over the intervening years, its leafy arms now extending out over the dappled waters like an impassioned conductor energizing an orchestra.
The trees in Monet’s water garden are much less known than the flowers, but they were central to his vision of what that ideal space should include and thus dear to his heart. In 1912, when severe winds and rains wreaked havoc on his horticultural handiwork, what Monet mourned most was the damage to his willows.
Weeping willows, of course, evoke mourning by their very appearance no less than by their appellation, their drooping tendrils the very symbol of sorrow. It’s therefore not surprising, given Monet’s sensitivity to his nation’s plight, that he turned to this tree to express the trauma of the moment.
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.
Thomas Gainsborough RA FRSA was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century.
Vanessa Foley is a professional bird artist based in the North of England. She regularly shows her work in notable galleries in the UK and America, has work in private collections worldwide and is a member of The VACVVM, an international cult of illustration co-founded by Aaron Horkey & Mitch Putnam.
An artist from Newcastle, England she is known for her intensely detailed graphite drawings and emotionally rich oil paintings. She has become a long-standing member of the Antler Gallery roster since we first exhibited her work four years ago.
Vanessa has embraced the stylistic beauty that oil painting offers an artist representing subjects accurately. The density and delicacy of the feathers in her paintings of birds of prey is stunning. In this series she has chosen to focus on the nocturnal, incorporating owls and moths. (Antler Gallery).
Making its auction debut, ‘Les éléments confédérés’ is the only five-panel work by pioneering Chinese artist Chu Teh-Chun and the largest oil painting by the artist remaining in private hands. In this video, view the monumental work set to the piece of music it was inspired by – Beethoven’s Symphony No. 9, and discover how the choice of five panels relates to Chinese philosophy.
Boomers Daily 