In the January/February issue of frieze, Terence Trouillot profiles artist Henry Taylor ahead of shows at The Fabric Workshop and Museum, Philadelphia, and The Museum of Contemporary Art, Los Angeles. Plus, one year after Russia declared war on Ukraine, artists and writer respond to the crisis in a dossier, including: a personal essay by painter and writer Kateryna Aliinyk; Adam Mazur profiles Taras Gembik, an artist and performer organising picnics to raise money for Ukraine in Warsaw, Poland; Nikita Kadan on what art can mean in a time of war; editor-in-chief Andrew Durbin interviews Olha Honchar, the director of Territory of Terror Museum, which documents war crimes, and the coordinator for the Museum Crisis Center, an organization helping Ukrainian museums rescue their holdings from occupied zones.
Profile: Henry Taylor “I became the observer because I was trying to understand my own life and that’s why I started making pictures. I just like looking at people.” Terence Trouillot considers how Henry Taylors oeuvre goes far beyond the canvas.
Tangier’s many facets have long inspired writers. Here, the Moroccan-born novelist Laila Lalami introduces readers to the books and writers that, to her, best capture the city.
Presidents have been impeached, but none has ever been asked, after leaving office, to turn himself in for arraignment. The January 6th committee’s final actions could help change that.
Literature once filled in archival gaps by saying the unsayable. Now a younger generation is devising new modes of telling the story and finding new stories to tell.
The first issue of LRB volume 45 is now online, featuring Alan Bennett’s diary for 2022, @_jamesmeek on flooding, Anne Enright on Toni Morrison, Jenny Turner @neepmail on Colette, @xlorentzen on Cormac McCarthy and a cover by @Jon_McN.
Literary Hub (December 19, 2022) – From 35 lists and from 29 publications (yes, there are even more lists out there, but we’re all going to die some day), tallying a total of 887 books. 84 books were highlighted on 4 or more lists, and those are collated those for you here, in descending order of frequency.
An unparalleled novel about money, power, intimacy, and perception. Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth–all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs.
The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every kind of animal, including humans, is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of our immense world.In An Immense World, Ed Yong coaxes us beyond the confines of our own senses, allowing us to perceive the skeins of scent, waves of electromagnetism, and pulses of pressure that surround us. We encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats.