In this week’s episode of “Travels with a Curator,” travel with Xavier F. Salomon, Peter Jay Sharp Chief Curator, to Valenciennes, the birthplace of the Rococo painter Jean-Antoine Watteau. Delve into the historical events surrounding Watteau’s “Portal at Valenciennes” (ca. 1710–11), a scene of soldiers at rest near the ramparts of the town. Known for his depictions of garden frolics, Watteau seldom portrayed military life—“The Portal” is one of only three such paintings that survive today.
Valenciennes is a commune in the Nord department in northern France. It lies on the Scheldt river. Although the city and region experienced a steady population decline between 1975 and 1990, it has since rebounded.
…what perhaps absorbed him most was a suite of 10 paintings of one of the weeping willows he had planted on the shores of his pond in 1893, when he had purchased the property to construct his aquatic paradise. The tree had grown in girth and grandeur over the intervening years, its leafy arms now extending out over the dappled waters like an impassioned conductor energizing an orchestra.
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.
Vanessa Foley is a professional bird artist based in the North of England. She regularly shows her work in notable galleries in the UK and America, has work in private collections worldwide and is a member of 
An artist from Newcastle, England she is known for her intensely detailed graphite drawings and emotionally rich oil paintings. She has become a long-standing member of the Antler Gallery roster since we first exhibited her work four years ago.
In this stunning but sinister visual universe, beasts and birds are not mere aesthetic objects but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreaks havoc on a formal dinner table; an American buffalo is surrounded by bloodied white wolves. In dazzling watercolor, the images impress as much for their impeccable realism as they do for their complex narratives.
Boomers Daily 