This remarkable painting by Michel Corneille the Elder has been hidden away from view for at least the past 110 years and is a truly exceptional rediscovery for French painting of the 17th century. After a recent restoration, the artist’s signature has been re-exposed so that now this impressive work can be confidently attributed to the early French Classicist.
This episode of Anatomy of a work of art, discover The Death of Virginia, taken from Roman historian Livy and recounts the death of Virginia, daughter of a centurion in the Roman army. This rediscovery will be one of the highlights of our sale Tableaux Dessins Sculptures 1300-1900, Session I, Including Treasures from the Antony Embden Collection.
This week, Picasso and the Old Masters: as shows pairing the Spaniard with Ingres and El Greco open in London and Basel respectively.
Ben Luke talks to Christopher Riopelle (curator of Picasso Ingres: Face to Face at the National Gallery) and Carmen Giménez (curator of Picasso-El Greco at the Kunstmuseum in Basel) about the profound influence of historic artists on Picasso’s rupturing of tradition. In this episode’s Work of the Week, The Art Newspaper’s contemporary art correspondent, Louisa Buck, talks to Chris Levine, the creator of Lightness of Being, one of the best known recent portraits of Queen Elizabeth II, as the British monarch celebrates 70 years on the throne. And as the Polish government replaces yet another museum director, what can be done about political interference in museum governance? Ben talks to Goranka Horjan, director of Intercom, the International Committee for Museum Management, and Bart De Baere, chair of the Museum Watch programme at the International Committee for Museums and Collections of Modern Art (Cimam).
Picasso Ingres: Face to Face, National Gallery, London, until 9 October. Picasso-El Greco, Kunstmuseum, Basel, 11 June-25 September.
This video offers a look at Cezanne’s unique approach to color, form, and space through specialized imaging of a few of the artist’s most influential works in the Art Institute’s collection: The Basket of Apples, The Three Skulls, and The Vase of Tulips.
Plus: William Kent’s heavenly ceilings, New York’s terrible new skyscrapers, the market’s obsession with young painters, the artists who channel their inner child, and reviews of Walter Sickert, Raphael and Winslow Homer
The Musée d’Orsay is hosting the first major exhibition devoted to Antoni Gaudí organized in France in Paris in fifty years. In an immersive museographic experience, it will show the spectacular creations of this unique artist, in particular, presenting sets of furniture never before exhibited in France. It will offer a new vision of the artist as a unique and singular figure, a non-isolated genius who practiced in a Catalonia in the midst of social, political and urbanistic upheaval.
The exhibition will focus on showing the architect’s creative process at a time of an exceptional local artistic profusion linked to “Modernism” or the Art Nouveau movement in Spain, supported by distinguished patrons, anxious to distinguish Catalonia, a land of Mediterranean identity. Gaudí’s workshop, his many collaborators, and his sophisticated working techniques will be the guiding line of the exhibition to make the public understand the extraordinary inventive capacity of the architect who defied all the creation of the moment.
Friday May 27, 2022: Are stolen Cambodian statues hidden in the world’s great public collections?
We discuss Cambodia’s looted heritage with Celia Hatton, Asia Pacific editor and presenter at the BBC World Service, whose documentary for BBC TV and radio Cambodia: Returning the Gods exposes the connections between looters, smugglers and, allegedly, some of the world’s most famous encyclopaedic museums. Plus, the dark truth behind the art and antiques assembled by the Marcos family in the Philippines as they return to power.
We talk to the Filipino artist Pio Abad—who’s made art about Ferdinand and Imelda Marcos and their collections for more than a decade—about Bongbong Marcos’s presidential election victory in the Philippines and what that means for the country and the art and antiquities seized by its government after the Marcoses were deposed in the 1980s. And in this episode’s Work of the Week, we discuss a sculpture by Ruth Asawa—Untitled (S.266, Hanging Seven-Lobed, Multi-Layered Interlocking Continuous Form within a Form) (1961)—a highlight of a new exhibition at Modern Art Oxford in the UK, with Emma Ridgway, the show’s co-curator. Remarkably, the solo exhibition is the first in a European institution dedicated to the Japanese-American artist.
You can read Celia’s report on Cambodian antiquities online at bbc.co.uk. Cambodia: Returning the Gods (radio version) is on the BBC website and the BBC Sounds app—under The Documentary Podcast stream for the World Service and the Crossing Continents podcast stream in the UK—and on other podcast platforms.
Cambodia: Returning the Gods (television version) is on iPlayer in the UK and will be shown again on the BBC World news channel, broadcast date tbc—check listings.Pio Abad: Fear of Freedom Makes Us See Ghosts, Ateneo Art Gallery, Ateneo de Manila University, until 30 July, pioabad.com.
Ruth Asawa: Citizen of the Universe, Modern Art Oxford, UK, 28 May-21 August; Stavanger Art Museum, Norway, 1 October-22 January 2023.
The Musée Rodin in Paris, France, is a museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin’s old home, the Villa des Brillants at Meudon, Hauts-de-Seine.
Matthew Rice is a long-time observer and illustrator of cities, buildings and all those who inhabit them, with an uncanny ability to express the energy of a place through a few lines of ink and splashes of paint.
For years, Venice has been a source of deep creative inspiration for him; and now, in Venice: A Sketchbook Guide, he captures the highlights of this most beguiling of Italian cities. Unsurprisingly, given his abiding passion for architecture, Matthew provides a wealth of information about the ‘stones’ of Venice, including an illustrated guide to the main building styles of the city – Byzantine, Gothic, Renaissance, Baroque and Modern – and exemplars of its balconies, bridges and campaniles.
Further sections explore the city’s sestieri – its six residential quarters – as well as its history, paintings, festivals, wildlife and, not least, its cicchetti and aperitivi. Following the same landscape format as Matthew’s real-life sketchbooks, Venice: A Sketchbook Guide will combine enchanting watercolour illustrations with an informed, personal and witty text, and promises to delight all visitors to Venice, armchair or actual.
This week: is heritage in Ukraine being attacked and looted, and what can be done to protect it?
Ben Luke talks to The Art Newspaper’s museums and heritage editor, Tom Seymour, who has been to the Ukrainian-Polish border with the International Council of Museums (ICOM), to witness museum materials being sent into Ukraine to help institutions there. Then, Tom talks to Sophie Delepierre, the head of heritage protection at ICOM, about the organisation’s efforts in Ukraine and elsewhere.
As a major exhibition of the work of Paul Cezanne opens at The Art Institute of Chicago, ahead of its journey to Tate Modern later in the year, Ben talks to Gloria Groom and Caitlin Haskell, the curators of the Chicago exhibition. And for this episode’s Work of the Week, our acting digital editor, Aimee Dawson, asks Oliver Lanzenberg, the grandson of the artist Nicola L., about his grandmother’s work Gold Femme Commode (1969/1993). The piece is part of a show at Alison Jacques, one of a number of exhibitions opening to coincide with the second edition of London Gallery Weekend.
Tom’s full report into ICOM’s work for Ukraine is in the next print edition of The Art Newspaper and online soon.
The organisation Sophie mentions is NEMO, the Network of European Museum Organisations, ne-mo.org.
Cezanne, The Art Institute of Chicago, 15 May-5 September; Tate Modern, London, 5 October-12 March 2023.
Gallery Henoch is pleased to present Rising, an exhibition of new paintings and resins by Eric Zener, which will run May 5 – 28, 2022.
Zener appropriates the natural world to portray moments of personal decision and change. “He uses vast expanses of water and sprawling forests as signifiers of this realm of forces greater than ourselves. In his canvases we find divers suspended midair or swimmers plunging into deep blue water. Each of these subjects are consumed by their activity, and we can savor this state of immersion vicariously through Zener’s work,” observes Peter Brock in the exhibition brochure.
The artist reveals little about the individuals appearing in his paintings: their faces are turned away or obscured. With the focus shifted away from their identity, we are encouraged to consider our relationship to their experience.
While many of the paintings depict figures situated in water, a number of them explore the mysteries of nature devoid of human presence. In these the viewer is introduced to a world characterized by densely forested views or disturbed water. In these works, Zener finds a “connection to an ephemeral experience” that transcends the personal.
Eric Zener lives and works in the Bay Area and has been exhibited in the United States and internationally for over 25 years.
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