The French architects draw inspiration from existing buildings, as well as ecosystem feedback loops and biomimetics, to create a series of green, organic structures distributed throughout Paris. Through a sensitive and contemporary dialog that preserves the historical heritage of the French capital, the project creates islands of urban freshness by reviving nature, biodiversity and permaculture urban agriculture in the heart of the city.
January 13, 2023: In the first episode of the year, we look ahead at the next 12 months. Anny Shaw, the acting art market editor at The Art Newspaper, peers into her crystal ball and tries to predict the fortunes of the art market this year.
Then, Jane Morris, one of our editors-at-large, José da Silva, our exhibitions editor, and host Ben Luke select the museum projects, biennales and exhibitions that they are most looking forward to in 2023.Events discussed:
Art In America (January 2023) – Published annually, the Art in America Guide to Museums, Galleries, and Artists is the most comprehensive national printed directory of galleries, artists, dealers, consultants, museums, and nonprofit spaces available. With detailed information on almost 3,000 art venues and businesses in the United States, the Guide is an essential resource for the art world.
The A.i.A. Guide was first published in 1982, making the current issue our 40th annual edition of this much-loved art world publication.
The A.i.A. Guide’s digital counterpart, launched in May 2017, provides listings searchable by city, state, category, and artist’s name; recommendations for shows to see from Art in America editors, as well as from respected curators, art writers, and artists; and highlights from Art in America’s print issues. Find out what’s on view near you. Discover important new artists and venues. And see why Art in America has been the world’s premier art magazine for over 100 years.
Please contact Kristie Nilsson, Art in America Guide Manager, for more information: knilsson@artnews.com | (212) 398-1690 x62104
Matisse in the 1930s features a collection of the legendary artist’s work during a decade of artistic exploration—from experimentation, to failure, to renewal—with Philadelphia as a backdrop.
By 1930, Henri Matisse had achieved significant international renown, yet he found himself in a deep creative slump. The turning point came with a commission to decorate the main gallery of the Barnes Foundation in Philadelphia. The resulting monumental mural, The Dance (1930–33), turned Matisse’s artistic practice around.
Photograph Magazine – January-February 2023:
The German-born photographer’s precise work, on view at the Getty Center, explores what it’s like to see and perceive our surroundings.
The photographs in Mary Ellen Bartley’s series Morandi’s Books – meditative still life compositions in muted colors transformed by collage elements – are gently disorienting despite their formal precision.
Cover of Twenty-five Years Ago, by Joan Lyons (Visual Studies Workshop Press, 1998)
frieze Magazine – January / February 2023 issue:
In the January/February issue of frieze, Terence Trouillot profiles artist Henry Taylor ahead of shows at The Fabric Workshop and Museum, Philadelphia, and The Museum of Contemporary Art, Los Angeles. Plus, one year after Russia declared war on Ukraine, artists and writer respond to the crisis in a dossier, including: a personal essay by painter and writer Kateryna Aliinyk; Adam Mazur profiles Taras Gembik, an artist and performer organising picnics to raise money for Ukraine in Warsaw, Poland; Nikita Kadan on what art can mean in a time of war; editor-in-chief Andrew Durbin interviews Olha Honchar, the director of Territory of Terror Museum, which documents war crimes, and the coordinator for the Museum Crisis Center, an organization helping Ukrainian museums rescue their holdings from occupied zones.
Profile: Henry Taylor
“I became the observer because I was trying to understand my own life and that’s why I started making pictures. I just like looking at people.” Terence Trouillot considers how Henry Taylors oeuvre goes far beyond the canvas.
Apollo Magazine – January 2023 Issue
The painter’s house in Suffolk now tells a compelling story about his formative influence
George II gave his god-daughter a decorative silver bowl that was later put to surprisingly practical use
In Drawing Thought, artist-educator Andrea Kantrowitz invites readers to use drawing to extend and reflect on their own thought processes. She interweaves illuminating hand-drawn images with text, integrating recent findings in cognitive psychology and neuroscience with accounts of her own artistic and teaching practices.
The practice of drawing, with paper and pencil or whatever else is at hand, is a simple and accessible means to become more mindful and aware of our inner and outer worlds. Time slows down when we start drawing. Our attention shifts. Setting aside our worries and fears about the future, we can draw ourselves into stillness. Drawing provides an active way to engage deeply with the present moment, locating our thoughts, perceptions, and feelings, in time and space.
It’s our final podcast of 2022 and so, as ever, we’re looking back at the worlds of art and heritage over the past 12 months.
Ben Luke is joined by three members of The Art Newspaper team: Louisa Buck, contemporary art correspondent, Kabir Jhala, acting deputy art market editor, and Ben Sutton, editor in the Americas. Among much else, they discuss the effects of the war in Ukraine,
Just Stop Oil’s activism, unionisation in US museums, the restitution of African and Native American (and Greek) objects, and the NFT crash. They also look at the big art shows and, finally, choose a work of the year. Hosted on Acast. See acast.com/privacy for more information.
Boomers Daily 