The Burlington Magazine – March 2023:
The sketchbooks Delacroix kept on his travels to Morocco and Andalusia in 1832.
If asked to name the most successful exhibition of contemporary German art, few people would intuitively think of an exhibition presenting vivid reconstructions of the polychromy of ancient Greek and Roman sculpture.
Metropolitan Museum of Art, New York, 5th July 2022–26th March 2023
ART IN AMERICA MAGAZINE – MARCH 2023 – The artwork on the cover of this issue looks pretty simple: an elegant arrangement of colorful, cartoon-like flowers. Pretty it is; simple it most certainly is not. Artist Jill Magid scoured the digital worlds of hundreds of video games—from Super Mario to Minecraft—and selected pixelated plants and photo-realistic flowers from virtual landscapes that she then assembled into bouquets worthy of the fanciest dinner party.
After that, she took the resulting images and crafted her first series of NFT-backed artworks, which dropped on Valentine’s Day. The collection comprises 165 animated bouquets, including one that you can view online at artwrld.com and on Art in America’s Instagram, where Magid has generously collaborated with us on our first animated cover.
As the Rijksmuseum’s once-in-a-lifetime blockbuster brings together an unprecedented number of works by the Old Master, paintings including a self-portrait are still missing
With only 37 authenticated Johannes Vermeer paintings (28 in the Rijksmuseum’s sold-out exhibition), could there be more out there, not yet recognised as from his hand? Vermeer’s production was certainly larger, so the hunt continues for the missing masterpieces. Experts believe that a number are still unaccounted for.
Ai-da is an artist, she marks a challenge to the category, and it is in this sense that she becomes Duchampian, argue her creators
Launching our programme with a collaboration with David Hockney in February 2023, we invite the world’s leading creative minds to use our vast space and revolutionary technology to create something completely new.
Lightroom is located in King’s Cross on Lewis Cubitt Square, adjacent to Coal Drops Yard and Central St Martin’s. The innovative showspace was designed by 59 Productions in close collaboration with Haworth Tompkins, who have designed the venue as a sister space to the award-winning Bridge Theatre. Along with a generous Foyer and gift shop, the space also contains a bar and seating area in collaboration with St John.
An exhibition in Rome recounts the complicated tale of efforts to safeguard masterpieces across the country during the Second World War
Our hand-picked selection of ancient Egyptian treasures includes a breastplate once worn by an actual pharaoh and a glittering golden crocodile
The Week In Art Podcast (February 24, 2023): Nigeria heads to the polls this weekend; what are the implications for its museums and art scene?
Dolly Kola-Balogun, director of the Retro Africa gallery in Abuja, reflects on the candidates and discusses the importance of art, and culture more widely, to the country’s future. We also talk to Patrick Bringley, the author of a new book All the Beauty in the World: the Metropolitan Museum of Art and Me, in which he reflects on his experiences as a guard at the museum and coming to terms with the loss of his brother.
And this episode’s Work of the Week is Boats in Front of the Grotto in the Park at Méréville by Hubert Robert. It features in The Garden: Six Centuries of Art and Nature at the Nationalmuseum in Stockholm, whose curator, Magnus Olausson, tells us about the painting.All the Beauty in the World: The Metropolitan Museum of Art and Me, by Patrick Bringley, Simon and Schuster (US) $27.99, out now. The Bodley Head (UK), £20, 16 March.The Garden—Six Centuries of Art and Nature, Nationalmuseum, Stockholm, Sweden, until 7 January 2024.
February 17, 2023: Turkey and Syria. As the countries reel from the devastation of the 6 February earthquake, how can communities and agencies protect damaged heritage?
We talk to Aparna Tandon from Iccrom, the International Centre for the Study of the Preservation and Restoration of Cultural Property about culture’s significance in the humanitarian response to the crisis. As Alice Neel: Hot off the Griddle arrives at the Barbican Art Gallery in London, we take a tour of the show’s key moments with its curator, Eleanor Nairne.
And this episode’s Work of the Week is a Germantown “eye-dazzler” blanket, made between 1895 and 1905 by a Diné weaver from the Navajo Nation. It’s part of a new show at the Bard Graduate Center in New York,
Shaped by the Loom: Weaving Worlds in the American Southwest. Hadley Jensen, the curator of the exhibition, tells us more.Disasters Emergency Committee’s Turkey-Syria Earthquake: dec.org.uk; a PDF of Aparna Tandon’s handbook First Aid To Cultural Heritage In Times Of Crisis is available for free at iccrom.org.Alice Neel: Hot off the Griddle, Barbican Art Gallery, London, until 21 May.
The book accompanying the exhibition is published by Prestel, priced £24.99 or $29.95.Shaped by the Loom: Weaving Worlds in the American Southwest, Bard Graduate Center, New York, until 9 July. An online exhibition featuring an interactive catalogue has approximately 250 items from the American Museum of Natural History’s collection of Navajo textiles will be available later this month at bgc.bard.edu.
February 10, 2023: In this special episode, we are in Amsterdam for one of the shows of the year: Vermeer at the Rijksmuseum.
As an unprecedented 28 of the 37 surviving Vermeer paintings are gathered in the Dutch capital, Ben Luke talks to several people involved in the project: Gregor Weber, one of the exhibition’s curators, tells us about his new biography that reveals the depth of influence of the Jesuits and Catholicism on the artist.
In the exhibition itself, we talk to Pieter Roelofs, Weber’s co-curator; Ige Verslype, a conservator who led an extensive research project on Vermeer paintings in the Rijksmuseum, Mauritshuis and Frick collections; and Taco Dibbits, the Rijksmuseum’s director. Plus, we bump into the artist Alvaro Barrington in the exhibition and he tells us what he makes of Vermeer as an artist working today.
In this episode’s Work of the Week, we explore a debate around the attribution of a painting: Betsy Wieseman, Curator and Head of the Department of Northern European Paintings at the National Gallery of Art (NGA) in Washington DC, discusses Girl with a Flute (around 1669-75). Wieseman and her NGA colleagues now regard the painting as a work by Vermeer’s studio, even though it appears in the Rijksmuseum show as an authentic work by the master.Vermeer, Rijksmuseum, Amsterdam, until 4 June. Gregor Weber, Johannes Vermeer: Faith, Light, Reflection, Rijksmuseum, €25 (pb)
Johannes Vermeer (1632-1675) lived and worked in Delft. His work is best known for his tranquil, introverted indoor scenes, his unprecedented use of bright, colorful light and his convincing illusionism.
In contrast to Rembrandt, Vermeer left a remarkably small oeuvre with about 35 paintings. As his paintings generally considered the most prized treasures of every museum collection, Vermeer paintings are rarely lent out.
BIGGEST EVER VERMEER SHOW TO TAKE PLACE AT THE RIJKSMUSEUM IN 2023—AND IT WILL INCLUDE THE GIRL WITH THE PEARL EARRING
The Art Newspaper
The exhibition will include masterpieces such as The Girl with a Pearl Earring (Mauritshuis, The Hague), The Geographer (Städel Museum, Frankfurt am Main), Lady Writing a Letter with her Maid (The National Gallery of Ireland, Dublin) and Woman Holding a Balance (The National Gallery of Art, Washington DC).
Works never before shown to the public in the Netherlands will include the newly restored Girl Reading a Letter at the Open Window from the Gemäldegalerie Alte Meister in Dresden.
Boomers Daily 