New York Times columnist David Brooks and Washington Post columnist Jonathan Capehart join Judy Woodruff to discuss the week in politics, including the battle over voting rights, the lifting of pandemic restrictions in some states, and wrangling over the $1.9 trillion COVID relief bill.
As the pandemic changes how — and where — professionals work, some smaller cities and regions are offering hefty relocation incentives to attract remote workers to help jumpstart their local economies. WSJ met one family who accepted an offer to make a new home in the Ozarks. Photo: Craig Kauffman for the Wall Street Journal
Named after the iconic wedge-shaped Flatiron Building, this commercial neighborhood is also home to tall apartment buildings and office high-rises. Locals and tourists frequent the hip bars, stalls at Italian food emporium Eataly and eclectic food trucks along Fifth Avenue. A focal point is Madison Square Park, known for its seasonal art installations and the long line at the original Shake Shack.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon examines the only work by Cimabue in a public collection in the United States, a small panel depicting “The Flagellation of Christ.” Acquired by the Frick in 1950, the attribution of this work was a topic of debate until a sister panel was discovered in 2000, establishing that they once belonged to a larger ensemble by the 13th-century Florentine. (In 2019, a third fragment was discovered.) As a nod to the gold background, this week’s complementary cocktail is the Gold Rush, a drink invented in New York in the 1920s.
Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style.
To view this painting in detail, please visit our website: https://www.frick.org/cimabuechrist
Art and technology are often seen as distinct disciplines. But combining them results in magic. Sarah Ellis, the Director of Digital Development at the Royal Shakespeare Company, teaches us how technology is reimagining the experience of theatre, taking it beyond the stage and into our living rooms. As an award-winning producer, Sarah Ellis currently works as Director of Digital Development for the Royal Shakespeare Company to explore new artistic initiatives and partnerships.
Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums and attractions. It is the third largest public park in Rome after the ones of the Villa Doria Pamphili and Villa Ada.
St. Petersburg is a Russian port city on the Baltic Sea. It was the imperial capital for 2 centuries, having been founded in 1703 by Peter the Great, subject of the city’s iconic “Bronze Horseman” statue. It remains Russia’s cultural center, with venues such as the Mariinsky Theatre hosting opera and ballet, and the State Russian Museum showcasing Russian art, from Orthodox icon paintings to Kandinsky works.
South Tyrol, or Alto Adige, is a province in northeast Italy. It includes part of the Dolomites range, with limestone summits like the Three Peaks of Lavaredo. Pragser Wildsee lake (Lago di Braies) sits in a valley crossed by paths, including one leading to the Plätzwiese (Prato Piazza) high plateau. The ski resort of Kronplatz (Plan de Corones) has trails and slopes, plus a cable car to the top of Mount Kronplatz.
Italy, a European country with a long Mediterranean coastline, has left a powerful mark on Western culture and cuisine. Its capital, Rome, is home to the Vatican as well as landmark art and ancient ruins. Other major cities include Florence, with Renaissance masterpieces such as Michelangelo’s “David” and Brunelleschi’s Duomo; Venice, the city of canals; and Milan, Italy’s fashion capital.
The meltdown at a nuclear power station in Fukushima, Japan, ten years ago stoked anxieties about nuclear energy. But nuclear is one of the safest, most reliable and sustainable forms of energy, and decarbonising will be much more difficult without it.
Bologna is the lively, historic capital of the Emilia-Romagna region, in northern Italy. Its Piazza Maggiore is a sprawling plaza lined with arched colonnades, cafes and medieval and Renaissance structures such as City Hall, the Fountain of Neptune and the Basilica di San Petronio. Among the city’s many medieval towers are the Two Towers, leaning Asinelli and Garisenda.