Van Gogh Museum (November 3, 2023) – What do you hear when you see a painting, ;Boulevard de Clichy’ – A day in Paris, by Van Gogh? What inspired Remko Kühne?
“Van Gogh lived close to this boulevard with his brother Theo. The music takes you on a day in Paris, starting off in the morning. The square is still calm, but a day in Paris is always full of surprises and will give you a lot of little events that trigger your memory for life.”
Boulevard de Clichy is one of the major streets in the Paris district of Montmartre, where many artists lived. Van Gogh painted the junction that he often crossed. Rue Lepic, where he lived with his brother Theo, began on the right, just beyond the edge of the picture.
Country Life Magazine – October 4, 2023: The latest issue features the silvery spectacle of ethereal mist as it coats the countryside; Autumn’s beauty as a source of inspiration for artists from van Gogh and Monet to David Hockney, and more…
On gossamer threads
John Lewis-Stempel revels in the silvery spectacle of ethereal mist as it coats the countryside, moving in its mysterious ways
Season of mists and mellow artfulness
Autumn’s beauty is a source of inspiration for artists from van Gogh and Monet to David Hockney, finds Michael Prodger
A living fossil
In the first of two articles, John Goodall explores the founding of St Bartholomew’s in London
The National Gallery (July 6, 2023) – The exhibition, ‘After Impressionism: Inventing Modern Art’, celebrates the achievements of three giants of the era: Paul Cézanne, Vincent van Gogh and Paul Gauguin and follows the influences they had on younger generations of French artists, on their peers and on wider circles of artists across Europe in Barcelona, Berlin, Brussels and Vienna.
Explore a period of great upheaval when artists broke with established tradition and laid the foundations for the art of the 20th and the 21st centuries.
The Courtauld Institute of Art (June 14, 2023) – The Courtauld Gallery is home to one of the world’s greatest art collections, located in the magnificent historical setting of Somerset House in Central London.
Join actor and friend of The Courtauld Gallery, Bill Nighy, as he returns to the Gallery following its three year refurbishment, and discover our world-renowned collection of Impressionist and Post-Impressionist masterpieces.
Highlights on display include the world-famous A Bar at the Folies Bergère by Édouard Manet, Self-Portrait with Bandaged Ear by Vincent van Gogh, the most significant collection of works by Paul Cézanne in the UK and works by Degas, Gauguin, Monet, Seurat and more.
The Art Institute of Chicago (May 18, 2023) – Discover how the changing geography at the fringes of Paris in the 1880s influenced the work of five artists: Vincent van Gogh, Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand.
Van Gogh Museum Films (May 12, 2023) – Vincent van Gogh lived in Auvers-sur-Oise from 20 May 1890 until his death on 29 July of the same year. He was tremendously productive in these months and made several of his most renowned masterpieces, including Wheatfield with Crows and Tree Roots.
In the anniversary year of 2023, the Van Gogh Museum and Musée d’Orsay are organising a major exhibition about the final months of Vincent van Gogh’s life, which he spent in the French village of Auvers-sur-Oise. The exhibition Van Gogh in Auvers. His Final Months opens on 12 May 2023.
Sotheby’s (May 3, 2023) – ‘Jardin devant le Mas Debray’ captures this pivotal moment in summer of 1887 where color, subject and paint handling crystallized into Van Gogh’s mature style, one that would flourish in the three years remaining of his life in Paris, Arles, Saint-Rémy-de-Provence and Auvers-sur-Oise.
It was during this period of time, from 1887 to 1890, that Van Gogh’s greatest masterpieces were created, forever changing in the history of modern art. Surrounded by artists, dancers, musicians, actors and writers in Montmartre, Van Gogh abandoned the dark palette that dominated many of his early paintings in Holland and replaced it with a newfound love of color.
BERRY CAMPBELL GALLERY (April 30, 2023): An exhibition of Abstract Expressionist Ethel Schwabacher (1903-1984). Schwabacher joins the gallery’s stable of women artists whose ambitious, independent, and insightful art is essential to a complete historical understanding of the ‘downtown’ art scene in the 1950s.
Many of the thirteen works have not been on view since they were shown at one of her five solo exhibitions at Betty Parsons Gallery, including the large-scale center piece to the show entitled, Prometheus (1959). Ethel Schwabacher: Woman in Nature(Paintings from the 1950s) focuses on Schwabacher’s unique brand of abstraction, which is characterized by both automatic drawing and sweeping brushstrokes that swirl across the surface of the canvas and which explores themes of motherhood, landscape, and creativity.
As part of the resurgence of women artists, Ethel Schwabacher was one of the twelve women artists included in the landmark traveling exhibition Women of Abstract Expressionism organized by the Denver Art Museum in 2016. Concurrently with the Berry Campbell exhibition, Action! Gesture! Paint! is on view at the Whitechapel Gallery in London featuring 91 international women artists, including a major Ethel Schwabacher painting from the 1950s.
Sotheby’s (April 28, 2023) –Looking for some inspiration for your next museum visit? This month, we’re taking a tour of six of the world’s most exciting and innovative museum exhibitions with Tim Marlow, Director of the Design Museum, London.
Doris Salcedo – Fondation Beyeler, Riehen, 21 May–17 September 2023 – Salcedo is a Colombian-born artist, whose central subject is human trauma and tragedy. Though much of her work emanates from the violent conflict over the last three decades in her native land, its resonance is universal. Doris Salcedo presents eight major series of works from across her career – from untitled pieces of wooden furniture filled with concrete to the remarkable Palimpsest in which the names of over 300 refugees and migrants who died at sea quite literally weep before our eyes.
Vincent van Gogh 2023 marks the 170th anniversary of Vincent van Gogh. Three exhibitions opening this month look set to enhance our understanding of the great Dutch painter:
Van Gogh and the Avant Garde The Art Institute of Chicago 14 May–4 September 2023 – Van Gogh and the Avant Garde takes the modern landscape as its central subject and looks at how the artist – along with Seurat, Signac and others – turned his attention from urban Parisian life to wrestling with the surrounding countryside with a formal inventiveness that set the tone for the development of Modernism.
Van Gogh’s Cypresses The Metropolitan Museum of Art, New York 22 May–27 August 2023 – From the religious connotation of trees in graveyards to their role as the backdrop of his incarceration at the asylum in Saint-Remy, the artist’s flame-like evergreens will be presented with all their evocative resonance in Van Gogh’s Cypresses,
Van Gogh in Auvers. His Final Months Van Gogh Museum, Amsterdam 12 May–3 September 2023 – The unsurpassable Van Gogh Museum will celebrate its own 50th anniversary with Van Gogh in Auvers. His Final Months – an exhibition delving into the tremendously productive final period of his life, in which he made several of his most renowned masterpieces.
The Burlington Magazine – April 2023: Few paintings capture the exhilaration of the arrival of spring as powerfully as Vincent van Gogh’s ‘Orchard in blossom, bordered by cypresses’, a detail of which is on the cover of our newly published April issue.
The manifold collections of the Rijksmuseum, Amsterdam, include rich holdings of the decorative arts, international in scope, with a natural bias towards the Netherlands. But unlike the Victoria and Albert Museum, London, the Museum für angewandte Kunst, Vienna, and the Musée des Arts Décoratifs, Paris, products of the nineteenth-century campaign to improve design, the Rijksmuseum, a national museum of art and history, had no strong motive to collect design drawings (although the Rijksprentenkabinet, housed in the museum, contains one of the world’s great assemblages of engraved ornament).
An air of anticipation has greeted the fourth anniversary of the fire that broke out on 15th April 2019 and destroyed the medieval roof of Notre-Dame, Paris, together with its flèche, designed by Eugène Viollet-le-Duc in 1859. The main controversies surrounding the restoration having been settled – as reported in this Magazine, in July 2020 the French government announced that the roof and flèche will be rebuilt as they were, using the same materials as the original – attention has turned to the discoveries being made and to the restoration process.
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