World Economic Forum (January 11, 2025): This week’s top stories of the week include:
0:15 What do the jobs of the future look like? – The world of work is changing fast. While 92 million jobs may disappear over the next 5 years, nearly 170 million new ones will emerge, driven by new technology and the energy transition. What are these new jobs and which sectors will see the greatest changes? Find out in the 2025 Future of Jobs Report.
1:40 Here’s how factories are changing – Chindarat Ninnama tells us the story of how data and digital tools transformed her factory job into a career brimming with new opportunities. A shortage of workforce talent is a major barrier to the digital transformation of manufacturing. Western Digital is part of the World Economic Forum’s Frontline Talent of the Future initiative, which has built a playbook of solutions to address this
5:28 Global cooperation has flatlined – The world is facing a perfect storm of challenges, with global security at a crisis point and competition escalating. The climate crisis has intensified, with 2024 recorded as the hottest year ever. Economic growth remains sluggish, with the IMF projecting global growth of just 3.2% in 2025—and only 1.8% in developed economies.
7:47 These are the most essential skills for work – The jobs of tomorrow will require a new set of skills. The latest Future of Jobs report surveyed company executives on the most in-demand skills of the workplace – both today and in 2030. Find out what the ‘hirers’ of the future are looking for.
THE ART NEWSPAPER (January 10, 2025): A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.
Exhibitions:
Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d’Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun
Anticipation for the promise a new year brings is, in 2025, heavily tempered by trepidation about what Donald Trump’s second term will look like. For the big story of our first edition of the new year, diplomatic editor Patrick Wintour surveys how the world from Moscow to London, Tehran to Beijing and Brussels to Kyiv is gearing up for 20 January. Whether they be populists or hard-headed foreign-policy realists, it is clear that leaders are prepared to talk back to Trump in his language of power. Equally true is that despite the incoming White House administration’s preference to concentrate on America first domestic issues, the war in Ukraine, conflict in the Middle East and tensions with China force themselves to the forefront of Trump’s agenda and are unlikely to be solved in either his first day, week or month in office. As the year unfolds, Guardian Weekly will continue to help you make sense of Trump’s return and the biggest global issues of 2025.
1 Spotlight | Air disaster compounds South Korea’s troubles A major fatal air accident is a tragedy for any nation but as Justin McCurry and Raphael Rashid report, the Jeju Air crash has come against a continued background of political division and instability.
2 Science | Time’s paradox A timely exploration by Miriam Frankel of recent research has found out about the factors that make life drag or fly by. And, importantly, what you can do to help reset your inner clock to a more satisfactory tempo.
3 Features | The millennium bug that didn’t bite us A quarter of a century ago, doomsayers thought the world would end as we clicked over to a new century due to malfunctioning computer systems. But, Tom Faber reports, the much-feared bug was always going to be a damp squib.
4 Opinion | Uneasy parallels between the McCarthy era and Trump 2.0 Richard Sennett reflects on how postwar paranoia about the ‘enemy within’ changed his family and what it can teach Americans when a similarly anti-liberal administration is in power.
5 Culture | Another side of Bob Dylan Bob Dylan shuns discussion of his early years, so how did James Mangold, the director of a new biopic, and his creative team approach their script – and what happened when Dylan asked for a meeting? Alexis Petridis finds out.
In Sam Gold’s Romeo + Juliet, the lovers’ headlong rush into marriage is in tension throughout with the surprising regression to childhood that characterizes so much of the production.
Romeo + Juliet – a play by William Shakespeare, directed by Sam Gold, at Circle in the Square, New York City, October 24, 2024–February 16, 2025
English continues to expand into diverse regions around the world. The question is whether humanity will be homogenized as a result. By Manvir Singh
Alice Munro’s Passive Voice
The celebrated writer’s partner sexually abused her daughter Andrea. The abuse transformed Munro’s fiction, but she left it to Andrea to confront the true story. By Rachel Aviv
Is There Any Escape from the Spotify Syndrome?
The history of recorded music is now at our fingertips. But the streamer’s algorithmic skill at giving us what we like may keep us from what we’ll love. By Hua Hsu
Boomers Daily 