Tag Archives: Museums
Art: ‘Anselm Kiefer-Hortus Conclusus’ In Hong Kong
ANSELM KIEFER – Hortus Conclusus
May 17–August 5, 2023
Rubble is like a plant’s blossoms; it is the radiant highpoint of an incessant metabolism, the beginning of a rebirth.
—Anselm Kiefer
Kiefer’s thirteenth solo exhibition at Gagosian since 1998, hortus conclusus follows Questi scritti, quando verranno bruciati, daranno finalmente un po’ di luce (Andrea Emo) at Palazzo Ducale, Venice (2022–23) and Exodus, a bicoastal exhibition presented at the gallery in New York (2022) and at Gagosian at the Marciano Art Foundation, Los Angeles (2022–23).
This coming October, Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut (LaM) in France will present Anselm Kiefer: Photography at the Beginning, the first exhibition dedicated to the artist’s photographs.
Reviews: ‘The Week In Art’
The photographer Ala Kheir joins us from Khartoum to tell us about the conflict in Sudan and how it is affecting him and other artists. We talk to Alyce Mahon, the co-curator of Sade: Freedom or Evil, a new exhibition at the Centre Cultura Contemporània de Barcelona (CCCB) in Barcelona about the 18th-century writer and libertine the Marquis de Sade and his artistic and literary influence, particularly in the 20th and 21st centuries.
And this episode’s Work of the Week is Gwen John’s La Chambre sur la Cour (1907-08), a painting of John herself in a Parisian interior. The picture is one of the highlights of an exhibition dedicated to John at the Pallant House Gallery in Chichester, UK.Ala Kheir on Instagram @ala.kheir.Sade: Freedom or Evil, Centre Cultura Contemporània de Barcelona, until 15 October.
Alyce Mahon, The Marquis de Sade and the Avant-Garde, Princeton University Press, $47/£40.Gwen John: Art and Life in London and Paris, Pallant House Gallery, Chichester, 13 May-8 October. Alicia Foster, Gwen John: Art and Life in London and Paris, Thames and Hudson, $39.95/£30. Out now in UK, published in the US on 18 July.
Exhibitions: ‘Van Gogh in Auvers – His Final Months’
‘Van Gogh in Auvers – His Final Months’
12 May 2023 – 3 September 2023
In the anniversary year of 2023, the Van Gogh Museum and Musée d’Orsay are organising a major exhibition about the final months of Vincent van Gogh’s life, which he spent in the French village of Auvers-sur-Oise. The exhibition Van Gogh in Auvers. His Final Months opens on 12 May 2023.
Art: ‘This Is New York – 100 Years Of The City In Art And Pop Culture’ (MCNY)
This Is New York – 100 Years of the City in Art and Pop Culture
OPENS MAY 26, 2023 – JUNE 21, 2024
It features both famous and lesser-known images of New York in film and television, song and poetry, literature, visual and performing arts, and fashion, painting a collective, moving and even funny version of a city that has captured the imagination of the world.
The exhibition is organized around the types of places where the human-scale stories of New York are told. It showcases the city’s bustling streets and subways, its iconic parks and waterfronts, its restaurants and nightspots, and its dense and vibrant neighborhoods. Covering the century since the Museum was founded, it illustrates both the massive changes and the enduring themes that have shaped the many stories we tell about New York.
Art: ‘Picasso Sculptor – Matter and Body’ In Spain
Picasso Sculptor. Matter and Body
08/05/2023 to 09/09/2023
Picasso’s sculptures were seemingly overshadowed by his paintings and played a secondary role in his prolific artistic career. The first exhibition devoted chiefly to them did not take place until 1967, at the Tate Gallery in London, and until then his three-dimensional work had barely received any critical attention. However, sculpture was not a secondary concern for Picasso but a form of expression on a par with painting. According to Pierre Daix, ‘he was at least as great a sculptor as he was a painter, and for him these two aspects of his work were always complementary, for he had discovered very early on that the switching from one to the other enabled him to determine precisely what painting is and what sculpture is’.
Arts Insider: Masterpieces That Have Inspired ‘AI Art’
Video timeline: 00:16 Upper Belvedere: The Kiss (Lovers) by Gustav Klimt, 1907–1908 01:33 Kunsthistorisches Museum Vienna: Tower of Babel by Pieter Bruegel, 1563 02:33 Leopold Museum: Self-Portrait with Chinese Lantern Plant by Egon Schiele, 1912
See the art behind AI art on https://www.wien.info/en/unartificialart
Reviews: ‘The Week In Art’
The Metropolitan Museum of Art in New York this week opens Karl Lagerfeld: A Line of Beauty, the latest in the hugely successful Costume Institute exhibitions. The German designer, who died in 2019, was also the inspiration for this year’s Met Gala, the museum’s star-studded fundraiser.
We talk to Stephanie Sporn, a fashion historian and arts and culture writer, about the exhibition, the gala and the controversy around Lagerfeld’s offensive comments about a range of issues. And this episode’s Work of the Week is Good Housekeeping III (1985/2023) by the British artist Marlene Smith. She was part of the Blk Art Group, a collective of young Black British artists active in the late 1970s and 1980s, which is the subject of The more things change…, an exhibition at the Wolverhampton Art Gallery in the UK.
Smith has re-created the work, first made in 1985, for the show, and tells us more about its making, its context, and the history of the Blk Art Group. Karl Lagerfeld: A Line of Beauty, Metropolitan Museum of Art, New York, until 16 July.The more things change…, Wolverhampton Art Gallery, UK, until 9 July.
Artist Views: ‘Regards du Louvre – Marine Serre’
The “Louvre Looks” initiative brings together creatives under forty – whether they come from the visual arts, poetry, film, experimental music, or fashion. They created new films in the palace itself and thus reconnect with the past of the Louvre – which hosted artist studios even before it became a museum. These films go live every Thursday on YouTube. Over the course of twenty weeks, you will be given the opportunity to discover many fresh insights into the Louvre.
The fourteenth film was conceived by stylist Marine Serre. Addressing the upcycling of clothes, she has reinterpreted Quentin Metsys’ Mary Magdalen wearing a new dress, thereby creating a bridge between time periods.
- Painter: Jean François Grébert
- Marine Serre for Regards du Louvre
- Creative Direction: Marine Serre
- A Film Directed by: Beau Rivage Film
- Music: Vivaldi, The four Seasons 3rd Movement by Wilfred Symphony Orchestra
Art History Book Profiles: ‘The Story of Art Without Men’ Author Katy Hessel
That resulted in her new book, “The Story of Art Without Men.” Jeffrey Brown discussed the book with Hessel for our arts and culture series, CANVAS.
Boomers Daily 