As the government heads toward a possible default on its debt as soon as next month, officials are entertaining a legal theory that previous administrations ruled out.
It’s a long-buried part of South Korean history: women compelled by force, trickery or desperation into prostitution, with the complicity of their own leaders.
One of the most significant features of the Kumana National Park is the ‘Kumana Villu’ – a 200 hectare natural swamp lake, fed by the ‘Kumbukkan Oya’ through a half mile long narrow channel. It is at this mangrove swamp that many water birds’ nest in May and June. Regular sightings include such species of bird as pelicans, painted storks, spoonbills, white ibis, herons, egrets and little cormorants.
To compose this piece in 1899, Maurice Ravel was inspired by the Princess of Polignac. The title refers to Ravel’s idea of describing “a pavana that a little princess may have danced in the old times at the Spanish court”. But It is also said that Ravel chose the title because he was fascinated by the sound of its pronunciation.
The piece is original for piano but the composer made an orchestral version too. We present our own transcription for guitar quartet, performed at the “Salone dell’Arengo” (Novara), a magical hall dating back to the 12th century. We hope you like It.
The Burlington Magazine – May 2023:Anxiety about the future of the two great photographic libraries housed in the Courtauld Institute of Art, London, can be traced back at least thirty years. In October 1992 we published an Editorial, ‘The Witt and Conway libraries under threat’, which was prompted by a demand from the University of London that the Courtauld – not yet a self-governing and self-financing entity – produce a business plan that would show how the libraries could develop commercial opportunities to offset a threatened reduction in university funding.
Although Mey Rahola (1897–1959) was one of the first women to become renowned for art photography in Spain, she remains a little-known figure today. Two linked exhibitions with a single catalogue dedicated to the Catalan photographer set out to rectify this and liberate an overlooked artist from the shadow of anonymity. Working with Rahola’s family, the curators, Lluís Bertran Xirau and Roser Martínez Garcia, have assembled 550 items from her collection, including 250 negatives and a number of photograph albums. That this material had been handed down and divided between the artist’s friends and family is testimony to her interest in her posterity. The fact that, nonetheless, Rahola has remained largely unknown, one is reminded in the exhibition catalogue, is a result partly of her status as a female photographer operating in the early twentieth century and partly of the events of the Spanish Civil War, which ruptured her burgeoning career.
The Mysteries of the Universe by Anna Badkhen: “I see now what this is about. I’m a professor and author in America, she’s in a war zone: to her, I’m rich and happy. How is she supposed to know about the cancer, the medical debt, Ksyusha’s student loans? So, I try to deflect.”
Encyclopedia of Botany by Jane Marchant: A daughter’s closely observed catalog of the flora around her Bay Area home, and of her family’s complex history of identity.
Glint of Sport by Angie Sijun Lou: “I don’t know if this story is true. You can’t divide truth from kitsch in this place…”
Eulogy by William Hawkins: In the wake of a funeral, a dead father’s legacy hangs over his surviving adult sons as they trudge into the lukewarm waters of the lake by the family pier.
The Eye by Elodie Saint-Louis: “When Theo spoke, she thought, you could see all of these places on his body. Vyros, Hymettus, Loutro, Parnitha. The land was in him. It was the river running out of his mouth. The words that bumped into each other gently but never spilled over, petering out into a gentle sway.”
Plus more fiction by Perry Janes, David Hayden (there be strange happenings in a dilapidated insurance building in Chicago), and Wendy Elizabeth Wallace.
Nonfiction
Jane Marchant on the flora around her Bay Area home—and her family’s complex history of identity.
Poetry
Jason Allen-Paisant, Dan Alter, Allison Benis White, Ricardo Cázares, E.G. Cunningham, Peter LaBerge, Joyce Mansour, Maria Zoccola
The Walk Street Videos (May 1, 2023) – Siem Reap, a resort town in northwestern Cambodia, is the gateway to the ruins of Angkor, the seat of the Khmer kingdom from the 9th–15th centuries. Angkor’s vast complex of intricate stone buildings includes preserved Angkor Wat, the main temple, which is pictured on Cambodia’s flag. Giant, mysterious faces are carved into the Bayon Temple at Angkor Thom.
The Globalist, May 2, 2023: Monocle Radio’s Georgina Godwin brings us today’s edition of ‘The Globalist’, with Agnes Poirier on newspapers and the latest technology news with Josh Cowls.
The bank’s rivals appear on firmer footing this time, in contrast with the widespread panic after the failures of Silicon Valley Bank and Signature Bank in March.
The unusually wet ground is one obstacle that the Ukrainian military, for all of its ingenuity, is finding difficult to overcome as it prepares for a counteroffensive against Russian forces.
Sotheby’s (May 1, 2023) – Returning each season to live and paint in Truro elevated Hopper’s art, allowing him to concentrate on the simplification of forms and the depth of both light and color woven into the surrounding landscape.
Both his technical approach to painting and his perception of the world from 1930 onwards are greatly informed by the Cape. Cobb’s Barns, South Truro derives its bright palette and topographical features from Hopper’s immediate environment, and is emblematic of the profound influence that life in South Truro had on his manner of painting.
Group of Houses, dated 1923-24, stems from a pivotal stage in the development of Edward Hopper’s career. Residential homes occupy much of Hopper’s subject matter in these early watercolors, and Group of Houses is no exception. These charming saltbox houses are typical for the Cape Ann region, whose architectural style reflects its coastal New England atmosphere.
The Battery, Charleston, S.C., dated 1929, is the result of Hopper’s three-week stay in the charming southern city, which is renowned for its Georgian-style architecture and cobblestone streets lined with lush palm trees. His Charlestown pictures possess an inherently tropical feeling, which sets them apart from his otherwise New England-focused oeuvre.
Red Barn in Autumn Landscape is among the limited number of watercolors that Hopper completed during the fall of 1927 in Vermont, and embodies the rustic quality of the New England scenery that drew Hopper to this region in the first place. Hopper routinely sketched his surroundings in coastal towns on the Cape or along the Maine shore, but Red Barn in Autumn Landscape is quite unique in that it captures a specific fall moment as the leaves gradually fade from green to burnt orange and red. The present work is emblematic of the simplicity and charm that characterize Hopper’s New England watercolors.
The Economist ‘Editor’s Picks’ Podcast (May 1, 2023) – A selection of three essential articles read aloud from the latest issue of The Economist. This week, Israel: the survivor nation at 75, is Sir Keir Starmer ready to govern Britain? (10:25) And why ChatGPT raises questions about how humans acquire language (19:05).
Boomers Daily 