From an Interactiongreen.com online release:
…the Yō no Ie re-imagines a life in suburban-rural areas, rather than urban-suburban. This reflects quiet yet significant social changes – or rather, shifts in life priorities of people and how they define happiness. In the 20th century, when society was excited about economic growth, everyone dreamed of living in cities, working at big companies by navigating a world of fierce competition, either spending an eye-popping amount of money on a small urban condo that quickly became a norm, or traveling hours to commute from a more affordable home in rapidly sprawling suburbs.
MUJI House released the “陽の家 (Yō no Ie, or Sun House)” in September, 2019, its 4th product since it debuted the “木の家 (Ki no ie, or Wood House) in 2004. Upon the release, they opened its model house at a glamping site called “Forest Living” in Isumi-City, Chiba which is about a 2-hour drive from Tokyo.
To read more: https://www.interactiongreen.com/muji-house-yo-no-ie-model-home/

The City of Los Angeles has given the Green Light to Movable Tiny Homes as ADUs!
“The jury was unanimous in celebrating this inventive solution to reconfiguring a dilapidated Japanese colonial house.
The percentage of boomers who own a pet grew from 50% to 54% between 2008 and 2018. Among the oldest boomers — those between 70 and 74 — the percentage of pet owners rose from 41% to 45%. In contrast, the percentage of pet owners between the ages of 18 to 39 dropped from 63% to 61% during that time frame. Among consumers 40-54, the percentage of pet owners held steady at 64%.
Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. Like evil itself, the abodes of movie villains are frequently compelling and seductive. From a design standpoint, they tend to be stunning, sophisticated, envy-inducing expressions of the warped drives and desires of their occupants.
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
This model is going to be completely off-grid in its seaside location. On the roof are 6 x Trina 270w Honey Poly Module panels. A storage box over the tow bar stores the inverter and 4 x C&D 12V 192Ah c20 FT Lead Carbon Cyclic Batteries that will power the home. A new feature in this home (requested by the client) was a folding shelf in the bathroom above the toilet. 
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
Designed to universally retrofit onto most curtain rods, the SwitchBot comes with two hooks that hold it in place and a wheel that moves the bot left or right. Place the SwitchBot between the first and second loops of your curtain or blind, and the bot can now, on command, run up and down the curtain rod, maneuvering your curtains open or closed. SwitchBot runs on an app, but even supports voice commands via your phone or smart speaker, effectively allowing you to have your own “Let there be light” moment by commanding the curtains to open at will. IFTTT and shortcuts support even lets you sync SwitchBot with your alarm, or with the time of the day, thanks to the bot’s in-built light sensor. 