Tag Archives: Arts & Literature

Art Exhibits: Australian Painter Jeffrey Smart

‘Suddenly I will see something that seizes me – a shape, a combination of shapes, a play of light or shadows, and I send up a prayer because I know I have seen a picture.’

JEFFREY SMART The year 2021 marks one hundred years since the birth of acclaimed Australian artist Jeffrey Smart. This major exhibition celebrates and commemorates this significant centenary. One of Australia’s most celebrated artists, Smart sought inspiration from the world around him – looking to the environment of urban and industrial modernity – which he transformed through his imaginative sense of theatre and intimate understanding of geometry and composition.

These potent and intriguing images have become emblematic of 20th and 21st century urban experience. Building on the foundational work already undertaken on Smart, this exhibition will bring fresh perspectives to his artistic contribution so that his remarkable legacy will be kept alive in the present. Curators: Dr Deborah Hart, Henry Dalrymple Head of Australian Art and Dr Rebecca Edwards, Sid & Fiona Myer Curator of Ceramics and Design

Art Fair Tours: Zonamaco 2022 In Mexico City, Mexico

Mexico City Art Fair: Zonamaco 2022

ZⓈONAMACO is the largest art fair platform in Latin America. It was founded in 2002 by Zélika García, with four events that take place annually at Centro Citibanamex, in Mexico City.

ARTISTS & GALLERIES MENTIONED: About the Fair (0:00) Gabriel Rico, Eduardo Sarabia: Gallery OMR (0:49) Carlos Aires, Omar Barquet: Zilberman (2:13) Darío Escobar: Galería RGR (3:12) Jeppe Hein, König Gallery (3:47) Zhivago Duncan, Colector (4:05) The Hole (4:53) Yoshua Okón: Proyectos Monclova (5:45) Richard Prince: Gagosian (6:39) Olivia Steele: Maia Contemporary (7:07) Frida Orupado: Gallery Nordenhake (7:48) Juan Uribe, Héctor Madera: SGR Galeria (8:09) Furiosa (8:40) Jon Young, Carl Kostál (9:00) Los Bravú, Lyle O. Reitzel (9:47) Dr. Lakra, Kurimanzutto (10:41) Alex Hubbard, Larry Johnson: House of Gaga (11:59) Guadalupe Maravilla, Carlos Alejandro Motta: P.P.O.W (12:36) Miguel Angel Madrigal, Jeffly Gabriela Molina: Galeria Enrique Guerrero (13:10) Dan Lam, Hashimoto Contemporary (13:44) Gabriela Kraviez, CarrerasMugica (14:16) Boris Viskin, Galería Ethra (14:53) Josh Reames, Grip Face: Cerquone Gallery (15:30) Caleb Hahne, Yves Scherer, 1969 Gallery & Cassina Projects (16:19) Le Laboratoire (16:49) Anna Segovia, Lucía Vidales: Galeria Karen Huber (17:49) Donna Huanca, Charlie Billingham, Ana Prata: Travesía Cuatro (18:38) Erick Medel, Seasons LA (19:54) Piers Alsop, Neon Gallery (20:32)

20th Century: Was Francis Bacon The Best Painter?

Is Francis Bacon really the greatest painter of the 20th century?

Triptych 1986-7 (detail)

It was not an enormous surprise that an exhibition of works by Francis Bacon at the Royal Academy that is supported by Christie’s should swiftly be followed by an announcement of the auction house offering a large work for sale. Triptych 1986-7, whose central panel depicts the artist’s partner John Edwards, with Woodrow Wilson on one side and the assassinated Trotsky’s study on the other, is being offered in the sale that takes place on 1 March with an estimate of £35m–£55m. Nor is it a surprise that an auction house should drum up interest in one of their lots using superlatives. But Rakewell was a little taken aback by the claim on Instagram from a Christie’s specialist that ‘Francis Bacon is unmistakably on of the greatest painters of the 20th century.’

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Museum Insider : ‘Wheat Fields After The Rain’ By Vincent Van Gogh (1890)

Wheat Fields after the Rain (The Plain of Auvers) – 1890

Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful and dramatic 1888–1890 paintings from ArlesSaint-Rémy and Auvers-sur-Oise in rural France.

2022 Exhibitions: ‘Pissarro – Father Of Impressionism’

This major exhibition, of works drawn from the Ashmolean’s collections as well as international loans, will span Pissarro’s entire career.

Camille Pissarro (1830–1903) is one of the most celebrated artists of nineteenth-century France and a central figure in Impressionism. Considered a father-figure to many in the movement, his work was enormously influential for many artists, including Claude Monet and Paul Cézanne. It opens in spring 2022.

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International Art: Apollo Magazine – February 2022

February 2022 | Apollo Magazine

• An interview with Ai Weiwei

• The art of kabuki theatre

• Dining with Beauty and the Beast

• The drawings of Jacques-Louis David

Plus: a touring display of Islamic arts in France, the hellish mining scenes of George Bissell, Madame de Pompadour’s porcelain, and a preview of Asia Week New York

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Exhibitions: 19th Century European & American Art At The Denver Art Museum

The department of European and American Art Before 1900 oversees a collection that includes more than 3,000 artworks and is composed of painting, sculpture, and works on paper, with significant strengths in early Italian Renaissance, 19th century French painting, and British art from 1400 to 1900.

The Denver Art Museum began acquiring notable examples of European art as early as the 1930s, with donations from Samuel H. Kress, Mr. and Mrs. Simon Guggenheim, and the Havemeyers, to name a few. Their generosity helped initiate a collection that grew in time through gifts and purchases.

Exhibits: ‘Philip C. Curtis – Landscapes of Arizona’ (Phoenix Art Museum)

Philip C. Curtis saw the desert through a lens of magic realism.

Landscape remains one of the most popular subjects for artists visiting and residing in Arizona. Philip C. Curtis, while not known as a landscape painter, draws extensively on that subject. Curtis came to the state in 1937 to establish the Phoenix Federal Art Center under the Federal Art Project, a New Deal program. He left two years later to head a similar facility in Des Moines, Iowa, but returned to Arizona in 1947.

Settling in Scottsdale, he painted surreal compositions, with figures in Victorian costumes set in the desert. Arizona’s landscapes were a rich source of inspiration for him, and while his canvases do not portray any recognizable geological features, his work may be contextualized within the work of a broad spectrum of artists who came to the state. Curtis saw the desert through a lens of magic realism. This differed from Maxfield Parrish, Eugene Berman, and other artists who preferred more representational modes.

Reviews: ‘Greek Myths’ By Gustav Schwab (Taschen)

This collection of 47 tales from Gustav Schwab’s seminal anthology of Greek myths stages the illustrious exploits of Heracles, Jason, Odysseus, and a host of heroes.

TASCHEN

Through the masterful drawings of Clifford Harper and artworks from the leading figures of the Golden Age of Illustration, including Walter Crane, Arthur Rackham,  and  Virginia Frances Sterrett, the world of Greek mythology is reimagined into life.

The Greek myths are timeless classics, whose scenes and figures have captivated us since ancient times. The gods and heroes of these legends hold up a mirror to the human condition, embodying universal characteristics and truths – whether it be the courage of Perseus, the greed of Midas, the vaulting ambition of Icarus, the vengeance of Medea, or the hubris of Niobe. These traits are the basis for immortal dramas and rich narratives, as profound as they are entertaining, which form the bedrock of our culture and literature today and remain relevant and fascinating for all readers, young and old alike.

Gustav Schwab (1792–1850) was a German author, teacher, and professor. From 1828, Schwab worked at Johann Friedrich Cotta’s eponymous publishing house in Stuttgart, where he was a patron and mentor of young authors. After issuing a collection of his own poetry, he composed the seminal Sagen des klassischen Altertums (Gods and Heroes: Myths and Epics of Ancient Greece, 1838–1840), an indispensable standard work of Greek mythology that has popularized its tales in Germany and across the globe.

Views: Jasper Johns & Paul Cézanne – Unfinished Art

What was Jasper Johns’s reaction to seeing Paul Cézanne’s The Large Bathers? Curator Carlos Basualdo recalls standing in front of the painting and Johns’s fascination with the finished and unfinished aspects of the artwork.

“Jasper Johns: Mind/Mirror” is on view through February 13. http://ow.ly/lZkg30s4V3s