You don’t need to have read Egan’s Pulitzer-winning “A Visit From the Goon Squad” to jump feet first into this much-anticipated sequel. But for lovers of the 2010 book’s prematurely nostalgic New Yorkers, cerebral beauty and laser-sharp take on modernity, “The Candy House” is like coming home — albeit to dystopia. This time around, Egan’s characters are variously the creators and prisoners of a universe in which, through the wonders of technology, people can access their entire memory banks and use the contents as social media currency. The result is a glorious, hideous fun house that feels more familiar than sci-fi, all rendered with Egan’s signature inventive confidence and — perhaps most impressive of all — heart. “The Candy House” is of its moment, with all that implies.
Bennett, a British writer who makes her home in Ireland, first leaped onto the scene with her 2015 debut novel, “Pond.” Her second book contains all of the first’s linguistic artistry and dark wit, but it is even more exhilarating. “Checkout 19,” ostensibly the story of a young woman falling in love with language in a working-class town outside London, has an unusual setting: the human mind — a brilliant, surprising, weird and very funny one. All the words one might use to describe this book — experimental, autofictional, surrealist — fail to convey the sheer pleasure of “Checkout 19.” You’ll come away dazed, delighted, reminded of just how much fun reading can be, eager to share it with people in your lives. It’s a love letter to books, and an argument for them, too.
Kingsolver’s powerful new novel, a close retelling of Charles Dickens’s “David Copperfield” set in contemporary Appalachia, gallops through issues including childhood poverty, opioid addiction and rural dispossession even as its larger focus remains squarely on the question of how an artist’s consciousness is formed. Like Dickens, Kingsolver is unblushingly political and works on a sprawling scale, animating her pages with an abundance of charm and the presence of seemingly every creeping thing that has ever crept upon the earth.
After losing her brother when she was 12, one of the narrators of Serpell’s second novel keeps coming across men who resemble him as she works through her trauma long into adulthood. She enters an intimate relationship with one of them, who’s also haunted by his past. This richly layered book explores the nature of grief, how it can stretch or compress time, reshape memories and make us dream up alternate realities. “I don’t want to tell you what happened,” the narrator says. “I want to tell you how it felt.”
Diaz uncovers the secrets of an American fortune in the early 20th century, detailing the dizzying rise of a New York financier and the enigmatic talents of his wife. Each of the novel’s four parts, which are told from different perspectives, redirects the narrative (and upends readers’ expectations) while paying tribute to literary titans from Henry James to Jorge Luis Borges. Whose version of events can we trust? Diaz’s spotlight on stories behind stories seeks out the dark workings behind capitalism, as well as the uncredited figures behind the so-called Great Men of history. It’s an exhilarating pursuit.
An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, by Ed Yong
Yong certainly gave himself a formidable task with this book — getting humans to step outside their “sensory bubble” and consider how nonhuman animals experience the world. But the enormous difficulty of making sense of senses we do not have is a reminder that each one of us has a purchase on only a sliver of reality. Yong is a terrific storyteller, and there are plenty of surprising animal facts to keep this book moving toward its profound conclusion: The breadth of this immense world should make us recognize how small we really are.
In this quietly wrenching memoir, Hsu recalls starting out at Berkeley in the mid-1990s as a watchful music snob, fastidiously curating his tastes and mercilessly judging the tastes of others. Then he met Ken, a Japanese American frat boy. Their friendship was intense, but brief. Less than three years later, Ken would be killed in a carjacking. Hsu traces the course of their relationship — one that seemed improbable at first but eventually became a fixture in his life, a trellis along which both young men could stretch and grow.
Strangers to Ourselves: Unsettled Minds and the Stories That Make Us, by Rachel Aviv
In this rich and nuanced book, Aviv writes about people in extreme mental distress, beginning with her own experience of being told she had anorexia when she was 6 years old. That personal history made her especially attuned to how stories can clarify as well as distort what a person is going through. This isn’t an anti-psychiatry book — Aviv is too aware of the specifics of any situation to succumb to anything so sweeping. What she does is hold space for empathy and uncertainty, exploring a multiplicity of stories instead of jumping at the impulse to explain them away.
Under the Skin: The Hidden Toll of Racism on American Lives and on the Health of Our Nation, by Linda Villarosa
Through case histories as well as independent reporting, Villarosa’s remarkable third book elegantly traces the effects of the legacy of slavery — and the doctrine of anti-Blackness that sprang up to philosophically justify it — on Black health: reproductive, environmental, mental and more. Beginning with a long personal history of her awakening to these structural inequalities, the journalist repositions various narratives about race and medicine — the soaring Black maternal mortality rates; the rise of heart disease and hypertension; the oft-repeated dictum that Black people reject psychological therapy — as evidence not of Black inferiority, but of racism in the health care system.
O’Toole, a prolific essayist and critic, calls this inventive narrative “a personal history of modern Ireland” — an ambitious project, but one he pulls off with élan. Charting six decades of Irish history against his own life, O’Toole manages to both deftly illustrate a country in drastic flux, and include a sly, self-deprecating biography that infuses his sociology with humor and pathos. You’ll be educated, yes — about increasing secularism, the Celtic tiger, human rights — but you’ll also be wildly, uproariously entertained by a gifted raconteur at the height of his powers.
VernissageTV (November 29, 2022) – A virtual tour of Art Basel in Miami Beach 2022 on the occasion of press preview on November 29, 2022. Art Basel Miami Beach 2022 features over 282 of the world’s leading international Modern and contemporary art galleries, which display paintings, sculptures, installations, photography, film, video, and digital art. The 2022 edition of Art Basel Miami Beach is the largest to date. It also marks the 20th anniversary of the art fair that launched in 2002.
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
You enter a troubling parallel universe in Henry Fuseli’s drawings of women: a place of exaggeration and highly sexualised imagery, where his subjects engage in role-play and the theatrical and erotic and idiosyncratic collide. It’s an inventive, private realm: not one of the drawings in the Courtauld’s fascinating exhibition was displayed in public during the artist’s life.
In the early 20th century, Albert Kahn dispatched photographers to more than 50 countries – and the magical results can be found in the Paris museum that bears his name
Gagosian is pleased to announce Exodus, an exhibition of new work by Anselm Kiefer in New York and Los Angeles, opening on November 12 at 555 West 24th Street, New York, and on November 19 at Gagosian at Marciano Art Foundation, 4357 Wilshire Boulevard, Los Angeles.
The large-scale paintings on view in New York and Los Angeles employ a wide range of materials including paint, terra-cotta, fabric, rope, wire, found objects, sediment of electrolysis, and metal—including copper and gold leaf. Mixing the abject and the exalted, these works are imbued with gesture, a sense of metamorphosis, and alchemical symbolism.
Kiefer’s syncretic approach to materials extends to his understanding of history, literature, and mythology as forces that inform the present. In this new body of work, he incorporates inscriptions in Hebrew from the book of Exodus, with thematic references to its narrative blended with a diversity of other sources. Full of symbolic thresholds between peoples, places, and times, the paintings are metaphysical allegories that meditate on loss and deliverance, dispossession and homecoming.
Dezeen – Curator Kathryn Johnson explains the story behind surrealism and its impact on design in this video Dezeen produced for the Design Museum about its latest exhibition.
Titled Objects of Desire: Surrealism and Design 1924 – Today, the exhibition features almost 350 surrealist objects spanning fashion, furniture and film. The exhibition, which was curated by Johnson, explores the conception of the surrealist movement in the 1920s and the impact it has had on the design world ever since. It features some of the most recognised surrealist paintings and sculptures, including pieces by Salvador Dalí, Man Ray and Leonora Carrington, as well as work from contemporary artists and designers such as Dior and Björk.
the Design Museum – “Surrealism was born out of the horrors of the first world war, in a period of conflict and uncertainty, and it was a creative response to that chaos,” Johnson said in the video.
‘This is what Biden and his advisers are counting on: a grinding and volatile battle with a weakened Trump and his increasingly unhinged movement in 2024.’
There is no way to offset the fact that a gigantic dose of hydrocarbon wealth is being used to stage an immensely carbon-intensive spectacle, in a place that is already getting hotter faster than almost anywhere else on the planet. In the narrowing window of opportunity that remains, can we justify burning this much of our carbon budget on international football?
Act of Oblivion, the title of Robert Harris’s novel, refers to the Act of Free and General Pardon, Indemnity and Oblivion, introduced to the Convention Parliament in May 1660 and given royal assent on 29 August.
News, Views and Reviews For The Intellectually Curious
Gagosian is pleased to announce Exodus, an exhibition of new work by Anselm Kiefer in New York and Los Angeles, opening on November 12 at 
Boomers Daily 