David Hockney, (born 9 July 1937) is a British painter, draftsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century.
Hockney has owned a home and studio in Bridlington and London, and two residences in California, where he has lived on and off since 1964: one in the Hollywood Hills, one in Malibu, and an office and archives on Santa Monica Boulevard in West Hollywood, California. (From Tate Museum Biography)
Painted in Los Angeles in 1966, David Hockney’s ‘The Splash’ is as recognizableThe as Monet’s ‘Waterlilies’, Van Gogh’s ‘Sunflowers’ and Munch’s ‘The Scream’. In this episode of Expert Voices, discover how the liberal lifestyle in Los Angeles inspired one of the most iconic images of the 20th century and hear Hockney himself explain how he immortalised his split-second swimming pool moment on canvas.
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–Second World War Germany, in both broad and very personal terms. 
New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist’s technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist’s enduring interest in photographic imagery; Briony Fer looks at Richter’s family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist’s engagement with landscape as a site of memory; André Rottmann considers the impact of randomization and chance on Richter’s abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter’s rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.
well-known capital city, his most recent book, 
Mark has developed an international reputation and has won numerous awards, both in his native Canada and in the United States. A dedicated painter, Mark Lague was born in Lachine Quebec in 1964 and he has had a fascination with drawing since childhood, a skill he practices constantly, even to this day.
In James Wrayge’s quiet studio on an early winter afternoon, there is a tangible sense of purpose. Wrayge’s paintings line the walls along the portion of the space he shares with another artist at the Northrup King Building in Minneapolis. There are also some paintings on the floor propped up against the same walls. And there is one — in progress — set on an easel in the corner.
Carel Willink was a pioneer of Magic Realism, an avant-garde movement of Dutch modernism closely associated with Surrealism. In this episode of Anatomy of an Artwork, discover how a visit to Italy’s Bomarzo Gardens following the death of his wife inspired a series of paintings featuring monsters, see how Willink drew further inspiration from dream-like images and illusions, and learn how his near-photographic style exudes a sense of mystery and enchantment.
In this revelatory book, Nina Amstutz combines fresh visual analysis with broad interdisciplinary research to investigate the intersection of landscape painting, self-exploration, and the life sciences in Friedrich’s mature work. Drawing connections between the artist’s anthropomorphic landscape forms and contemporary discussions of biology, anatomy, morphology, death, and decomposition, Amstutz brings Friedrich’s work into the larger discourse surrounding art, nature, and life in the 19th century.
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