Inside this issue
International Art: Apollo Magazine – September 2023
Tag Archives: Art
Previews: The New Yorker Magazine – Sept 4, 2023
How a Man in Prison Stole Millions from Billionaires
With smuggled cell phones and a handful of accomplices, Arthur Lee Cofield, Jr., took money from large bank accounts and bought houses, cars, clothes, and gold.
Early in 2020, the architect Scott West got a call at his office, in Atlanta, from a prospective client who said that his name was Archie Lee. West designs luxurious houses in a spare, angular style one might call millionaire modern. Lee wanted one. That June, West found an appealing property in Buckhead—an upscale part of North Atlanta that attracts both old money and new—and told Lee it might be a good spot for them to build. Lee arranged for his wife to meet West there.
Coco Gauff’s Glorious Progress
Gauff has the charisma and talent to be not just a champion but a star, and this summer she has played better than ever before.
Last weekend, at a tournament in the Cincinnati suburb of Mason, Coco Gauff beat Iga Świątek for the first time. It was one of those moments in tennis when the ground seemed to shift: Gauff had never taken a set from Świątek, the current world No. 1, in the seven previous times they’d met. It was the biggest win of Gauff’s young career—but it was in keeping with a high-summer revving of her already formidable game. In the hard-court tournaments held across North America which are essentially warmups for the U.S. Open, Gauff has been the imposing presence that the tennis world has been waiting for her to become—waiting avidly, for sure, but a little anxiously, too. As recently as early July, when she lost in the first round at Wimbledon, there was fretting that she wasn’t making quick enough progress.
Morgan Library Exhibits: Swiss Painter Ferdinand Hodler “Drawings” Tour
Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey
June 16 through October 1, 2023
A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings. This exhibition of approximately sixty works, primarily on paper, will focus on the role of drawing in his practice, from quick compositional sketches to elaborate oil studies.
Most of the drawings Hodler produced were preparatory studies for his large-scale figure compositions; these offer a fascinating account of his working process, which involved technical experiments with imprints, tracing, and collages. A few of his portrait drawings will also be featured, including a poignant series in which he recorded the illness and death of his lover Valentine Godé-Darel.
These rarely seen drawings offer a compelling survey of Hodler’s singular contribution to early modernism.
Politics: The Guardian Weekly – August 25, 2023
The Guardian Weekly (August 25, 2023) – The issue features ‘Fever Pitch’ – The unstoppable rise of women’s football; ‘Trust me, I’m a nurse’ – How a British child serial killer went undetected, and Art, where you least expect it…
The conviction and sentencing of Lucy Letby, who murdered seven babies while working as a hospital nurse, shocked Britain this week. As she becomes only the country’s fourth woman to receive a whole-life imprisonment term, Josh Halliday recounts her dreadful crimes and why she was not investigated for so long, despite several colleagues’ suspicions.
Sports writer Paul MacInnes reports from Jeddah on Saudi Arabia’s bid to buy up chunks of world sport using its $600bn public investment fund, a makeover project that is particularly pertinent in the light of allegations in a Human Rights Watch report this week.
Culture catches up with Devo, the new wave band from Akron, Ohio, who are hanging up their curious “energy dome” hats after 50 years. And there’s a lovely feature by Claire Armitstead about hidden art, from underwater sculpture parks to pinhole dioramas concealed inside traffic bollards.
Ancient Art: How Experts Are Uncovering Forgeries
Stephan Lehmann has uncovered around 50 suspected forged artworks to date – in the marketplace, in private collections and even in museums. Now, a large bronze of Alexander the Great has resurfaced in Greece. It was owned by a British art dealer and was handed back to Greece as previously looted art. But Lehmann and other experts say it’s a fake. Due to his work, archaeologist Stephan Lehmann is not always a popular figure: in the art trade and the museum world, many people prefer to sweep the problem of forgeries under the rug.
But one anonymous Swiss collector decided to confront the issue. He sent Lehmann an allegedly ancient but highly dubious bronze depicting Emperor Augustus, which he had purchased for several hundred thousand dollars in New York. Lehmann examined it and had it X-rayed at Germany’s Fraunhofer Institute, using one of the most powerful CT scanners in the world.
Testing the material an artwork is made of can not only uncover forgeries; it can also shed light on how forgers go about their work. This documentary sets out on the trail of art forgers, uncovering a dark and concealed side of the antiquities trade. It reveals just how good forgeries can be. Fakes have even sometimes turned up among supposedly looted works being returned to states as part of the restitution process.
Previews: The New Yorker Magazine – August 28, 2023
Elon Musk’s Shadow Rule
How the U.S. government came to rely on the tech billionaire—and is now struggling to rein him in.
By Ronan Farrow
Last October, Colin Kahl, then the Under-Secretary of Defense for Policy at the Pentagon, sat in a hotel in Paris and prepared to make a call to avert disaster in Ukraine. A staffer handed him an iPhone—in part to avoid inviting an onslaught of late-night texts and colorful emojis on Kahl’s own phone. Kahl had returned to his room, with its heavy drapery and distant view of the Eiffel Tower, after a day of meetings with officials from the United Kingdom, France, and Germany. A senior defense official told me that Kahl was surprised by whom he was about to contact: “He was, like, ‘Why am I calling Elon Musk?’ ”
The Mysteries of Pittsburgh
I was searching for truth. Instead, I found a family.
By the time I was twenty-one, I had made two short films and was dead set on making a feature. I had gone to a distinguished school in Munich, where I had few friends, and which I hated so passionately that I imagined setting it on fire. There is such a thing as academic intelligence, and I didn’t have it. Intelligence is always a bundle of qualities: logical thought, articulacy, originality, memory, musicality, sensitivity, speed of association, and so on. In my case, the bundle seemed to be differently composed. I remember asking a fellow-student to write a term paper for me, which he did quite easily. In jest, he asked me what I would do for him in return, and I promised that I would make him immortal. His name was Hauke Stroszek. I gave his last name to the main character in my first film, “Signs of Life.” I called another film “Stroszek.”
Exhibitions: Artist Frida Kahlo In South Australia
Frida & Diego: Love & Revolution
THE ART GALLERY OF SOUTH AUSTRALIA
24 Jun – 17 Sep 2023
Mexican artist Frida Kahlo is remembered for her self-portraits, pain and passion, and bold, vibrant colors. She is celebrated in Mexico for her attention to Mexican and indigenous culture and by feminists for her depiction of the female experience and form.
Previews: The New Yorker Magazine – August 21, 2023
How the Writer and Critic Jacqueline Rose Puts the World on the Couch
Enlisting Freud and feminism, she reveals the hidden currents in poetry and politics alike.
By Parul Sehgal
“Psychoanalysis brings to light everything we don’t want to think about,” she said. “If you can acknowledge the complexity of your own heart
The Ukrainians Forced to Flee to Russia
Some are brought against their will. Others are encouraged in subtler ways. But the over-all efforts seem aimed at the erasure of the Ukrainian people.
By Masha Gessen
How Carl Linnaeus Set Out to Label All of Life
He sorted and systematized and coined names for more than twelve thousand species. What do you call someone like that?
Artist Profiles: American Painter Shara Hughes
Shara Hughes was born 1981 in Atlanta, Georgia. Lives and works in Brooklyn, New York. She earned a BFA from the Rhode Island School of Design and later attended the Skowhegan School of Painting and Sculpture.
She describes her lush, vibrantly chromatic images of hills, rivers, trees and shorelines, often framed by abstract patterning, as “invented landscapes.” Full of gestural effect, surface tactility and possessing a fairytale mood of reverie, these paintings, as the New Yorker described them, “use every trick in the book to seduce, but still manage to come off as guileless visions of not-so-far-away worlds.”
Bold, clashing colours and shifting perspectives manifest into dream-like landscapes that push and pull the eye across the canvas, challenging conventions of space. Rather than depicting true to life landscapes, Hughes invites us into a fantastical world offered as a portal for psychological discovery and reflection.
Previews: The New Yorker Magazine – August 14, 2023
The Protests Inside Iran’s Girls’ Schools
From the start, women were at the center of the demonstrations that swept Iran last year. Schoolgirls emerged as an unexpected source of defiant energy.
One morning this past winter, the students at a girls’ high school in Tehran were told that education officials would arrive that week to inspect their classrooms and check compliance with the school’s dress code: specifically, the wearing of the maghnaeh, a hooded veil that became a requirement for schoolgirls in the years after the Iranian Revolution. During lunch, a group of students gathered in the schoolyard. A thirteen-year-old in the seventh grade, whom I’ll call Nina, pressed in to hear what was being said. At the time, mass protests against the government were raging across the country; refusing to wear the veil had become a symbol of the movement. An older girl told the others that it was time for them to join together and make a stand.
How Sudan Archives Became the Violin’s Domme
The twenty-nine-year-old musician pursues technical, rather than emotional, manipulation with her instrument. She can coax from it the sounds of an accordion, a drum, or a string orchestra.
“Do you listen to Sudan Archives?” Most of the time, but not every time, the response to this question is one of confusion. How can one listen to the archives of a country? Sudan Archives is, in fact, a twenty-nine-year-old musician—a singer, rapper, producer, arranger, lyricist, and violinist. She creates a “fiddle-punk sound,” as she describes it, that blends folk, ambient, soul, house, and whatever other tradition she feels is available for the taking. Sudan (the name that her colleagues, her fans, and, increasingly, her intimates call her) begins composing by striking a riff on one of her five violins, which she uses differently from most other American producers.
What Should You Do with an Oil Fortune?
The Hunt family owns one of the largest private oil companies in the country. Leah Hunt-Hendrix funds social movements that want to end the use of fossil fuels.
Let’s say you were born into a legacy that is, you have come to believe, ruining the world. What can you do? You could be paralyzed with guilt. You could run away from your legacy, turn inward, cultivate your garden. If you have a lot of money, you could give it away a bit at a time—enough to assuage your conscience, and your annual tax burden, but not enough to hamper your life style—and only to causes (libraries, museums, one or both political parties) that would not make anyone close to you too uncomfortable. Or you could just give it all away—to a blind trust, to the first person you pass on the sidewalk—which would be admirable: a grand gesture of renunciation in exchange for moral purity. But, if you believe that the world is being ruined by structural causes, you will have done little to challenge those structures.
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