DW Documentary (August 21, 2023) – When a long-lost bronze of Alexander the Great suddenly turns up in Greece, experts are suspicious. This documentary follows archaeologist Stephan Lehmann as he follows the trail of the art forgers.
Stephan Lehmann has uncovered around 50 suspected forged artworks to date – in the marketplace, in private collections and even in museums. Now, a large bronze of Alexander the Great has resurfaced in Greece. It was owned by a British art dealer and was handed back to Greece as previously looted art. But Lehmann and other experts say it’s a fake. Due to his work, archaeologist Stephan Lehmann is not always a popular figure: in the art trade and the museum world, many people prefer to sweep the problem of forgeries under the rug.
But one anonymous Swiss collector decided to confront the issue. He sent Lehmann an allegedly ancient but highly dubious bronze depicting Emperor Augustus, which he had purchased for several hundred thousand dollars in New York. Lehmann examined it and had it X-rayed at Germany’s Fraunhofer Institute, using one of the most powerful CT scanners in the world.
Testing the material an artwork is made of can not only uncover forgeries; it can also shed light on how forgers go about their work. This documentary sets out on the trail of art forgers, uncovering a dark and concealed side of the antiquities trade. It reveals just how good forgeries can be. Fakes have even sometimes turned up among supposedly looted works being returned to states as part of the restitution process.
Last October, Colin Kahl, then the Under-Secretary of Defense for Policy at the Pentagon, sat in a hotel in Paris and prepared to make a call to avert disaster in Ukraine. A staffer handed him an iPhone—in part to avoid inviting an onslaught of late-night texts and colorful emojis on Kahl’s own phone. Kahl had returned to his room, with its heavy drapery and distant view of the Eiffel Tower, after a day of meetings with officials from the United Kingdom, France, and Germany. A senior defense official told me that Kahl was surprised by whom he was about to contact: “He was, like, ‘Why am I calling Elon Musk?’ ”
By the time I was twenty-one, I had made two short films and was dead set on making a feature. I had gone to a distinguished school in Munich, where I had few friends, and which I hated so passionately that I imagined setting it on fire. There is such a thing as academic intelligence, and I didn’t have it. Intelligence is always a bundle of qualities: logical thought, articulacy, originality, memory, musicality, sensitivity, speed of association, and so on. In my case, the bundle seemed to be differently composed. I remember asking a fellow-student to write a term paper for me, which he did quite easily. In jest, he asked me what I would do for him in return, and I promised that I would make him immortal. His name was Hauke Stroszek. I gave his last name to the main character in my first film, “Signs of Life.” I called another film “Stroszek.”
ABC News In-depth (August 17, 2023) – She’s one of the most famous artists of the 20th century, known for her colourful self-portraits. But what else do you know about Frida Kahlo? We visit an exhibition to find out more about her artwork and learn about her interesting life.
Mexican artist Frida Kahlo is remembered for her self-portraits, pain and passion, and bold, vibrant colors. She is celebrated in Mexico for her attention to Mexican and indigenous culture and by feminists for her depiction of the female experience and form.
Some are brought against their will. Others are encouraged in subtler ways. But the over-all efforts seem aimed at the erasure of the Ukrainian people.
Shara Hughes was born 1981 in Atlanta, Georgia. Lives and works in Brooklyn, New York. She earned a BFA from the Rhode Island School of Design and later attended the Skowhegan School of Painting and Sculpture.
She describes her lush, vibrantly chromatic images of hills, rivers, trees and shorelines, often framed by abstract patterning, as “invented landscapes.” Full of gestural effect, surface tactility and possessing a fairytale mood of reverie, these paintings, as the New Yorker described them, “use every trick in the book to seduce, but still manage to come off as guileless visions of not-so-far-away worlds.”
Bold, clashing colours and shifting perspectives manifest into dream-like landscapes that push and pull the eye across the canvas, challenging conventions of space. Rather than depicting true to life landscapes, Hughes invites us into a fantastical world offered as a portal for psychological discovery and reflection.
From the start, women were at the center of the demonstrations that swept Iran last year. Schoolgirls emerged as an unexpected source of defiant energy.
One morning this past winter, the students at a girls’ high school in Tehran were told that education officials would arrive that week to inspect their classrooms and check compliance with the school’s dress code: specifically, the wearing of the maghnaeh, a hooded veil that became a requirement for schoolgirls in the years after the Iranian Revolution. During lunch, a group of students gathered in the schoolyard. A thirteen-year-old in the seventh grade, whom I’ll call Nina, pressed in to hear what was being said. At the time, mass protests against the government were raging across the country; refusing to wear the veil had become a symbol of the movement. An older girl told the others that it was time for them to join together and make a stand.
The twenty-nine-year-old musician pursues technical, rather than emotional, manipulation with her instrument. She can coax from it the sounds of an accordion, a drum, or a string orchestra.
“Do you listen to Sudan Archives?” Most of the time, but not every time, the response to this question is one of confusion. How can one listen to the archives of a country? Sudan Archives is, in fact, a twenty-nine-year-old musician—a singer, rapper, producer, arranger, lyricist, and violinist. She creates a “fiddle-punk sound,” as she describes it, that blends folk, ambient, soul, house, and whatever other tradition she feels is available for the taking. Sudan (the name that her colleagues, her fans, and, increasingly, her intimates call her) begins composing by striking a riff on one of her five violins, which she uses differently from most other American producers.
The Hunt family owns one of the largest private oil companies in the country. Leah Hunt-Hendrix funds social movements that want to end the use of fossil fuels.
Let’s say you were born into a legacy that is, you have come to believe, ruining the world. What can you do? You could be paralyzed with guilt. You could run away from your legacy, turn inward, cultivate your garden. If you have a lot of money, you could give it away a bit at a time—enough to assuage your conscience, and your annual tax burden, but not enough to hamper your life style—and only to causes (libraries, museums, one or both political parties) that would not make anyone close to you too uncomfortable. Or you could just give it all away—to a blind trust, to the first person you pass on the sidewalk—which would be admirable: a grand gesture of renunciation in exchange for moral purity. But, if you believe that the world is being ruined by structural causes, you will have done little to challenge those structures.
The Metropolitan Museum of Art (August 3, 2023) – A virtual tour of Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE. Featuring more than 140 objects dating from 200 BCE to 400 CE, the exhibition presents a series of evocative and interlocking themes to reveal both the pre-Buddhist origins of figurative sculpture in India and the early narrative traditions that were central to this formative moment in early Indian art.
With major loans from a dozen lenders across India, as well as from the United Kingdom, Europe, and the United States, it transports visitors into the world of early Buddhist imagery that gave expression to this new religion as it grew from a core set of ethical teachings into one of the world’s great religions. Objects associated with Indo-Roman exchange reveal India’s place in early global trade.
The exhibition showcases objects in various media, including limestone sculptures, gold, silver, bronze, rock crystal, and ivory. Highlights include spectacular sculptures from southern India—newly discovered and never before publicly exhibited masterpieces—that add to the world canon of early Buddhist art. On view: July 21st–November 13th, 2023
As the founder of Adventures with Purpose, Jared Leisek carved a lucrative niche in the YouTube sleuthing community. Then the sleuths came for him, Rachel Monroe writes.
The New Yorker – July 31, 2023 issue: The ‘rich and famous’ above the law, a small-town newspaper lands ‘Big Stories’, how Larry Gagosian reshaped the art world, and more…
With a common touch that appeals to juries and a client list that includes Elon Musk, Jay-Z, and Megan Thee Stallion, he’s on a winning streak that makes his rivals seethe.
In the summer of 2018, four years before he bought Twitter, the entrepreneur Elon Musk was facing legal consequences for two of his more reckless forays on the social-media platform. A boys’ soccer team in Thailand had been trapped in a flooded cave for more than two weeks, and a caver involved in the rescue said on CNN that a bespoke submarine Musk had sent to save the children was a “PR stunt.” Infuriated, Musk told his twenty-two million Twitter followers, without basis in fact, that the caver, Vernon Unsworth, was a “pedo guy.” The tweet went viral, and Unsworth’s attorney threatened to sue Musk for defamation.
It was the Friday afternoon of Memorial Day weekend on Further Lane, the best street in Amagansett, the best town in the Hamptons, and the art dealer Larry Gagosian was bumming around his eleven-thousand-square-foot modernist beach mansion, looking pretty relaxed for a man who, the next day, would host a party for a hundred and forty people. A pair of French bulldogs, Baby and Humphrey, waddled about, and Gagosian’s butler, Eddie, a slim man with a ponytail and an air of informal professionalism, handed him a sparkling water.
Audain Art Museum, Whistler, British Columbia, Canada (July 22, 2023) – Manabu Ikeda: Flowers from the Wreckage features Ikeda’s meticulously detailed pen-and-ink drawings that are filled with astonishing images.
This Japanese artist seeks inspiration from his surroundings to bring attention and awe to viewers, as a way of sending warnings about the painful reality of environmental disasters. Central to his practice are metaphors of grief and the undeniable aspects of life that are often beyond society’s control, including the fundamental forces of Mother Nature. Ikeda’s drawings also reveal human resilience and the ability to rise above devastating situations when it appears impossible.
Curated by Kiriko Watanabe, the Audain Art Museum’s Gail & Stephen A. Jarislowsky Curator, this is Ikeda’s first solo retrospective in North America showcasing over sixty works from national and international collections. Flowers from the Wreckage includes Foretoken (2008), Meltdown (2013) and Rebirth (2013-16), a selection of Ikeda’s large-scale drawings that relate to the 2011 Great East Japan Earthquake; the most devastating earthquake, tsunami and nuclear power disaster in the country’s recorded history.
Manabu Ikeda: Flowers from the Wreckage will be on display in the AAM’s Tom and Teresa Gautreau Galleries from June 24 to October 9, 2023. A full colour exhibition catalogue featuring essays by Kiriko Watanabe and comments by Manabu Ikeda will be available for purchase in the Museum Shop.
Manabu Ikeda, “Territory,” 2004
pen and acrylic ink on paper, mounted on board, 17″ x 23″ (Takahashi Ryutaro Collection, courtesy the Audain Art Museum, Whistler, B.C.)
Manabu Ikeda Studio Gallery
A studio has been set up in the Museum’s architecturally stunning Upper Galleries, where visitors have the opportunity to observe the process of Ikeda drawing his latest work and interact with him during open studio hours.
Manabu will be in studio on Thursdays, Fridays, and Saturdays, from 3:00pm to 4:30pm until August 30. Museum guests are encouraged to come and witness the Artist’s incredible talent and learn more about his techniques. The studio will be open for viewing Thursday through Monday until September 4.
News, Views and Reviews For The Intellectually Curious
ABC News In-depth
Boomers Daily 