International Art: Apollo Magazine – July/Aug 2023
Tag Archives: Art
Reviews: ‘The Week In Art’
As Spain heads to the polls in July, we talk to Emilio Silva, president of the Association for the Recovery of Historical Memory in Madrid. What could the election mean for the controversial Spanish laws of Historical Memory and Democratic Memory relating to the Civil War of 1936 to 1939 and the period of Francisco Franco’s fascist dictatorship?
And this episode’s Work of the Week is a project by the Swedish duo Goldin + Senneby. The work, called Quantitative Melencolia, involves recreating the lost plate for Albrecht Dürer’s famous engraving Melencolia I. It is part of the exhibition Economics: The Blockbuster, which opens this week at the Whitworth Art Gallery in Manchester, UK.
Economics the Blockbuster: It’s not Business as Usual, Whitworth Art Gallery, until 22 October. The Manchester International Festival, until 16 July.
Ashmolean Museum Views: The ‘Tang Dynasty Camel’
The object that inspired this animation, a ceramic camel dating back to the Tang Dynasty (AD 618–907), helps us to tell the story of Paul Jacobsthal, a Jewish professor of Archaeology at the University of Marburg in the 1930s, who was forced to leave Germany.
CAMEL TOMB FIGURE
A spiritual object intended to protect the dead from evil
Ashmolean Museum, University of Oxford | EA2012.189
Reviews: ‘The Week In Art’
We talk to Nancy Ireson at the Barnes Foundation in Philadelphia about the exhibition William Edmondson: A Monumental Vision. Edmondson was the first African American artist to have a solo show at the Museum of Modern Art in New York in the 1930s, but has rarely been shown in museums on the US East Coast since.
And this episode’s Work of the Week marks the 75th anniversary of the arrival in the UK of the Empire Windrush, a boat carrying passengers from the Caribbean. Zinzi Minott, the choreographer and artist, has made a film called Fi Dem about the Windrush on this anniversary every year since 2017. She tells us about the latest iteration, which is at the heart of a new exhibition at Queercircle in London.
The National Portrait Gallery is open now. Yevonde: Life and Colour, until 15 October.
William Edmondson: A Monumental Vision, Barnes Foundation, Philadelphia, 25 June-10 September.
Zinzi Minott’s Fi Dem VI is part of her exhibition Many Mikl Mek Ah Mukl, Queercircle, London, until 27 August.
Profiles: German-British Painter Frank Auerbach
Executed eighteen years apart, both works exemplify Auerbach’s expressive use and colour and a faultless display of decisive and heavily impasto brushwork. Mornington Crescent is an incredibly rare and large-scale example from Auerbach’s 1960s output, and belongs to his ambitious and highly acclaimed body of landscapes.
This work ranks among the largest paintings in Auerbach’s catalogue raisonné and possesses a chromatic register that is unsurpassed. J.Y.M. Seated II is an important portrait of one of Frank Auerbach’s most celebrated sitters, Juliet Yardley Mills.
Frank Helmut Auerbach is a German-British painter. Born in Germany, he has been a naturalised British subject since 1947. He is considered one of the leading names in the School of London, with fellow artists Francis Bacon and Lucian Freud.
Reviews: ‘The Week In Art’
The Liverpool Biennial’s latest edition opened last weekend and has a South African curator, Khanyisile Mbongwa, and an IsiZulu title, uMoya: The Sacred Return of Lost Things. The Art Newspaper’s contemporary art correspondent, Louisa Buck, visited the biennial and reviews it for us. And it is Art Basel this week, in its original Swiss location, so this episode’s Work of the Week is one of the most notable works for sale at the fair.
Valentine was painted by Jean-Michel Basquiat in 1984 and given to his then girlfriend, Paige Powell, on Valentine’s Day. Jeffrey Deitch, who is selling the work at Art Basel, tells us its story.
Africa Rising: Morocco is on the BBC iPlayer now. The Nigeria episode is on BBC Two on 20 June at 9pm for UK viewers and on BBC iPlayer, and South Africa is broadcast on BBC Two at 27 June at 9pm. For listeners outside the UK, check your local listings.
Arts Tour: The Courtauld Institute Of Art In London
Join actor and friend of The Courtauld Gallery, Bill Nighy, as he returns to the Gallery following its three year refurbishment, and discover our world-renowned collection of Impressionist and Post-Impressionist masterpieces.
Highlights on display include the world-famous A Bar at the Folies Bergère by Édouard Manet, Self-Portrait with Bandaged Ear by Vincent van Gogh, the most significant collection of works by Paul Cézanne in the UK and works by Degas, Gauguin, Monet, Seurat and more.
Art Gallery Exhibitions: ‘Art Basel 2023’ Preview
Art & Architecture Tour: Château La Coste, France
Château La Coste is a unique mix of contemporary art, architecture, and wine culture. A succulent cocktail for the eyes and the tastebuds.
Across 200 hectares (130 of which are full of grape vines), vineyards, chestnut forests, and olive tree fields spread as far as the eye can see into the Provençal horizon. It’s an invitation to take a walk for a veritable symphony of the senses, magnificent enough to have its own name – the Promande Art & Architecture.
The path – about a two-hour walk – will take you through a series of artworks and installations from contemporary artists invited to work on site. Just off the path, sitting atop a vast lake, admire the immense spider created by Franco-American artist Louise Bourgeois. Sitting at the top of the hill, next to the chapel created by Tadao Ando, raise your eyes and take in the great red Murano glass cross, imagined by Jean Michel Othonel.
The jaw-dropping surprises will lead you to the center of a forest, where you’ll find yourself face-to-face with foxes – but don’t worry! The creatures are cast in bronze, borne of the talent of American artist Michael Stipe.
Reviews: The ‘African And Oceanic Art’ Collection Of France’s Hélène Leloup
Now aged 96, Hélène is regarded as France’s most important and passionate dealer of sub-Saharan and Oceanic art, an adventurer and explorer, ground-breaking gallerist and collector, and eminent specialist in Mbembe and Dogon art, ever since her first foray to Dakar in 1952.
Boomers Daily 