Survivors and building experts say poor construction most likely exacerbated the scale of the earthquake’s destruction, as the death toll in Turkey and Syria surpassed 33,000 people.
The U.S. and Canada are investigating three unidentified flying objects shot down over North America in the past three days. Militaries have adjusted radars to try to spot more incursions.
Capping a season plagued by shocking injuries and turnover among football’s most recognizable names, Mahomes, the Kansas City quarterback, dazzled in a Super Bowl win over Philadelphia.
In the Free Russia Legion, soldiers repelled by Vladimir Putin’s invasion have taken arms against their home country, engaged in some of the most heated fighting in the war.
ARSCRONICA (February 12, 2023) – The Guggenheim Museum Bilbao is set to host a retrospective of Catalan artist Joan Miró that will display dozens of works made during his stay in Paris between 1920 and 1945.The temporary exhibition “Joan Miró. Absolute reality. Paris, 1920-1945” will open on Friday until May 28.
The Guggenheim Museum Bilbao presents Joan Miró. Absolute Reality. Paris, 1920–1945, an exhibition that explores the career between the years 1920 and 1945 of one of the most outstanding artists of the 20th century. The start of this fundamental period in Miró’s oeuvre is marked by the date of his first trip to Paris, a key city in his life and work, and it closes with the year when Miró, after producing his Constellations (1940–41) and then hardly painting at all for some years, created a great series of works on white backgrounds that consolidated his language of signs floating on ambiguous grounds.
In the 25 years of activity covered by the exhibition, there is a constant flow of new ideas ranging from his initial magic realism to his language of constellated signs. In this development, it becomes clear that prehistoric art, including rock paintings, petroglyphs, and statuettes, held a special interest for Miró, a fascination confirmed by his notebooks, where he proposes returning to the dawn of art in order to retrieve its original spiritual sense.
February 12, 2023:Emma Nelson, Lynne O’Donnell and Dipo Faloyin on the weekend’s biggest talking points. We also get the latest from our editorial director, Tyler Brûlé, in Bangkok and speak to Guy De Launey, Monocle’s man in the Balkans.
As the death toll in Turkey and Syria passed 28,000, Ankara was coming under growing criticism for its slow response and tolerance of shoddy construction.
Prime Minister Justin Trudeau said he and President Biden had ordered the object violating Canadian airspace to be taken down, a day after another object was shot out of the sky near Alaska.
Georgina Godwin and guests set the tone for the weekend. Simon Brooke reviews the day’s newspapers and Andrew Mueller recaps what we learned this week.
A new book digs into the communication giant’s troubled history as investors await a turnaround under CEO Robert Bakish and nonexecutive Chair Shari Redstone.
The first major aerial bombardment in weeks targeted cities across Ukraine, as President Volodymyr Zelensky returned home from a trip across Europe to press for more arms.
In places like West Virginia, money from three major laws passed by Congress is pouring into the alternative energy industry and other projects. “I think it’s a renaissance for the labor movement,” said one union official.
The first-term Democrat, who was released Friday after two days in the hospital, is coping with the lasting effects of a near-fatal stroke last year, and Congress is adapting to accommodate him.
“Unscripted,” an account by the Times journalists James B. Stewart and Rachel Abrams of the media titan Sumner Redstone’s final years, is a chronicle of corporate greed, manipulation, misogyny and sexual impropriety on a spectacular scale.
The Local Project (February 10, 2023) – A living work of art, La Scala by Richards & Spence is an architects’ own home that can be considered as a sequence of discovery and revelation. Located in Brisbane, the home is a contemporary monolithic structure of concrete, stone and greenery.
Video timeline: 00:00 – Introduction to the Iconic Monolithic Home 00:39 – The Inner-City Location 01:00 – Designing with Entertaining in Mind 01:35 – A Long Term Plan 01:52 – The Key to Planning 02:27 – A Walkthrough of the Home 02:53 – The Double Height Volume 04:00 – Spatial Contrast and Emotive Responses 04:44 – Blurring the Lines of Inside and Outside 05:32 – Materials for the Long Term 05:51 – Swaying from the City’s Nostalgia 06:08 – Building for a Hot Climate 06:33 – A Contrast to the Concrete 06:49 – The Project’s Biggest Success
Considering the life of the home and how it may look in 50 to 100 years, the architects have imagined a ruin-like appearance finished with raw materials and green life that blur the lines between liveable spaces. Designed as both a sanctuary for its owners and a place to entertain, the home’s layout unfolds from the ground up like a living work of art. Starting the home tour from the garage and lower ground, guests enter into a moody portico that offers privacy to the other levels upon arrival.
Moving on to the lower ground bedroom, the unique design showcases the owners’ desire to create an iconic residence that takes advantage of the homes location on the side of a hill. In the main bedroom, the architects employ reeded glass at the bottom of the double-height windows to add a playful reflection of light that turns the modern bedroom into a living work of art. Up on the middle floor, a guest bedroom and bathroom have been installed along with a spare bathroom for parties. However, in addition to the rooms, the middle level also holds a unique hallway with low height ceilings that terminates in a dark timber enclosure, suggesting a cave-like experience.
Lit only by a window that looks down into the lower bedroom, the enclosed hallway focuses upon spatial variety and the sequence of contrast throughout the home’s architecture. Comparing high and low, light and dark, rough and smooth, the architects have introduced materials and design choices that evoke an emotive response. Past the middle floor, the large room that holds the entertaining spaces, as well as the central courtyard, is filled with natural light and introduces plant life into the home, turning it into a living work of art. Filled with lush greenery, the middle courtyard is designed to let the plants grow without constraint. Ivy grows inside and out and blurs the lines between spaces, while the Zoysia grass has been chosen for its self-undulation.
With large single pours of concrete, the home appears as a living work of art that has been carved out of a single piece of material. Contrasting against the concrete and stone is brass and timber, which help to heighten the experience within and turns the masterpiece home into a living work of art. Holding and manipulating light, La Scala offers different experiences throughout the day, while the shared spaces bring a new level of social living for its owners and their guests.
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