The reconfigured galleries highlight fresh narratives and dialogues among more than 700 works of art from the Museum’s world-famous holdings, which include recently acquired paintings and prestigious loans, as well as select sculptures and decorative art, showcase the interconnectedness of cultures, materials, and moments across The Met collection.
Video timeline: 00:00 – Introduction to the 200 Year Old Home 01:02 – The Original Concept 02:13 – Seeking Perfection Through Form 03:00 – Behind The Material Palette 04:30 – The Relationship Between Builder and Architect 05:26 – Experiencing the Intimacy of the Home 06:50 – Favourite Aspects
“What we have tried to do is seek aspects of perfection in form that enable us to encourage something in the human condition which isn’t able to be seen, but is perhaps only able to be felt,” reflects Angelo. Here, the architect redesigns a 200 year old home in Sydney’s Watsons Bay. The front façade appears as a humble, one-storey traditional cottage that sits in contrast to the two-storey, modern, geometric façade at the rear. The way the architect redesigns a 200 year old home was a step away from the client’s original brief – removing the existing cottage and creating a large home.
After many discussions, the client developed a modesty about their brief. “It meant we could work with an incredibly quiet house… something that is purely an interior design,” says Angelo. The architect redesigns a 200 year old home with a material palette that is simultaneously robust, raw and refined. Timber flooring and ceilings make the space feel spacious yet cosy and is also used in the kitchen for joinery, the dining table and the base of the island bench. This is complemented by the heavy use of concrete for walls, stairs and detailing, softened by round curves. Styling is dominated by minimalist furniture and neutral tones.
This animated monologue is the first of four films examining the state of government, representation, rights and freedom.
Read more at https://www.ft.com/democracy
The exhibition provides context for the evolution of contemporary Native art, including the influence of modernism, post-war, and pop art.
Join the pair as they reveal works by Jaune Quick-to-See Smith, Fritz Scholder (Luiseño), Edgar Heap of Birds (Cheyenne and Arapaho Nation), and more.
Considered one of the greatest architects of all time, Frank Lloyd Wright produced over 1000 designs in a career spanning 70 years, revolutionizing architecture in the United States.
A pioneer of organic architecture, Wright believed any building should exist in harmony with its inhabitants and surroundings–a concept that runs through the veins of Tirranna. Join Stuart Graff, president and CEO of the Frank Lloyd Wright Foundation, as he walks you through one of the final designs of Wright’s career.
Video timeline: 00:00 – Introduction to the Architect’s Own Cabin 01:50 – The History of The Sea Ranch Community 02:19 – Unique and Special Aspects 02:35 – A Walkthrough of the Cabin 03:37 – Aligning with The Original Footprint 05:40 – The Sea Ranch Design Rules 06:50 – A Natural Material Palette 07:50 – Proud Moments
Originally designed in the 1970s by William Turnbull Jr. – one of Sea Ranch’s pioneering architects – the cabin now belongs to Berkeley-based architect Joanne Koch, who has renovated the cabin with humility and respect. Pleasingly, it still exhibits many of Sea Ranch’s defining tenets surrounding quiet and environmentally sustainable architecture, reimagined through a contemporary lens. Joanne considers herself to be a “steward and caretaker” of this historic house at Sea Ranch. Stepping inside an architect’s own cabin, it is easy to see how she has respected the original design intent by gently reimagining the architecture and interior design.
The house tour highlights various spaces inside an architect’s own cabin, such as the kitchen, bedrooms, garden, courtyard and balconies, illustrating a blend of contemporary and heritage ideals through the interior design, furniture and décor. The materials echo the cabin’s 1970s sensibility with a subtle contemporary edge, and a palette of moss green, blue and grey not only reflects the hues of the surrounding forest but complements the amber tones of the sugar pine throughout the home. The kitchen features new cabinetry and refined yet elemental fixtures to reflect the rudimentary nature of the cabin. The presence of the surrounding landscape inside an architect’s own cabin is significant. “You just have this feeling that you need to look up into the trees,” Joanne says.
Sea Ranch Forest Retreat illustrates the importance of taking an informed and intuitive approach to architecture of heritage significance. With thanks to Joanne’s sensitive response, this cabin will prevail as an important piece of modernist American architecture.
Twenty years after the one organised by the Centre Pompidou in 2003, this exhibition offers a fresh look at the artist’s work, drawing on more recent thematic exhibitions that have highlighted certain little-known aspects of his career (Antibes in 2014, Le Havre in 2014, Aix-en-Provence in 2018).
He was a late-comer to photography, buying his first camera when he turned forty and studying black-and-white technique at the International Center of Photography. His interests expanded to color imagery when he adopted digital photography in 2001.
He also reviews photography exhibitions for the New York Photo Review. He is a long-time member and past president of Soho Photo Gallery.
Explore more of Wayne’s work on his website at https://www.rwayneparsons.com/.
The Kleine Scheidegg is located directly at the foot of Eiger North Face. It is the watershed between the two Lütschinen valleys. It is a popular starting point for the Jungfrau train to the Jungfraujoch-Top of Europe station, the highest train station of Europe.
Recorded on January 11, 2024
Boomers Daily 