Category Archives: Stories

Preview: New York Times Magazine – April 24, 2022

Views: Ukrainian Artist Pavlo Makov’s ‘Fountain Of Exhaustion’ In Venice

Against all odds, a Ukrainian artist and his curators bring ‘Fountain of Exhaustion’ to Venice.

As Russia continues to attack Ukraine, Pavlo Makov’s work for the Venice Biennale carries with it a powerful message of determination and resilience.

Preview: New York Times Book Review – April 24

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Cover Preview: Barron’s Magazine – April 25, 2022

Columns

UP AND DOWN WALL STREET

Here Come the Rate Hikes. They Could Be Even Worse Than Many Feared.

Randall W. Forsyth

THE TRADER

Apple Is the Last FAANG Standing

Ben Levisohn

THE TRADER

Netflix’s Plunge Is a Wake-Up Call for Streaming

Nicholas Jasinski

THE TRADER

The Fed Finally Pushes the Market Over the Edge

Ben Levisohn

THE ECONOMY

Gold Is Headed Higher. It Isn’t Just Gold Bugs Who Think So.

Lisa Beilfuss

STREETWISE

Netflix Stumbles and Disney Takes Heat. Chill on the Stocks.

Jack Hough

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Reviews: ‘The Week In Art’

A Venice Biennale special: we give you a flavour of the 59th edition of the Biennale which, as ever, brings a deluge of contemporary art to the historic Italian city. 

We talk to four artists in the national pavilions – Francis Alÿs in the Belgian Pavilion, Sonia Boyce in the British pavilion, Shubigi Rao in the Singapore pavilion and Na Chainkua Reindorf in the Ghana pavilion – about their presentations and how, if at all, they relate to the idea of nationhood. Louisa Buck and Jane Morris join host Ben Luke to review the main exhibition, The Milk of Dreams, curated by Cecilia Alemani, and pick their highlights of the Biennale so far. And while most visitors to Venice this week are immersed in contemporary art, for this episode’s Work of the Week, we take a look at a masterpiece that remains exactly where it was intended to hang. The art historian Ben Street joins Ben Luke in San Giovanni Crisostomo, a church near Venice’s Rialto bridge, to look at Saints Christopher, Jerome and Louis of Toulouse, a late painting by the Venetian Renaissance artist Giovanni Bellini.

Venice Biennale, 23 April-27 November.

World Economic Forum: Top Stories – April 22, 2022

This week The World Economic Forum are highlighting 4 top stories – new solar panels that work at night, how Lithuania has cut Russian gas imports, first aid training in Ukraine, and how new e-chopsticks can add taste to your food.

Chapters: 00:15 Solar panels that work at night 01:45 Lithuania axes Russian gas 03:21 First aid training in Ukraine 05:46 E-Chopsticks add taste

Preview: The Economist Magazine – April 23, 2022

Preview: New York Review Of Books – May 12, 2022


May 12, 2022 issue cover

Painting Herself

From the beginning, female self-portraitists have chosen to show themselves at work, as if to demonstrate that they could handle a brush as well as male artists.

The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women’s Self Portraits

by Jennifer Higgie

The Self-Portrait

by Natalie Rudd


Venice Biennale: ‘Hanji House’ – The Grand Canal

Stefano Boeri Architetti has designed a site-specific pavilion made of a traditional Korean paper-folding technique and tangram for the 59th Venice Art Biennale which will open to the public from 23 April to 27 November 2022 in Italy

The pavilion, called Hanji House, is visible from the Grand Canal of Venice with its four-pyramidal roofs. The pavilion was designed to be in dialogue with an exhibition, titled Chun Kwang Young: Times Reimagined, as part of the Art Biennale. 

The exhibition features 40 large-scale mulberry-paper reliefs, sculptures and installations created by the Korean artist Chun Kwang Young at the Palazzo Contarini Polignac in Venice.

“Hanji” is the name of a traditional Korean paper made technique deriving from mulberry, also known as the “thousand years paper” due to its great resistance.