On our cover: @benmauk went hiking on the Zagros trail, which when finished, will be the first long-distance hiking route in all of Kurdistan. Can it help knit together a nation? https://t.co/sz5mJZeYy7 pic.twitter.com/fvq12ishPW
— NYT Magazine (@NYTmag) April 23, 2022
Category Archives: Stories
Views: Ukrainian Artist Pavlo Makov’s ‘Fountain Of Exhaustion’ In Venice
Against all odds, a Ukrainian artist and his curators bring ‘Fountain of Exhaustion’ to Venice.
As Russia continues to attack Ukraine, Pavlo Makov’s work for the Venice Biennale carries with it a powerful message of determination and resilience.
Preview: New York Times Book Review – April 24

- PICTURE BOOKS Lost, and Found, in Translation: 3 Picture Books About Language Turn Anglocentric Tropes on Their HeadEnglish is gibberish, “X” is for bear and a shared word is everyone’s cup of tea — in new work by Young Vo, Ellen Heck and Andrea Wang.By KORY STAMPERApril 22, 2022
- OUR READERS RESPOND People Cope With Tragedy by Writing Poems. Maybe They Shouldn’t.And other letters to the editor.April 22, 2022
- New in Paperback: Helen Oyeyemi and George SaundersSix new paperbacks to check out this week.By MIGUEL SALAZAR
Cover Preview: Barron’s Magazine – April 25, 2022
Columns
UP AND DOWN WALL STREET
Here Come the Rate Hikes. They Could Be Even Worse Than Many Feared.
Randall W. Forsyth
THE TRADER
Apple Is the Last FAANG Standing
Ben Levisohn
THE TRADER
Netflix’s Plunge Is a Wake-Up Call for Streaming
Nicholas Jasinski
THE TRADER
The Fed Finally Pushes the Market Over the Edge
Ben Levisohn
THE ECONOMY
Gold Is Headed Higher. It Isn’t Just Gold Bugs Who Think So.
Lisa Beilfuss
STREETWISE
Netflix Stumbles and Disney Takes Heat. Chill on the Stocks.
Jack Hough
Saturday Morning: News And Stories From London
Georgina Godwin covers the weekend’s biggest discussion topics, Charles Hecker reviews the newspapers and Monocle’s editor in chief Andrew Tuck is back with his weekend column.
Reviews: ‘The Week In Art’
A Venice Biennale special: we give you a flavour of the 59th edition of the Biennale which, as ever, brings a deluge of contemporary art to the historic Italian city.
We talk to four artists in the national pavilions – Francis Alÿs in the Belgian Pavilion, Sonia Boyce in the British pavilion, Shubigi Rao in the Singapore pavilion and Na Chainkua Reindorf in the Ghana pavilion – about their presentations and how, if at all, they relate to the idea of nationhood. Louisa Buck and Jane Morris join host Ben Luke to review the main exhibition, The Milk of Dreams, curated by Cecilia Alemani, and pick their highlights of the Biennale so far. And while most visitors to Venice this week are immersed in contemporary art, for this episode’s Work of the Week, we take a look at a masterpiece that remains exactly where it was intended to hang. The art historian Ben Street joins Ben Luke in San Giovanni Crisostomo, a church near Venice’s Rialto bridge, to look at Saints Christopher, Jerome and Louis of Toulouse, a late painting by the Venetian Renaissance artist Giovanni Bellini.
Venice Biennale, 23 April-27 November.
World Economic Forum: Top Stories – April 22, 2022
This week The World Economic Forum are highlighting 4 top stories – new solar panels that work at night, how Lithuania has cut Russian gas imports, first aid training in Ukraine, and how new e-chopsticks can add taste to your food.
Chapters: 00:15 Solar panels that work at night 01:45 Lithuania axes Russian gas 03:21 First aid training in Ukraine 05:46 E-Chopsticks add taste
Preview: The Economist Magazine – April 23, 2022
Preview: New York Review Of Books – May 12, 2022

Painting Herself
From the beginning, female self-portraitists have chosen to show themselves at work, as if to demonstrate that they could handle a brush as well as male artists.
The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women’s Self Portraits
by Jennifer Higgie
The Self-Portrait
by Natalie Rudd
Venice Biennale: ‘Hanji House’ – The Grand Canal
Stefano Boeri Architetti has designed a site-specific pavilion made of a traditional Korean paper-folding technique and tangram for the 59th Venice Art Biennale which will open to the public from 23 April to 27 November 2022 in Italy.
The pavilion, called Hanji House, is visible from the Grand Canal of Venice with its four-pyramidal roofs. The pavilion was designed to be in dialogue with an exhibition, titled Chun Kwang Young: Times Reimagined, as part of the Art Biennale.
The exhibition features 40 large-scale mulberry-paper reliefs, sculptures and installations created by the Korean artist Chun Kwang Young at the Palazzo Contarini Polignac in Venice.
“Hanji” is the name of a traditional Korean paper made technique deriving from mulberry, also known as the “thousand years paper” due to its great resistance.