Left to right: Gerald Cassidy, Cui Bono?, about 1911. Collection of the New Mexico Museum of Art: Gift of Gerald Cassidy, 1915 (282.23P). Gerald Cassidy, Midday Sun, North Africa, 1920s.
Denver Art Museum (March 27, 2023): Artworks in Near East to Far West: Fictions of French and American Colonialism(through May 29)present a range of representations from sympathetic to stereotyped. Indeed, racialized stereotypes such as the “Noble Savage” and odalisque (a woman in a female-only domestic space, or harem, who is often overly sexualized in European art) circulated throughout French Orientalism and western American art.
Acknowledging the ongoing harm of such representations, we knew that we needed to make space for diverse perspectives: essentially, to make room for the voices too often repressed or ignored in the artwork.
CBS Sunday Morning (March 26, 2023) – To photographers Bernd and Hilla Becher, the rapidly vanishing industrial architecture of Western Europe and North America were works of art. The German couple’s documentary images of transmission towers, gas tanks, blast furnaces and smokestacks – structures that signified the end of an industrial era – are being celebrated in a comprehensive retrospective now at the San Francisco Museum of Modern Art. Lee Cowan offers us a tour.
The renowned German artists Bernd and Hilla Becher (1931–2007; 1934–2015) changed the course of late twentieth-century photography. Working as a rare artist couple, they focused on a single subject: the disappearing industrial architecture of Western Europe and North America that fueled the modern era.
Their seemingly objective style recalled nineteenth- and early twentieth-century precedents but also resonated with the serial approach of contemporary Minimalism and Conceptual art. Equally significant, it challenged the perceived gap between documentary and fine art photography.
Christie’s (March 24, 2023) – Curator MaryAnne Stevens explains the inspiration for the National Gallery’s new show, which is sponsored by Christie’s. Dominated by Cezanne, Van Gogh, Gauguin and Munch, it also includes lesser-known figures such as Isidre Nonell and Max Slevogt.
Explore a period of great upheaval when artists broke with established tradition and laid the foundations for the art of the 20th and the 21st centuries.
The decades between 1880 and the outbreak of the First World War in 1914 were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation.
The exhibition celebrates the achievements of three giants of the era: Paul Cézanne, Vincent van Gogh and Paul Gauguin and follows the influences they had on younger generations of French artists, on their peers and on wider circles of artists across Europe in Barcelona, Berlin, Brussels and Vienna.
March 24, 2023: This week: Art Basel Hong Kong bounces back. After cancellations, delays and two years of restricted fairs, the fair has returned to something like pre-Covid normality.
So, as other Asian art centres like Seoul and Singapore become increasingly influential, what is the atmosphere like in Hong Kong? Gareth Harris, chief contributing editor at The Art Newspaper, joins us to discuss the fair, the M+ museum and more. It is becoming increasingly clear that social media corporations have become self-appointed cultural gatekeepers that decide which works of art can freely circulate, be pushed into the digital margins or even banned.
Our live editor, Aimee Dawson, talks to the artist Emma Shapiro and Elizabeth Larison, the Director of the Arts & Culture Advocacy Program at the National Coalition Against Censorship, about the issue and a project to counter this tendency, called Don’t Delete Art. And this episode’s Work of the Week is Naabami (thou shall/will see): Barangaroo (army of me), a photographic project by Brenda L. Croft, in which she depicts fellow First Nations women and girls.
The work is part of The National 4: Australian Art Now, a survey across multiple venues in Sydney. One of the show’s curators, Beatrice Gralton, tells us about Croft’s epic series.Art Basel Hong Kong, until 25 March.Visit Don’t Delete Art: dontdelete.artThe National 4: Australian Art Now continues until 23 July.
K11 Musea, Hong Kong – From the subway yards and parking lots of 1970s New York, K11 MUSEA’s third annual Art Karnival welcomes China’s largest street art exhibition, ‘City As Studio’!
Bleeding the city with the heart and soul of the art form, we take the plunge into the world of spray paint, tags, and throw-ups that steered a global cultural movement. Presented by K11 MUSEA and K11 Art Foundation, curated by “Champion of Graffiti and Street Art” Jeffrey Deitch,the exhibition brings the extensive history and evolution of street art to the people,
Over 100 works showcase the visions of more than 30 artists, including some of the most recognisable names of the medium — from veterans Jean-Michel Basquiat, Keith Haring, and FUTURA, to young bloods KAWS, AIKO, and more.
Museum of Fine Arts, Boston – Thanks to the popularity of works like the instantly recognizable Great Wave—cited everywhere from book covers and Lego sets to anime and emoji—Katsushika Hokusai (1760–1849) has become one of the most famous and influential artists of all time.
Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa-oki nami-ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) (detail), about 1830–31 Woodblock print (nishiki-e); ink and color on paper. William Sturgis Bigelow Collection.
Taking a new approach to this endlessly inventive and versatile Japanese artist, “Hokusai: Inspiration and Influence” explores his impact both during his lifetime and beyond. More than 100 woodblock prints, paintings, and illustrated books by Hokusai are on view alongside about 200 works by his teachers, students, rivals, and admirers, creating juxtapositions that demonstrate his influence through time and space.
Utagawa Hiroshige, The Sea off Satta in Suruga Province (Suruga Satta kaijō), from the series Thirty-six Views of Mount Fuji (Fuji sanjūrokkei), 1858 Woodblock print (nishiki-e); ink and color on paper. William Sturgis Bigelow Collection.
The great painter, book illustrator, and print designer Katsushika Hokusai (1760–1849) has become the best known of all Japanese artists and one of…
Members are invited to a special exhibition preview March 22–25 before it opens to the public, and can enjoy members-only hours on Sunday mornings during the run of the show. Join today!
The Metropolitan Museum of Art (March 19, 2023) – Go behind the scenes with artist Cecily Brown, who discusses the inspiration and making of Cecily Brown: Death and the Maid, the first full-fledged museum survey of Brown’s work in New York since she made the city her home.
Cecily Brown: Death and the Maid assembles a select group of some fifty paintings, drawings, sketchbooks, and monotypes from across her career to explore the intertwined themes of still life, memento mori, mirroring, and vanitas—symbolic depictions of human vanity or life’s brevity—that have propelled her dynamic and impactful practice for decades. On view April 4th, 2023 through December 3rd, 2023.
Sotheby’s (March 16, 2023) – Tim Marlow is back, and this month he’s taking us from London to Tokyo on a tour of some of the most exciting exhibitions to appear this decade.
It’s the 50th anniversary of Pablo Picasso’s death and The Musée National in Paris along with The Albertina Museum in Vienna are commemorating the occasion with two outstanding shows centered around the legendary artist’s work.
The new landmark Vermeer exhibition in Amsterdam showcases 28 known works by the artist, providing a rare opportunity to see a significant collection of his masterpieces in one place. Learn about these thrilling shows and more in this video.
The Museum of Modern Art (March 17, 2023) – In our latest ArtSpeaks episode, Eana Kim, Vilcek Fellow in Paintings and Sculpture chose Henri Matisse’s “Dance (I)” because his work led her life in an unexpected direction.
“What really struck me was Matisse’s journey from mastering all the academic skills to unlearning everything to create his own art,” Kim says. “He really tried to dig into and explore the fundamental elements, like forms and colors. He was looking into something more essential to create something pure. I needed to follow that path.”
In the online edition of MoMA’s ArtSpeaks program, we invite staff members, artists, and special guests to share personal impressions of an artwork in the galleries. Here, curator Eana Kim examines Matisse’s iconic expression of pleasure and joy.
News, Views and Reviews For The Intellectually Curious
CBS Sunday Morning (March 26, 2023) – To photographers Bernd and Hilla Becher, the rapidly vanishing industrial architecture of Western Europe and North America were works of art. The German couple’s documentary images of transmission towers, gas tanks, blast furnaces and smokestacks – structures that signified the end of an industrial era – are being celebrated in a comprehensive retrospective now at the San Francisco Museum of Modern Art. Lee Cowan offers us a tour.
Boomers Daily 