Located in Bordeaux’s former submarine base, the BASSINS DE LUMIÈRES will present monumental immersive digital exhibitions devoted to the major artists in the history of art and contemporary art. The submarine base’s surface area is three times the size of that of the Carrières de Lumières in Les Baux-de-Provence and five times that of the Atelier des Lumières in Paris.
The digital exhibitions will be perfectly adapted to the monumental architecture of the submarine base and will be reflected in the water of the four enormous basins, thereby adding a new dimension to the immersive experience. Visits will be conducted on gangways above the water and along the quays of the enormous basins.
On 17 April 2020, Culturespaces will open the largest digital art centre in the world: the Bassins de Lumières. France’s leading private operator in the management and promotion of monuments, museums, and art centres, Culturespaces is pursuing the creation of digital art centres and immersive exhibitions.
Vincent van Gogh (1853-1890) is one of the world’s most loved artists. His paintings, drawings and letters inspire people of all ages. His work can be admired in numerous museums around the world. Many places where the artist lived and worked can be visited, from the Netherlands to the South of France. About 25 organisations and museums in the Netherlands, Belgium and France have joined forces under the name Van Gogh Europe. Together they are actively engaged in maintaining and promoting Van Gogh’s heritage.
The Surrealist eye informed everything Miller did, and her work presents the world in a way that encourages us to view it in a different manner. Written and collected by her son Antony, Surrealist Lee Miller amasses more than one hundred full-page images from throughout the artist’s life as an attestation to her wonderful way of seeing.
In the 2000s, California-based painter Wayne Thiebaud began focusing on a series of mountain paintings, a subject he had first addressed in the 1960s and 1970s. Rendered in his signature confectionary palette, these colorful works combine memories of mountains he had seen in childhood and observations of the summits of the Sierra Nevada Range in Yosemite. With their heroic, exaggerated proportions and unusual perspectives, these paintings seem to combine fiction and reality. Conveying a sense of the sublime and the vast magnitude of our surroundings, they draw upon the history of landscape painting of the American West.
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