From Christie’s article (April 22, 2020):
From Switzerland to South America, from the South of England to the coast of Maine, they have been moved by mountains, oceans, deserts, plains, lakes and forests — we hope you will find their art every bit as stirring as we do
Russia’s pine forests
Siverskaya, located 70km south of St Petersburg, was a popular summer retreat for Russian city-dwellers in the 19th century. It was in Siverskaya and its neighbouring woods that Ivan Shishkin — one of Russia’s most famous landscape painters, dubbed ‘the patriarch of forests’ — created some of his best-known works.
Mount Emei, China
Mount Emei in Sichuan, southwest China, is the highest of China’s four sacred Buddhist mountains, reaching to 3,099 metres. The mountain is a place of pilgrimage, where dozens of temples and monasteries have been erected, and has been an inspiration for artists for centuries.
Wednesday 22 April, 2020 marks 50 years since the declaration of the first Earth Day in 1970 — an occasion on which to reflect on our natural world, and perhaps take action to help sustain it. In celebration of this anniversary, we look back on a selection of artists for whom nature — and our planet — has been an inspiration and guide.
Peggy Cyphers has a persistent vision of nature that she translates into richly colored and textured quasi-abstract paintings. She pours and lightly brushes countless layers of paint and sand onto the canvas until she achieves luminous and sumptuous surface. Approaching each canvas as a kind of garden where organic and geometric elements intermingle with intense light, she nurtures elaborate hybrid forms. David Ebony, ArtNet Magazine
In the summer of 1891, Claude Monet began to paint a row of poplar trees that lined the river Epte near his house at Giverny. The trees were auctioned off for timber shortly thereafter, but Monet made a deal with the purchaser to delay cutting them so he could continue to paint the trees through the autumn. Using a shallow rowboat that had slots in the bottom capable of holding several canvases at once, Monet painted twenty-four pictures of the poplars from his floating studio. 
is united in a very natural way in a creative concept. My artistic research is a constant blend between the worlds of architecture, painting, photography, graphic design, and fashion. At the base of my work, then, there is an artistic background very much linked to the Gestalt principles of visual perception. I try to avoid looking for inspiration only within the confines of my sector: I find that this often leads to a flattening of the creative result.
Boomers Daily 