Category Archives: Art

Paintings: J.M.W. Turner’s “Gledhow Hall” (1816)

This magnificent watercolour by J.M.W. Turner exquisitely captures the romantic painter’s love for the North of England. Discover how the “painter of light” depicted the sheer essence of time and atmosphere in this sumptuous watercolour of “God’s Own Country”.

Gledhow Hall, in Leeds, is still standing sentinel and today houses several luxury flats. Yet few are aware that the Hall and the Gledhow area itself is intrinsically linked with the family of Kate Middleton, the Duchess of Cambridge.

Gledhow Hall is on Gledhow Lane at its junction with Gledhow Wood Road. The land was originally monastic and was purchased from Queen Elizabeth I by the Thwaites family. Several notable Yorkshire families have owned the Hall, including the Becketts, the Benyons, the Dixons and the Coopers. The Hall, as seen today, was completed shortly after 1766, by York architect John Carr who had been responsible for Harewood House – the home of Princess Mary, Countess of Harewood, whose niece is Queen Elizabeth II.

Art Centers: Sculptor Auguste Rodin’s Enduring Appeal (Stanford Cantor)

Stanford University (July 20, 2020):

What makes Rodin’s sculptures “modern”?

The Three Shades, Rodin, Stanford
The Three Shades is among the works in the Rodin Sculpture Garden, adjacent to the Cantor Arts Center. The sculpture uses three separate casts of the same figure that has been rotated into different positions. (Image credit: L.A. Cicero)

The enduring appeal of Rodin, the modernity of his work, has to do with the way in which he makes visible an aesthetic of process – how, in other words, he takes traditional sculpture apart and puts it back together again in new and daring ways. Strategies of multiplication, scalability, fragmentation and recombinatory modes of assembly and display constitute some of the hallmarks of Rodin’s artistic practice.

Works by Rodin on view at the Cantor are often utilized by students and scholars from a range of disciplines, including medicine. In this moment, with outbreak of disease across the globe, what can Rodin’s works teach us about the relationship between art and nature?

Cantor Arts Center logoIt’s interesting that Rodin attracts so much attention from medical experts, especially here at Stanford, who have used his hands for diagnostic purposes. It’s true that Rodin was intensely interested in exploring pathologies of the body, especially now-discredited understandings of female hysteria. But there is also the irony that Rodin became furious after a critic accused him of making his first life-size figure through life casting, rather than modeling it himself. It should go without saying, but Rodin’s hands are not hands – not real ones, anyway – and their expressive forms don’t align neatly with the anatomical reality of hands in flesh and blood or even their more naturalistic counterparts. But the very fact that they elicit such responses demonstrates the power of art to provoke challenging questions that drive innovative paths of research that cut across disciplines, particularly in a university setting.

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Top Artists: Watercolor Painter Deborah Chabrian – “Vibrant Narratives”

Deborah Chabrian Artist“To me architectural and still life paintings are anything but still… they are personal narratives, full of life, that tell the story of a person, time, and place that I find… endlessly inspiring.”

Deborah Chabrian is a watercolor artist who transforms houses, gardens, and objects into vibrant narratives. Her paintings have been included in numerous exhibitions throughout the United States and awarded honors from The American Watercolor Society, The National Watercolor Society, The Portrait Institute, The National Academy of Design, and The Society of Illustrators. Her work graces more than 500 book covers and is featured in numerous books and magazines focusing on Fine Art.

Deborah Chabrian Artist Still Lifes

Passionate about art since childhood, Deborah was born and raised in Illinois, and won a full scholarship to Parson’s School of Design in NYC, from which she graduated with Honors. There she met her husband, portrait artist Edward Martinez, they are each other’s strongest supporter, and most critical second eye. Over the years they have studied with many inspired artists, most notably, teacher and master realist painter, Burton Silverman. As a lover of watercolor, Deborah discovered Silverman, first through his book, Breaking the Rules of Watercolor, which led to several years of personal study in his NYC atelier. Silverman said of Chabrian: “In some measure Deborah’s work is more than the watercolor medium she uses. Its excellence relies on her visual sensitivity and her expressive content to talk about the wonder of the ordinary, to reveal what our eyes usually just record without really seeing. In this regard, her work is very special indeed.”

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Cocktails With A Curator: “Vermeer’s ‘Officer And Laughing Girl'” (Video)

In this week’s episode of “Cocktails with a Curator,” get up close to one of the Frick’s three beloved Vermeer paintings, “Officer and Laughing Girl,” with Curator Aimee Ng. While enjoying your Kopstootje—a shot of jenever (a traditional Dutch liquor) paired with a pint of beer—join Aimee in examining the artist’s masterful skill at portraying light and exploring the complex histories behind a seemingly simple hat.

Johannes Vermeer, in original Dutch Jan Vermeer van Delft, was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague.

Artist Profile Video: The “Existential Sculptures” Of Alberto Giacometti

Sotheby's logoAlberto Giacometti is one of the most admired and sought-after sculptors of the 20th century. In this video, discover how his post-war work came to embody the ideas of Existentialism and how the influence of ancient sculpture led to the attenuated human form so emblematic of his oeuvre. Conceived in 1956-57, at the height of Giacometti’s international acclaim, ‘Femme Debout’ comes from an outstanding family collection of works from the European avant-garde.

Travels With A Curator: “Villa Barbaro, Maser” In Italy (The Frick Video)

In this week’s episode of “Travels with a Curator,” join Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator, on an excursion to one of his favorite places in the world, Villa Barbaro in Maser, Italy. Designed in the sixteenth century by Andrea Palladio, the villa is decorated floor to ceiling with magnificent frescoes by Paolo Veronese. The Frick is home to two allegorical paintings by Veronese that he produced in the 1560s, shortly after completing his work on the villa.

Artist Profile: Russian Abstract Painter Wassily Kandinsky (Sotheby’s)

Wassily Kandinsky
Wasslily Kandinsky

Wassily Kandinsky is widely considered one of the key artists in the development of 20th century abstraction. In this video, discover how an ability to see colours as sounds, and a fascination with spirituality in art, led Kandinsky to his breakthrough. Our upcoming cross-category ‘Rembrandt to Richter’ Evening Sale (28 July | London) features two jewel-like works by Kandinsky. ‘Murnau – Schloss Und Kirche II’ is an oil from Kandinsky’s sought-after 1908-1911 period. ‘Ohne Titel (Komposition)’ from 1914-15, is an exquisite watercolour in which Kandinsky finds harmony in colours that represent spirituality and intense passion. Both works come from an outstanding family collection of works from the European avant-garde.

Wassily Wassilyevich Kandinsky (1866 – 1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.

Artwork Tours: Vincent Van Gogh’s “The Bedroom” (Art Institute Chicago)

On this episode of Art Institute Essentials Tour, take a closer look at The Bedroom, painted by Vincent van Gogh in 1889. Vincent van Gogh painted three versions, including this one, of his bedroom in the “Yellow House” in Arles, France. To van Gogh, this picture symbolized relaxation and peace. However, to our eyes the canvas seems to teem with nervous energy, instability, and turmoil—an effect heightened by the sharply receding perspective.

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New Arts & Culture Books: “La Colombe d’Or – Saint Paul de Vence” (Assouline)

La Colombe d'Or - Assouline“Provence has a treasure; it’s a Colombe d’Or. It has the precious scent of thyme and nostalgia and the golden colour of olive oil and happy days. The Colombe is a part of my life. For me, it’s a place that’s as full of promise as of magnificent memories. The Colombe is indefinable, inimitable. I’m happy that today a book brings back the atmosphere of this place which is like no other in the world.”

La Colombe d’Or hotel and restaurant in the South of France is known all over the world as a privileged place where the Provençal art de vivre goes hand in hand with an astonishing private COLLECTION of modern art.

La Colombe d'Or - Assouline

First opened in 1920 as Chez Robinson, a café-bar with an open-air terrace, it quickly became a very popular meeting place and expanded into a small hotel and restaurant. The friendly atmosphere together with owner Paul Roux’s deep interest in the arts attracted many artists of the day, and the walls were soon covered by paintings, often exchanged for a stay or a few meals. As regular visitors to this beautiful place, Matisse, Braque, Léger, Calder, César, and many other artists have left magnificent works that now form part of the unique setting, including splendid pages in the fascinating guest books—presented to the world for the first time in this volume—in which the greatest artists of our time have drawn and signed moments of happiness. The next generation of the Roux family continues to care for the Colombe d’Or, and the art COLLECTION is still growing today.

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Top New Art Books: “The Irascibles: Painters Against The Museum – New York, 1950” (July 2020)

The first documentation of the legendary 1950 showdown between 18 leading abstract expressionists and the Metropolitan Museum of Art

In 1950, 18 American abstract painters signed an open letter addressed to the president of the Metropolitan Museum of Art to express their intense disapproval of the museum’s contemporaneous exhibit American Painting Today: 1950. The artists were William Baziotes, James Brooks, Fritz Bultman, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still and Bradley Walker Tomlin.

This artistic coalition, which included many members of the New York School and is now considered a watershed movement in mid-20th-century American art history, challenged the museum’s policies for their narrow understanding of what made certain art worth exhibiting. Though they resisted being labeled as a collective, media coverage of the museum boycott, which included a now-famous group portrait in Life magazine taken by photographer Nina Leen, ultimately contributed to the success of the 18 “irascibles” in what became known as the abstract expressionist movement.

This publication collects 18 paintings by the artists, images from Leen’s photoshoot and extensive documentation of the letter-writing process with relevant catalogs and magazines. Featuring more than 230 illustrations alongside original essays by several art historians and curators that examine the complex history of the New York School, this volume serves as a time capsule of the exciting period of early abstract expressionism in the United States.

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