This magnificent watercolour by J.M.W. Turner exquisitely captures the romantic painter’s love for the North of England. Discover how the “painter of light” depicted the sheer essence of time and atmosphere in this sumptuous watercolour of “God’s Own Country”.
Gledhow Hall, in Leeds, is still standing sentinel and today houses several luxury flats. Yet few are aware that the Hall and the Gledhow area itself is intrinsically linked with the family of Kate Middleton, the Duchess of Cambridge.
Gledhow Hall is on Gledhow Lane at its junction with Gledhow Wood Road. The land was originally monastic and was purchased from Queen Elizabeth I by the Thwaites family. Several notable Yorkshire families have owned the Hall, including the Becketts, the Benyons, the Dixons and the Coopers. The Hall, as seen today, was completed shortly after 1766, by York architect John Carr who had been responsible for Harewood House – the home of Princess Mary, Countess of Harewood, whose niece is Queen Elizabeth II.

It’s interesting that Rodin attracts so much attention from medical experts, especially here at Stanford, who have used his hands for diagnostic purposes. It’s true that Rodin was intensely interested in exploring pathologies of the body, especially now-discredited understandings of female hysteria. But there is also the irony that Rodin became furious after a critic accused him of making his first life-size figure through life casting, rather than modeling it himself. It should go without saying, but Rodin’s hands are not hands – not real ones, anyway – and their expressive forms don’t align neatly with the anatomical reality of hands in flesh and blood or even their more naturalistic counterparts. But the very fact that they elicit such responses demonstrates the power of art to provoke challenging questions that drive innovative paths of research that cut across disciplines, particularly in a university setting.
“To me architectural and still life paintings are anything but still… they are personal narratives, full of life, that tell the story of a person, time, and place that I find… endlessly inspiring.”
Alberto Giacometti is one of the most admired and sought-after sculptors of the 20th century. In this video, discover how his post-war work came to embody the ideas of Existentialism and how the influence of ancient sculpture led to the attenuated human form so emblematic of his oeuvre. Conceived in 1956-57, at the height of Giacometti’s international acclaim, ‘Femme Debout’ comes from an outstanding family collection of works from the European avant-garde.

“Provence has a treasure; it’s a Colombe d’Or. It has the precious scent of thyme and nostalgia and the golden colour of olive oil and happy days. The Colombe is a part of my life. For me, it’s a place that’s as full of promise as of magnificent memories. The Colombe is indefinable, inimitable. I’m happy that today a book brings back the atmosphere of this place which is like no other in the world.”