The tiny space accessible via the New Sacristy in the Museum of the Medici Chapels contains charcoal drawings attributed to Buonarroti and will be open on an experimental basis to small groups of visitors until March 30, 2024.
Category Archives: Art
Exhibitions: Hans Holbein At The Court Of Henry VIII
Discover how Holbein rose to become Henry VIII’s court painter and find out more about the techniques he used. See a rare moment where Holbein’s preparatory drawing and finished painting were reunited. Hans Holbein was one of the most talented artists of the 16th century.
From his arrival in England in search of work he rose to royal favor, chosen to paint the portraits of Henry VIII, his family and leading figures, among them Anne Boleyn and Sir Thomas More. By his death, Holbein’s work was as admired by his contemporaries as it is today. His portraits inspired the next generation of artists in their depictions of Edward VI, Mary I and Elizabeth I.
Previews: Holbein And The Renaissance In The North
Holbein and the Renaissance in the North
2 Nov 2023 – 18 Feb 2024
“The Städel Museum is prized far and wide for its major Old Masters exhibitions. After Rubens, Rembrandt and Reni, it now holds yet another exceptional show in store for the public. The Städel Museum is presenting the Renaissance in the North—a new and entirely unique style of painting that originated more than 500 years ago in the North of Europe at the threshold from the Middle Ages to the Early Modern period.“
Philipp Demandt, Director, Städel Museum
It brings together some 130 painting, drawings and prints by leading artists of the Northern Renaissance dating from the period of the 1480s through to the 1530s. These include two masterpieces by Holbein the Younger – the Solothurn Madonna (1522), on loan from the Kunstmuseum Solothurn, and The Madonna of Jacob Meyer zum Hasen (1526–28) from the Würth Collection.
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Arts & Literature: Ursula Magazine – FALL 2023
Ursula (FALL 2023): The new issue feature Takesada Matsutani, 86, who has lived and worked in Paris since the late 1960s, but he came of age as an artist in Osaka, Japan, as a member of the avant-garde Gutai movement. He has long worked in highly experimental ways with printmaking and artist’s books.
LIFE TO MATTER
Takesada Matsutani’s Paris
THE TOWN,
THE COUNTY,
THE DESERT,
THE DROP
Mark Bradford on history, painting and unstable places
Reviews: ‘The Week In Art’
The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.
We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.
We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.
The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org
Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk
Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.
International Art: Apollo Magazine – November 2023
Inside this issue:
Reviews: ‘The Week In Art’
The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?
We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.
And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.
Paris +, 20-22 October.
Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.
Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January.
Exposition: A Tour Of The ‘Paris+ Par Art Basel 2023’
Paris+ par Art Basel Paris 2023
A strong line-up of galleries from France was joined by exhibitors from across Europe, Africa, Asia, North and South America, and the Middle East for a global showcase of the highest quality. Reaching beyond the Grand Palais Éphémère, the fair presented an active cultural program from morning to night, all week, and throughout the city, through a robust program of collaborations with Paris’s cultural institutions and its city-wide sector Sites.
Exhibitions: Vertigo Of Color – Matisse, Derain, & The Origins Of Fauvism
Vertigo of Color: Matisse, Derain, and the Origins of Fauvism
October 13, 2023–January 21, 2024
Their daring, energetic experiments with color, form, structure, and perspective changed the course of French painting; it marked an introduction to early modernism and introduced Matisse’s first important body of work in his long career.
This exhibition, which is co-organized by The Metropolitan Museum of Art and the Museum of Fine Arts, Houston, emphasizes as never before the legacy of that summer and examines the paintings, drawings, and watercolors of Matisse and Derain through sixty-five works on loan from national and international museums, including Musée National d’Art Moderne, Centre Pompidou; National Galleries of Scotland; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; and the Museum of Modern Art, New York; as well as private collections.
The Arts: The ‘Etchings’ Of A Master Printer (MoMA)
As he inks, hand wipes, and rolls his final print through the press, he reflects on his philosophy. “My goal is to leave no fingerprints,” he says. All you see is the artist’s work. I’m just another pencil. I’m just another brush. But I want the pencil to be sharpened really well. I want the brush to be sable. And to do that and be completely spontaneous, I trust the materials.”
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