The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.

We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.

We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.

The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org

Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk

Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.

The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?

We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.

And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.

Paris +, 20-22 October.

Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.

Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January.