When Vladimir Putin sent his tanks over the Ukrainian border to seize Kyiv in February 2022, it’s unlikely he evisaged the mess he finds himself in today. Four-and-a-half years later, Russia remains bogged down in what is no longer simply a ground war but one increasingly being fought in the air by drones.
After years of nightly attacks from Russian ballistic missiles and Iranian-designed Shahed drones, Ukraine has responded by scaling up to become the world’s leading manufacturer of unmanned systems. Its retaliatory campaign targeting Russian energy and retail infrastructure is bringing the war to the doorsteps of Russians in Moscow, Crimea and beyond, making life distinctly uncomfortable for Putin and his regime’s messaging over a “special military operation” that was expected to last days rather than years.
For our big story this week, Luke Harding gained exclusive access to Ukraine’s elite drone strike force, going behind the scenes with senior commanders.
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People among the more than 70,000 who entered the Spanish enclave in north Africa last week describe the journey and their prospects to Okba Mohammad and Javier Jennings Mozo
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The Reform UK leader’s constituency takes in genteel resorts and one of England’s poorest villages. With a snap byelection approaching, Tim Burrows finds out what residents want from him and their views on the country at large
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The trillionaire Tesla owner has called the editor of the Economist a “traitor to the west” after a clash-filled interview. The truth must not be the loser, argues Jane Martinson
Culture | Why is the National Theatre shaking up Sophocles?
Australian theatre director Benedict Andrews’ bold new London production Electra/Persona, starring Cate Blanchett and Nina Hoss, fuses Sophocles and Ingmar Bergman. Mark Lawson asks what it tells us about how we live today
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