Times Literary Supplement (April 10, 2024): The latest issue features ‘Man Into Marble’ – Corin Throsby and Kathryn Sutherland on the real Byron; Anthony Burgess on music; Left in charge at the palazzo; Revolutionary Russia; A shorter Long Day’s Journey and What is lyric verse?…
The covert operation, described by U.S., Iranian and Israeli officials, is heightening concerns that Iran is seeking to turn the West Bank into a flashpoint in its shadow war with Israel.
Jared Kushner’s Affinity Partners has invested more than $1.2 billion, much of it in firms abroad, drawing new scrutiny as his father-in-law, Donald Trump, again seeks the presidency.
Five European countries have recently restricted hormone treatments for adolescents with gender distress. They have not banned the care, unlike many U.S. states.
Recruiting convicts for its army has given Russia a manpower advantage. But it is backfiring in tragic ways when former inmates are pardoned and return home to commit new crimes.
The Wendy’s debacle is a warning shot for brands: If you want to play with prices, make sure to communicate why and whom it could help.
President Biden sends arms to Israel under an Obama-era $38 billion aid agreement that runs until 2026. Israel’s purchases include the types of bombs dropped in Gaza.
Despite growing pressure from President Biden, the Israeli prime minister appears in no rush to end the war in Gaza. Some think he has political reasons for extending the stasis.
Video Timeline: 00:00 – Intro 00:26 – Carriers 02:06 – Technology 04:31 – Importance 05:28 – Background 06:03 – Future Plans 07:14 – Threats 08:15 – Balance Of Power 09:14 – Credits
THE NEW YORK TIMES MAGAZINE (April 6, 2024):The latest issue features…
Inside the notorious “catch and kill” campaign that now stands at the heart of the former president’s legal trial.
He’s a wild, monomaniacal jerk. He’s also our greatest interpreter of American manners since Emily Post.
Monocle on Saturday Podcast (April 6, 2024): Terry Stiastny updates Georgina Godwin on the Wirecard fugitive case and discusses the honeytrap scandal that has rattled Westminster this week.
We examine the history of honeytrap scandals and look back at the lives of two extraordinary people: journalist Hella Pick and author Lynne Reid Banks. Plus: twins Dina and Rosabella Gregory take us through their new opera, ‘The Haberdasher Prince’, and Louise Doughty joins to talk about her guest edition of Writers Mosaic, ‘Blood and belonging: Traveller Writers’.
“It’s a serious event that we’re responsible for, and it shouldn’t have happened,” Rear Adm. Daniel Hagari said of the strike that killed seven World Central Kitchen workers.
The president has put Israel’s leader “on probation,” as a veteran diplomat put it. The threat is not idle, aides said, but he wants to force a course correction rather than follow through.
An earthquake struck the Northeast on Friday, rippling from Philadelphia to Boston.
Federal prosecutors and F.B.I. agents are scrutinizing international flights taken by Mayor Eric Adams of New York aboard Turkey’s national air carrier, Turkish Airlines.
BARRON’S MAGAZINE – APRIL 8, 2024 ISSUE:
Pfizer’s patent expirations are great for humanity but terrible for investors. It’s a common story across the drug industry.
After finally securing approval from regulators, the new Bitcoin ETFs gained an average 42.6%.
Don’t put all your cards in the Magnificent Seven. These stock funds offer investors true diversification—and that will pay off in more growth opportunities and better protection.
THE NEW YORK TIMES BOOK REVIEW (April 5, 2024): The latest issue features Stephen King’s first novel, “Carrie,” published 50 years ago. The Book Review editors weren’t sure what to do with it, so they handed it to their mystery columnist, Newgate Callendar. He called it “brilliant” but conceded, “Maybe, strictly speaking, it is not a mystery.” Still, he added, “That this is a first novel is amazing. King writes with the kind of surety normally associated only with veteran writers.”
“Carrie” was published in 1974. Margaret Atwood explains its enduring appeal.
By Margaret Atwood
Stephen King’s “Carrie” burst upon an astonished world in 1974. It made King’s career. It has sold millions, made millions, inspired four films and passed from generation to generation. It was, and continues to be, a phenomenon.
“Carrie” was King’s first published novel. He started it as a men’s magazine piece, which was peculiar in itself: What made him think that a bunch of guys intent (as King puts it) on looking at pictures of cheerleaders who had somehow forgotten to put their underpants on would be riveted by an opening scene featuring gobs of menstrual blood? This is, to put it mildly, not the world’s sexiest topic, and especially not for young men. Failing to convince himself, King scrunched up the few pages he’d written and tossed them into the garbage.
As “Carrie” turns 50, George R.R. Martin, Sissy Spacek, Tom Hanks, the Archbishop of Canterbury and others recall the powerful impact the writer’s work has had on their lives.
In the late ’70s the image of Carrie covered in blood at the high school dance was already part of the national narrative — in a fun way. Struggling to afford the rent and the diapers while navigating those first years of a creative journey in the big city, I had not seen the movie nor read the book. Then a copy of “The Stand” was being gobbled up by our gang — read in a fever pitch on every subway ride and first thing in the morning. Once done, the copy was passed along to the next pair of eyes and promptly devoured.
A clear-eyed and urgent vision for a new system of political governance to manage planetary issues and their local consequences.
Deadly viruses, climate-changing carbon molecules, and harmful pollutants cross the globe unimpeded by national borders. While the consequences of these flows range across scales, from the planetary to the local, the authority and resources to manage them are concentrated mainly at one level: the nation-state. This profound mismatch between the scale of planetary challenges and the institutions tasked with governing them is leading to cascading systemic failures.
Produced by Studio B. at the Berggruen Institute
Animation by Meysam Qaderi
Illustration by Akram Esmaili
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