An interview with Howardena Pindell + Gainsborough’s Blue Boy and friends +The Humboldt Forum finally opens + Medieval Christian art in Georgia + Plus: Kazakh gold in Cambridge, Dürer’s wanderlust, rocks that look good enough to eat – and are New Towns old hat?
In a step towards creating intelligent cyborg brains, Cortical Labs in Melbourne have trained lab-grown brain organoids to play a classic 1970s video game. The team explains how the brain cells live in a Matrix-like, simulated world, where all they know is Pong.
And there’s more AI news, as the team digs into DeepMind’s invention of a ‘search engine’ style supercomputer, one much smaller than its competitors. The team discusses sleep, and how manipulating the hypnagogic phase of sleep can lead to bursts of creativity. As the holiday season approaches, Omicron shows no signs of letting up, so the team brings you up to speed on what we know so far. And they bring two bird related stories, one about the superpowers of zebra finches and the other about the link between personality types and feather colours in turkeys. On the pod are Rowan Hooper, Penny Sarchet, Michael Le Page, Clare Wilson and Matt Sparkes. To read about these stories and much more, subscribe at newscientist.com/podcasts.
In 2021, COVID-19 vaccines were put to the test. Here’s what we learnedVaccines can’t single-handedly end the pandemic, but they are still essential in the fight against the coronavirus. By Science News Staff
A “marvelous” (Lauren Groff) and “gentle, mysterious and profound” (Marina Abramović) novel about a woman who has come undone.
A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.
In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art – which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes’s disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.
What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos.
White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.
Boomers Daily 