“Human flourishing refers to a wholeness — of being and doing, of realizing one’s potential and helping others do the same, of acting with honor and treating others with dignity, of living with integrity even in challenging circumstances. It is not the same as happiness, and it is not just a state of mind. The well-lived life is a life of human flourishing.”
An inclusive vision of mathematics—its beauty, its humanity, and its power to build virtues that help us all flourish
For mathematician Francis Su, a society without mathematical affection is like a city without concerts, parks, or museums. To miss out on mathematics is to live without experiencing some of humanity’s most beautiful ideas.
In this profound book, written for a wide audience but especially for those disenchanted by their past experiences, an award‑winning mathematician and educator weaves parables, puzzles, and personal reflections to show how mathematics meets basic human desires—such as for play, beauty, freedom, justice, and love—and cultivates virtues essential for human flourishing. These desires and virtues, and the stories told here, reveal how mathematics is intimately tied to being human. Some lessons emerge from those who have struggled, including philosopher Simone Weil, whose own mathematical contributions were overshadowed by her brother’s, and Christopher Jackson, who discovered mathematics as an inmate in a federal prison. Christopher’s letters to the author appear throughout the book and show how this intellectual pursuit can—and must—be open to all.
can develop a conditioned fear of not being able to sleep, which puts them in a state of hyperarousal when they attempt to fall asleep. This makes their inability to sleep a self-fulfilling prophecy.
British architectural designer John Pawson has, in a career spanning over three decades, created an inimitable body of work characterized by its distillment of the fundamental ingredients of architecture into their most elemental, elegant expressions.
approach, Pawson is sensitive to the intimate rituals of daily life and his buildings are far from austere: instead, they elegantly make the case for the clarity and freedom to be found in the act of reduction.
Beneath his smooth, genial, almost inhumanly productive and evasive surface, there were turbulent waters. His very name, for all its air of Ivy League ease, represents a burdened legacy. The Porters were his difficult, scapegrace father’s family; the Coles were his mother’s rich and ambitious Indiana family. He was a Porter by birth but, if his mother had anything to do with it, would be a Cole for life.
Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical Prometheia, a trilogy of plays attributed to Aeschylus. Shelley’s play concerns Prometheus’ release from captivity, but unlike Aeschylus’ version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released.
Author Paul Zollo conducted a series of in-depth discussions with Tom about his career, with special focus on his songwriting. The conversations are reprinted here with little or no editorial comment and represent a unique perspective on Tom’s entire career. Originally published in 2005 (also by Omnibus Press), Tom’s wife Dana has fully approved this updated edition, which retains its foreword by Petty, adds additional interview material, an expanded introduction as well as additional photos from Petty’s last ever live performance. This is, perhaps, as close as you can get to an autobiography by the great man.
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