Users of the internet can ignore its physical underpinnings. But for technologies like artificial intelligence and the metaverse to work, others need to pay attention, argues Abby Bertics
The New Yorker (January 29, 2024): The new issue‘s cover featuresSarula Bao’s “Lunar New Year” – The artist depicts the joys of gathering with loved ones, around a table of good food
As the general manager of the Jay Peak ski resort, Bill Stenger rose most days around 6 a.m. and arrived at the slopes before seven. He’d check in with his head snowmaker and the ski-patrol staff, visit the two hotels on the property, and chat with the maintenance workers, the lift operators, the food-and-beverage manager, and the ski-school instructors—a kind of management through constant motion. Stenger is seventy-five, with white hair, wire-rimmed reading glasses, and a sturdy physique that makes him look built for fuzzy sweaters.
The Perverse Policies That Fuel Wildfires
We thought we could master nature, but we were playing with fire.
With elections postponed and no end to the war with Russia in sight, Volodymyr Zelensky and his political allies are becoming like the officials they once promised to root out: entrenched.
Prospect Magazine (March 2024) – The latest issue features ‘How The Government Captured The BBC’ – A faceless fixer – and a broadcaster in a state of ‘permanent cringe’…
We do not choose where we are born. That creates rights—and obligations—that we should all seek to honour
Conflict, human rights abuses and climate change have led to a doubling of the global refugee population in the last seven years, and yet the response of many wealthy countries has become increasingly insular and myopic. Constant demands to slash international aid, along with punitive immigration policies and hateful rhetoric, mark a shift away from humanitarian values. The UK’s Rwanda scheme epitomises this trend: it would normalise the mass deportation of asylum seekers and undermine prohibitions on returning refugees to dangerous countries. At the same time, citizens of wealthy countries appear increasingly indifferent to the plight of those who perish in the Mediterranean or along other perilous routes.
The Guardian Weekly (January 25, 2024) – The new issue features ‘True Colours’ – What the AFD really wants for Germany; The fading hopes for Middle East Peace; Trump’s victory and DeSantis’s doomed campaign…
Events in the Middle East continue to unfold at a bewildering pace, with pockets of conflict opening up across the region. Diplomatic editor Patrick Wintour rounds up a week of flashpoints and assesses increasingly slim hopes for controlling the situation. And Oliver Holmes provides a revealing profile of Yemen, one of the most unchanging and least visited countries in the Middle East.
The Weekly went to press before news of Donald Trump’s victory in the New Hampshire Republican primary on Tuesday night, but you can catch up with all the latest Guardian coverage and reaction here. In the magazine, David Smith delivers a postmortem on Ron DeSantis’s doomed campaign, while Jonathan Freedland argues that Trump’s march to the White House can still be stopped.
Our long-read features take somewhat divergent paths this week. First, Charlotte Edwardes meets Gary Lineker, the former England footballer turned TV presenter whose penchant for regularly airing his liberal worldviews has made him public enemy No 1 for Britain’s anti-woke brigade.
Then, Chananya Groner unearths a remarkable story of factionalism and messianic fervour within New York’s Hasidic Jewish community, stretching back 30 years, which led to secret tunnels recently being discovered beneath a Brooklyn synagogue.
And in Culture, Charlotte Higgins meets the classical musicians Dalia Stasevska and Joshua Bell, who are resurrecting a long-forgotten Ukrainian concerto as a gesture of defiance to Russia.
Finally, we’re on the lookout for your best photographs of the world around us. For a chance for your picture to feature in the magazine, send us your best shot, telling us where you were in the world when you took it and why the scene resonated with you at that particular time.
The New Yorker (January 22, 2024): The new issue‘s cover featuresRoz Chast’s “Bird Bath” – The artist depicts her favorite antidote for dreary winter weather: a nice, hot bath.
As a young man in the nineteen-eighties, Tucker Swanson McNear Carlson set out to claim his stake in the establishment. His access to money and influence started at home. His stepmother, Patricia, was an heir to the Swanson frozen-food fortune. His father, Dick, was a California TV anchor who became a Washington fixture after a stint in the Reagan Administration. For fortunate clans like the Carlsons, it was “A Wonderful Time,” to borrow the title of a volume of contemporaneous portraits of “the life of America’s elite,” which included “the Cabots sailing off Boston’s North Shore, and Barry Goldwater on the range in Arizona.”
There are few Hollywood families in which one famous director has spawned another. Coppola says, “It’s not easy for anyone in this business, even though it looks easy for me.”
When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
Monocle on Saturday, January 20, 2024: What are the key takeaways from the interview with German defence minister, Boris Pistorius? Which country is the common link in the recent Middle Eastern conflicts, and why?
Join Georgina Godwin and Austrian journalist Tessa Szyszkowitz for this and more from the week’s news and culture. Plus: Monocle’s Lilian Fawcett visits Singapore’s international art fair, ART SG, to find out how Singapore is trying to establish itself as a global art hub.
The Guardian Weekly (January 18, 2024) – The new issue features ‘State Of Emergency’ – How drug cartels upended Ecuador; Why Houthi anger could spread war; Are aliens already among us?…
Not long ago, Ecuador was chiefly known for its volcanoes, wildlife and eco-tourism. It’s an image that may now need some rehabilitation after chaos and bloodshed sparked by the prison escape last week of Adolfo Macías, the country’s most notorious gang leader and drug lord.
With cartels from Peru and Colombia routinely funnelling narcotics through Ecuador’s ports en route to Europe, Latin America correspondent Tom Phillips reports on a rising problem that threatens to tear apart the once-peaceful Andean state.
In the Middle East, Yemen’s Houthi rebels could stymie the increasingly slim chances of preventing a regional war. With the US and UK bombing Houthi bases in response to attacks on commercial shipping, diplomatic editor Patrick Wintour recounts the Houthis’ rise and why military strikes against them may not lead to the desired outcome.
London Review of Books (LRB) – January 17, 2024: The latest issue features ‘Living With Keats’ – A Brief Life in Nine Poems and One Epitaph; Congress vs Harvard; The West’s Fight to Reverse the Russian Revolution, and more…
Looking back to September 1820, when things had gone badly wrong but not yet so grotesquely as to be visibly beyond repair, we can see how few and how poor Keats’s options were. Surely it was better that (in the absence of other volunteers) the young artist Joseph Severn agreed to travel with the dying poet to Rome that autumn than that he had refused.
Financial Times (January 17, 2024) – In a year in which more than half the world goes to the polls, acclaimed novelist Margaret Atwood asks whether democracy is fragile and easily destroyed or flexible and resilient.
This animated monologue is the first of four films examining the state of government, representation, rights and freedom.
Prospect Magazine (March 2024) – The latest issue features ‘How The Government Captured The BBC’ – A faceless fixer – and a broadcaster in a state of ‘permanent cringe’…
Financial Times
Boomers Daily 