The Life and Death of Hollywood
Film and television writers face an existential threat
In 2012, at the age of thirty-two, the writer Alena Smith went West to Hollywood, like many before her. She arrived to a small apartment in Silver Lake, one block from the Vista Theatre—a single-screen Spanish Colonial Revival building that had opened in 1923, four years before the advent of sound in film.
Smith was looking for a job in television. She had an MFA from the Yale School of Drama, and had lived and worked as a playwright in New York City for years—two of her productions garnered positive reviews in the Times. But playwriting had begun to feel like a vanity project: to pay rent, she’d worked as a nanny, a transcriptionist, an administrative assistant, and more. There seemed to be no viable financial future in theater, nor in academia, the other world where she supposed she could make inroads.
The Race for Second Place
The Republican primaries as farce
On the Saturday before the Iowa caucuses, the super PAC supporting Florida governor Ron DeSantis staged a “drop by” for the candidate at its headquarters in West Des Moines. Outside the modernist office park, much of the Upper Midwest was under a deep freeze brought on by a low-pressure system that had deposited more than a foot of snow in advance of a surge of arctic air that brought the wind chill into the negative thirties. Despite the atrocious road conditions, DeSantis was keeping his schedule as a “special guest” of the Never Back Down PAC, beginning the day at the far western end of Iowa, in Council Bluffs, and concluding it three hundred miles east, in Davenport.
The Economist
Boomers Daily 