The year 2020 marks the one-hundredth anniversary of the ratification of the 19th Amendment, which granted millions of women in the U.S. the right to vote. The Frick is celebrating with a series of videos honoring the stories of women who made, appeared in, collected, and took care of art in this collection.
Frick Curator Aimee Ng continues the series with a look at the model, actress, dancer, writer, and artist known as “Miss Manhattan”—Audrey Munson.
Audrey Marie Munson was an American artist’s model and film actress, today considered “America’s First Supermodel.” In her time, she was variously known as “Miss Manhattan”, the “Panama–Pacific Girl”, the “Exposition Girl” and “American Venus.”
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.
This fall, The Frick Collection will present the first-ever exhibition on the Florentine sculptor Bertoldo di Giovanni (ca. 1440–1491), a renowned student of Donatello, a teacher of Michelangelo, and a great favorite of Lorenzo “il Magnifico” de’ Medici, his principal patron. More than twenty statues, reliefs, medals, and statuettes — constituting nearly his entire extant oeuvre — will be on view exclusively at the Frick, which houses the only sculptural figure by Bertoldo outside of Europe. The exhibition will
highlight the ingenuity of the artist’s designs across media, including bronze, wood, and terracotta, and provide the first chance to fully explore longstanding questions of attribution, function, groupings, and intended display. Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence will bring into focus the sculptor’s unique position at the heart of the artistic and political landscape in fifteenth-century Italy.
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